This volume documents the decade in which Canada's influence on world affairs was at its apex, and contains speeches and writings of Lester B. Pearson, Sydney Smith, Howard C. Green and Paul Martin.

This title examines the role of the Europeans in the Cold War during the 'Khrushchev Era'. It was a period marked by the struggle for a regulated co-existence in a world of blocs, an initial arrangement to find a temporary arrangement failed due to German desires to quickly overcome the status quo. It was only when the danger of an unintended nuclear war was demonstrated through the crises over Berlin and Cuba that a tacit arrangement became possible, which was based on a system dominated by a nuclear arms race. The book provides useful information on the role of Konrad Adenauer and the beginnings of the German 'new Eastern policy', as well as examining the Western European power policy in the era of Harold Macmillan and Charles de Gaulle.

This volume was published to accompany an exhibition of the works of American contemporary artist who works primarily in painting and printmaking, Jasper Johns (b. 1930). In the late 1950's, Johns emerged as force in the American art scene. His richly worked paintings of maps, flags, and targets led the artistic community away from Abstract Expressionism toward a new emphasis on the concrete. Johns laid the groundwork for both Pop Art and Minimalism. The exhibition of works depicted in this book was held at the National Gallery in Washington, concentrating on the pivotal decade 1955-1965 when Johns produced his most famous works. Alongside the full color reproductions of Johns' works are analysis of various diverse aspects of these early years of his career that established him as one of the great figures in modern art and stimulated much in art created by others.

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It's nineteen fifty-something, in a dark, cramped, smoke-filled room. Everyone's wearing black. And on-stage a tenor is blowing his heart out, a searching, jagged saxophone journey played out against a moody, walking bass and the swish of a drummer's brushes. To a great many listeners--from African American aficionados of the period to a whole new group of fans today--this is the very embodiment of jazz. It is also quintessential hard bop. In this, the first thorough study of the subject, jazz expert and enthusiast David H. Rosenthal vividly examines the roots, traditions, explorations and permutations, personalities and recordings of a climactic period in jazz history. Beginning with hard bop's origins as an amalgam of bebop and R&B, Rosenthal narrates the growth of a movement that embraced the heavy beat and bluesy phrasing of such popular artists as Horace Silver and Cannonball Adderley; the stark, astringent, tormented music of saxophonists Jackie McLean and Tina Brooks; the gentler, more lyrical contributions of trumpeter Art Farmer, pianists Hank Jones and Tommy Flanagan, composers Benny Golson and Gigi Gryce; and such consciously experimental and truly one-of-a-kind players and composers as Andrew Hill, Sonny Rollins, John Coltrane, Thelonious Monk, and Charles Mingus. Hard bop welcomed all influences--whether Gospel, the blues, Latin rhythms, or Debussy and Ravel--into its astonishingly creative, hard-swinging orbit. Although its emphasis on expression and downright "badness" over technical virtuosity was unappreciated by critics, hard bop was the music of black neighborhoods and the last jazz movement to attract the most talented young black musicians. Fortunately, records were there to catch it all. The years between 1955 and 1965 are unrivaled in jazz history for the number of milestones on vinyl. Miles Davis's Kind of Blue, Charles Mingus's Mingus Ah Um, Thelonious Monk's Brilliant Corners, Horace Silver's Further Explorations--Rosenthal gives a perceptive cut-by-cut analysis of these and other jazz masterpieces, supplying an essential discography as well. For knowledgeable jazz-lovers and novices alike, Hard Bop is a lively, multi-dimensional, much-needed examination of the artists, the milieus, and above all the sounds of one of America's great musical epochs.