This volume presents the ideas of the main actors of the political scene in the Hungarian Kingdom during the long 19th century (1790-1920). Organised around key political thinkers, the book considers the most significant paradigms of thought associated with these figures and the critical political events of the day. Beginning with an introductory overview of 19th-century Hungary in a European context, which includes the main features of Hungarian political thought, 19th-Century Hungarian Political Thought and Culture explores the fundamental characteristics of the country's political system and the geopolitical background to political discourse in the region at the time. The contributors reflect on the stories of some of the most influential voices, as well as their networks, impacts and legacies. Through this, the book is able to offer novel insights into how Western political culture was perceived and adapted in a country long considered by many to belong to the European periphery.

This volume presents the ideas of the main actors of the political scene in the Hungarian Kingdom during the long 19th century (1790-1920). Organised around key political thinkers, the book considers the most significant paradigms of thought associated with these figures and the critical political events of the day. Beginning with an introductory overview of 19th-century Hungary in a European context, which includes the main features of Hungarian political thought, 19th-Century Hungarian Political Thought and Culture explores the fundamental characteristics of the country's political system and the geopolitical background to political discourse in the region at the time. The contributors reflect on the stories of some of the most influential voices, as well as their networks, impacts and legacies. Through this, the book is able to offer novel insights into how Western political culture was perceived and adapted in a country long considered by many to belong to the European periphery.

Opera was a prominent political forum and a potent force for nineteenth-century nationalism. As one of the most popular forms of entertainment, opera could mobilize large crowds and became the locus of ideological debates about nation-building. Despite its crucial role in national movements, opera has received little attention in the context of nationalism. In Staging the Nation: Opera and Nationalism in 19th-Century Hungary, Krisztina Lajosi examines the development of Hungarian national thought by exploring the theatrical and operatic practices that have shaped historical consciousness. Lajosi combines cultural history, political thought, and the history of music theater, and highlights the role of the opera composer Ferenc Erkel (1810-1893) in institutionalizing national opera and turning opera-loving audiences into a national public.

Based on a professional lifetime of research, teaching and passionate scholarly debates, the author reassesses some of the key events, turning points, concepts, personalities, categories, institutions and legal framework on which Hungary’s constitutional and social progress rested from the mid-nineteenth to the early twentieth century.

Explores the impact of colonial North America and the pre-world- power US on events in Hungary over 300 years, but especially during the first half of the 19th century when a bourgeois society was emerging. Shows how Hungarians took inspiration from the conquest of the American wilderness as they battled the Ottoman Empire in the 16th and 17th centuries, from the settlement of the Great Plains as they repopulated the desolate Great Hungarian Plain in the 18th century, from the US War of Independence as they were swallowed by the Austrian empire, and from the modernization of the 19th century as they tried to create similar social and political structures. Annotation copyright by Book News, Inc., Portland, OR

Another Hungary tells the stories of eight remarkable individuals: an aristocrat, merchant, engineer, teacher, journalist, rabbi, tobacconist, and writer. All eight came from the same woebegone corner of prewar Hungary. Their biographies illuminate how the region's residents made sense of economic underdevelopment, ethnic diversity, and relations between Christians and Jews. Taken together, their stories create a unique picture of the troubled history of Eastern Europe, viewed not from the capital cities, but from the small towns and villages. Through these eight lives, Another Hungary investigates the wider processes that remade Eastern Europe in the nineteenth century. It asks: How did people make sense of the dramatic changes, from the advent of the railroad to the outbreak of the First World War? How did they respond to the army of political ideologies that marched through this region: liberalism, socialism, nationalism, antisemitism, and Zionism? To what extent did people in the provinces not just react to, but influence what was happening in the centers of political power? This collective biography confirms that nineteenth-century Hungary was no earthly paradise. But it also shows that the provinces produced men and women with bold ideas on how to change their world.

From the 1860s onward, Habsburg Hungary attempted a massive project of cultural assimilation to impose a unified national identity on its diverse populations. In one of the more quixotic episodes in this “Magyarization,” large monuments were erected near small towns commemorating the medieval conquest of the Carpathian Basin—supposedly, the moment when the Hungarian nation was born. This exactingly researched study recounts the troubled history of this plan, which—far from cultivating national pride—provoked resistance and even hostility among provincial Hungarians. Author Bálint Varga thus reframes the narrative of nineteenth-century nationalism, demonstrating the complex relationship between local and national memories.