Skyy's a freak. She'll tell you so herself. Her past - a mystery. Her future - uncertain. Having spent most of her life avoiding humans in an effort to conceal her wings, she wants nothing more than to end it all, leaving behind the solitary life she's been forced to live. But numerous attempts to die have proven immortality is both a curse and a nuisance. She now lives out her days in self-imposed seclusion to stay hidden from the world. But that quiet way of life is shattered when mysterious siblings arrive and reveal a destiny which sends her running for the hills. When an earth shattering discovery is made in the Badlands, history and science collide furthering the mystery behind Skyy's past - and her future. Skyy will need to embrace her fate and confront an evil so ancient, only a miracle can keep the world from ceasing to be.

Published to accompany the exhibition Jackson Pollock held the Museum of Modern Art, New York, from 1 November 1998 to 2 February 1999.

Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.