1968 was the year when humans first glimpsed the far side of the Moon, but also the year the world was shocked by assassination, by the crushing of hope for reform and by wars that showed no sign of ever ending. To the old there seemed too much change, too quickly, with youth in revolt, though against what no one was entirely sure ... 'Hey Jude', sang the Beatles, with a refrain that lingered long into the summer night, 'Don't make it bad, take a sad song and make it better'...

A fascinating tale of a young school boy's exploits in his quest to spot every steam locomotive in the UK during the 1950s & 1960s, until steam finished on British Railways on 4th August 1968. at the time I lived in North Hertfordshire, so my trainspotting days began mainly at Hitchin on the ECML. I later moved to Guildford and carried on from there. I was fortunate in that I recorded virtually all my activities and furthermore have retained those records to this day. In those days before computers and mobile phones Trainspotting was one of the most popular hobbies in the country. My travels covered virtually the whole of the UK over a 10 year period. During that time along with my friends we had lots of interesting and sometimes amusing incidents; such as the Castleford 'Snow' occurrence; contretemps with a herd of Bullocks; run-ins with the law and shed foremen; sleeping rough on many occasions; a scary walk over Crumlin viaduct; our coach catching fire on the M1; plus many more. we visited locomotive sheds over 600 times during which I recorded in excess of 21,000 engines! We travelled by any means available; coach; bus; mini-bus; bicycle; car; motorbike; train; ferry; and a lot of hitchhiking! The latter including one such ride on a 9F which took me right into the shed I was about to bunk! We would take every opportunity to be by our beloved steam engines, daily on the way to & from school, then again in the evenings and every 2-3 weeks off an a tour somewhere in the UK some of these lasted 4 -5 days, often with rather dubious overnight accommodation! these tours were to all parts of the UK, from South Wales to Aberdeen, the Northwest, Northeast, Midlands, North Wales, south to Brighton, Southampton, Isle of Wight, West country and dozens of other locations The book has full colour card covers, is A4 portrait style of 185 pages and over 100 B & W photos. At the end of the text are two appendices, the first lists every shed visited and the relevant dates, the second lists in chronological order every locomotive seen, its shed and date. Barrie

We proudly present a new and updated edition of the author's critically acclaimed 2002 title 'Those Were The Days' - the definitive chronicle of The Beatles' Apple organisation.Much has changed within the music industry since the original publication of 'Those Were The Days', and the music and business of The Beatles and Apple has not been exempt from those changes. Since 2002, the organisation has learned to function in a digital world, The Beatles have become a Las Vegas attraction and accompanying brand, and have taken tentative steps into a marketplace that now demands a steady supply of archival reissues and creative repackaging. Perhaps most notably, and ironically, Apple also undertook a lengthy legal battle with one of the most powerful organisations on the planet, the omnipresent Apple Inc., whose technology largely enabled those wholesale changes to an industry whose model was cemented by The Beatles' unprecedented multi-media popularity during the 1960s and beyond.Nevertheless, Apple and its extended stable of artists (Mary Hopkin, James Taylor, Badfinger, Billy Preston, Hot Chocolate and many more), has endured into the 21st Century. In fact, Apple never really went a

"All in the Family; history of the show--why it matters now. How it was progressive for its time"--

Those were the days' is the third book in the `Travels with Susie' series. Like the first two, this book is a collection of essays, some of which first saw the light of day as the author's newspaper columns. The topics will appeal to almost everyone; containing a bit of fact, a little geography, some enjoyable history and of course, travel stories with a brand of quirky humor not found anywhere else. The topics will appeal to almost everyone beginning with a bit of nostalgia. We'll go back in time for a couple of tales, then learn how to cope with a 60 year old teenage love interest and finally, more of what living with Susie is really like. In the travel tales, we will ride along with Susie and the author as they spend a winter in Texas working on a National Wildlife Refuge, devote a wonderful summer to a National Historic Site in Washington State's San Juan Islands and enjoy with them their experiences in many of the other favorite places the author and his wife have visited. For those of you approaching retirement, there is a section that the author dubbed `Getting old; not for Sissies.' Here are stories with light hearted looks at the aging process that will strike a chord of familiarity and stories that guarantee both laughter and tears. Learn right along with the author what needs to be done when debilitating illness strikes. We all find ourselves in this sometimes frustrating but mostly enjoyable reality that we call life. For lovers of literary humor, `Those were the days' will reinforce the belief that there's never ending humor to be found in almost every situation we find ourselves in. All you have to do is hang in there. Thanks again for stopping by.

Drawing on rich interdisciplinary research that has laced the emerging subject of drag studies as an academic discipline, this book examines how drag performance is a political, socio-cultural practice with a widespread lineage throughout the history of performance. This volume maps the multi-threaded contexts of contemporary practices while rooting them in their fabulous historical past and memory. The book examines drag histories and what drag does with history, how it enacts or tells stories about remembering and the past. Featuring work about the USA, UK and Ireland, Japan, Australia, Brazil and Barbados, this book allows the reader to engage with a range of archival research including camp and history; ethnicity and drag; queering ballet through drag; the connections between drag king and queen history; queering pantomime performance; drag and military veterans; Puerto Rican drag performers and historical film.

Opening Acts: Performance in/as Communication and Cultural Criticism offers new, rigorous ways to analyze communication and culture through performance. Editor Judith Hamera, along with a distinguished list of contributors, provides students with cutting-edge readings of everyday life, space, history, and intersections of all three, using a critical performance-based approach. This text makes three significant contributions to the field - it familiarizes readers with the core elements and commitments of performance-based analysis, links performance-based analysis to theoretical and analytical perspectives in communication and cultural studies, and provides engaging examples of how to use performance as a critical tool to open up communication and culture. offers new, rigorous ways to analyze communication and culture through performance. Editor Judith Hamera, along with a distinguished list of contributors, provides students with cutting-edge readings of everyday life, space, history, and intersections of all three, using a critical performance-based approach. This text makes three significant contributions to the field - it familiarizes readers with the core elements and commitments of performance-based analysis, links performance-based analysis to theoretical and analytical perspectives in communication and cultural studies, and provides engaging examples of how to use performance as a critical tool to open up communication and culture.