Between 1929 and 1943 die neue linie (the new line) was published by Beyer Press in Leipzig. An outstanding lifestyle magazine of its time, superficially it provided only luxurious entertainment. However it had a progressive and forward-looking concept compared to other mass media: no other publication was so consistent in bringing avant-garde typographic ideas to a mass audience; leading graphic designers influenced by the Bauhaus had a decisive effect on the look of the magazine. Despite the prevailing media conformity, the modern Bauhaus style ndash; a style hated by the Nazi regime up to and during the Second World War ndash; was largely spared the sanctions of the dictatorship. This publication illustrates the turbulent times of the magazine die neue linie and its era, and is published in an abridged, revised and now bilingual edition of the 2007 bestseller, for the Bauhaus Year 2009.

Step back in time and witness a turbulent time period for the Unites States: the Great Depression through World War II. The past will come to life with well-researched, clearly written informational text, primary sources with accompanying questions, charts, graphs, diagrams, timelines, and maps, multiple prompts, and more. Aligned to Common Core Standards and correlated to state standards. Core Library is an imprint of Abdo Publishing, a division of ABDO.

On July 25, 1943, news of Mussolini's resignation and subsequent arrest stunned Italians leaving them dumbfounded. After two decades, fascism had fallen without any advance warning. As festive events marked the incredible outcome and reminders of the past were destroyed, an uncontainable joy seemed to pervade Italians. But what did people actually celebrate? How did they understand the bygone dictatorship, which was soon to be reincarnated in the Italian Social Republic (RSI)? Drawing on more than one hundred diaries written by ordinary citizens (and some prominent figures as well) and inspired by Raymond Williams's concept of structures of feeling, the book examines Italians' perspectives on fascism at a very critical moment in their history. With the country mired in a devastating war further complicated by the September 8, 1943 armistice with the Allies and subsequent German occupation—followed by the eruption of an Italian-against-Italian conflict, the switching of alliances, and the declaration of war against Germany on October 13, 1943—the fast pace of history seemed to deflect Italians' attention from their immediate past. Amidst the daily experience of bombings, hunger, displacement, and death, coming to terms with twenty years of dictatorship turned out to be an arduous enterprise. Whether those who had lived under the fascist regime wished 'not to think of it and not to speak any more about it' as philosopher Benedetto Croce maintained, it is hard to ascertain. In truth, little is known of what Italians felt and thought about fascism after its precipitous demise. This book remedies the gap in historical scholarship by assessing how Italians confronted their present and negotiated their past during the two years from the fall of the regime to the definitive defeat of the RSI and the end of the world war in May 1945. By bringing to life the cultural imaginaries and practices of the past, the book raises ostensibly intractable questions on the epochal impact of what often appears as inconsequential: the typically unseen and seemingly banal power of everyday experiences.