For a memoir of World War I, Sir John French's book 1914 does a fairly good job of recounting the facts, however skewed they may be. French, whose full name and titles are quite daunting, was Field Marshal John Denton Pinkstone French, 1st Earl of Ypres KP, GCB, OM, GCVO, KCMG, ADC, PC (1852 – 1925). He was Commader-in-Chief of the BEF (British Expeditionary Forces) against the Germain advances through Continental Europe. French, who was stubborn and hotheaded, ordered maneuvers which weren't the best course of action, for which he was eventually switched out for another commander. Though he was the obvious choice for Commander-in-Chief at the time, French was fighting a 20th century war with a 19th century mindset. Images of him at the time portray him mounted on horseback, a billowing feather in his hat... meanwhile the tanks and tear gas are just over the horizon.

G.K. Chesterton was a prolific writer on many topics. His views of history were always from the standpoint of men and their interactions, and it may fairly be said he saw all of history as a battle between civilization and barbarism. So it has always been, and that remains true even today. "But it is especially in the matter of the Middle Ages that the popular histories trample upon the popular traditions. In this respect there is an almost comic contrast between the general information provided about England in the last two or three centuries, in which its present industrial system was being built up, and the general information given about the preceding centuries, which we call broadly medieval." As this quotation taken from the Introduction clearly shows, he is no mere pedant reciting dry dates and locations, but a profound thinker flooding new light onto those modern "myths" that have filled our histories. He is a master of paradox, and the technique of reducing his opponents' arguments to the logical absurdity they have inherent in them. He often turns them upside down. All of which makes his work both a sound subject for reflection and highly entertaining all the while it remains permanently timely.

Drawing on more than a half-century of research and teaching, Dennis Showalter presents a fresh perspective on the German Army during World War I. Showalter surveys an army at the heart of a national identity, driven by – yet also defeated by – warfare in the modern age, which struggled to capitalize on its victories and ultimately forgot the lessons of its defeat. Exploring the internal dynamics of the German Army and detailing how the soldiers coped with the many new forms of warfare, Showalter shows how the army's institutions responded to, and how Germany itself was changed by war. Detailing the major campaigns on the Western and Eastern fronts and the forgotten war fought in the Middle East and Africa, this comprehensive volume examines the army's operational strategy, the complexities of campaigns of movement versus static trench warfare, and the effects of changes in warfare.

A Portrait of the Artist as a Young Man is the first novel of Irish writer James Joyce. A Künstlerroman in a modernist style, it traces the religious and intellectual awakening of young Stephen Dedalus, a fictional alter ego of Joyce and an allusion to Daedalus, the consummate craftsman of Greek mythology. Stephen questions and rebels against the Catholic and Irish conventions under which he has grown, culminating in his self-exile from Ireland to Europe. The work uses techniques that Joyce developed more fully in Ulysses (1922) and Finnegans Wake (1939). The childhood of Stephen Dedalus is recounted using vocabulary that changes as he grows, in a voice not his own but sensitive to his feelings. The reader experiences Stephen's fears and bewilderment as he comes to terms with the world in a series of disjointed episodes. Stephen attends the Jesuit-run Clongowes Wood College, where the apprehensive, intellectually gifted boy suffers the ridicule of his classmates while he learns the schoolboy codes of behaviour. While he cannot grasp their significance, at a Christmas dinner he is witness to the social, political and religious tensions in Ireland involving Charles Stewart Parnell, which drive wedges between members of his family, leaving Stephen with doubts over which social institutions he can place his faith in.Back at Clongowes, word spreads that a number of older boys have been caught "smugging"; discipline is tightened, and the Jesuits increase use of corporal punishment. Stephen is strapped when one of his instructors believes he has broken his glasses to avoid studying, but, prodded by his classmates, Stephen works up the courage to complain to the rector, Father Conmee, who assures him there will be no such recurrence, leaving Stephen with a sense of triumph. Stephen's father gets into debt and the family leaves its pleasant suburban home to live in Dublin. Stephen realises that he will not return to Clongowes.

Publishing during the 100th Anniversary of the First World War An NYRB Classics Original The budding young Hungarian artist Béla Zombory-Moldován was on holiday when the First World War broke out in July 1914. Called up by the army, he soon found himself hundreds of miles away, advancing on Russian lines and facing relentless rifle and artillery fire. Badly wounded, he returned to normal life, which now struck him as unspeakably strange. He had witnessed, he realized, the end of a way of life, of a whole world. Published here for the first time in any language, this extraordinary reminiscence is a powerful addition to the literature of the war that defined the shape of the twentieth century.

Shooting at the Stars is the moving story of a young British soldier on the front lines during World War I who experiences an unforgettable Christmas Eve. In a letter to his mother, he describes how, despite fierce fighting earlier from both sides, Allied and German soldiers ceased firing that evening and came together on the battlefield to celebrate the holiday. They sang carols, exchanged gifts, and even lit Christmas trees. But as the holiday came to a close, they returned to their separate trenches to await orders for the war to begin again. Award-wining creator John Hendrix wonderfully brings the story of the Christmas Truce of 1914 to life with his signature style, interweaving detailed illustrations and hand-lettered text. His telling of the story celebrates the humanity that can persist during even the darkest periods of our history.

In his monumental narrative of the outbreak of the First World War and the ill-fated Russian offensive into East Prussia, Solzhenitsyn has written what Nina Krushcheva, in The Nation, calls "a dramatically new interpretation of Russian history." The assassination of tsarist prime minister Pyotr Stolypin, a crucial event in the years leading up to the Revolution of 1917, is reconstructed from the alienating viewpoints of historical witnesses. The sole voice of reason among the advisers to Tsar Nikolai II, Stolypin died at the hands of the anarchist Mordko Bogrov, and with him perished Russia's last hope for reform. Translated by H.T. Willetts. August 1914 is the first volume of Solzhenitsyn's epic, The Red Wheel; the second is November 1916. Each of the subsequent volumes will concentrate on another critical moment or "knot," in the history of the Revolution. Translated by H.T. Willetts.