Drawing on archaeological, historical, theological, scientific and folkloric sources, Sarah Tarlow's interdisciplinary study examines belief as it relates to the dead body in early modern Britain and Ireland. From the theological discussion of bodily resurrection to the folkloric use of body parts as remedies, and from the judicial punishment of the corpse to the ceremonial interment of the social elite, this book discusses how seemingly incompatible beliefs about the dead body existed in parallel through this tumultuous period. This study, which is the first to incorporate archaeological evidence of early modern death and burial from across Britain and Ireland, addresses new questions about the materiality of death: what the dead body means, and how its physical substance could be attributed with sentience and even agency. It provides a sophisticated original interpretive framework for the growing quantities of archaeological and historical evidence about mortuary beliefs and practices in early modernity.

"Readers will be swept along with Maggie and Kate as they bamboozle an entire nation, and will feel for Maggie as she debates whether or not to leave the profession...Dianne K. Salerni has written a brilliant debut novel." —TeensReadToo.com Maggie: I began the deception when I was too young to know right from wrong. Only with the passing of time did I come to understand the consequences of my actions. Kate: I do not believe that I have ever intentionally deceived anyone. Maggie has a different understanding of the events that have happened. To her the spirits were always a game. For me they were my life's calling. I have no regrets. It starts as a harmless prank...then one lie quickly grows into another. Soon Kate and Maggie Fox are swept into a dizzying flurry of national attention for their abilities to communicate with the dead. But living a lie is sometimes too much to handle, even if you have the best intentions. Based on a true story, We Hear the Dead reveals how secrets and lies can sometimes lead you to what's real and what's right. And how sometimes talking with the dead is easier than talking with the people around you. What Readers Are Saying: "Masterfully written...a first-class novel." "A crafty, enchanting, mesmerizing read." "Adventure, romance, heartbreak, a bit of history, and a story that will touch you." "Dianne Salerni is masterful." "An enjoyable ride...and one well worth taking." "A great read that had me turning pages long after I should have gone to bed."

Now, available for the first time together in a single volume: a digital-only, value-priced omnibus edition of the "Diogenes Trilogy": Brimstone, Dance of Death, and The Book of the Dead--featuring Pendergast's mysterious brother--by #1 New York Times bestselling authors Preston & Child. BRIMSTONE: A body is found in the attic of a fabulous Long Island estate. There is a hoofprint scorched into the floor, and the stench of sulfur chokes the air. When FBI Special Agent Pendergast investigates the gruesome crime, he discovers that thirty years ago four men conjured something unspeakable. Has the devil come to claim his due? DANCE OF DEATH: Two brothers. One, top FBI Agent, Aloysius Pendergast. The other, Diogenes, a brilliant and twisted criminal. An undying hatred between them. Now, a perfect crime. And the ultimate challenge: Stop me if you can. BOOK OF THE DEAD: A talented FBI agent, rotting away in a high security prison for a murder he did not commit. His psychotic brother, about to perpetrate a horrific crime. A young woman with an extraordinary past, on the edge of a violent breakdown. An ancient Egyptian tomb about to be unveiled at a celebrity-studded New York gala, an enigmatic curse released. Memento Mori.

What is the connection between the number 13 and Jack the Ripper? Why was the number 18 crucial in catching Acid Bath murderer John George Haigh? And what is so puzzling about the number 340 in the chilling case of the Zodiac killer? The answers to all these questions and many more are revealed in a unique, number-crunching history of the ultimate crime. James Moore's Murder by Numbers tells the story of murder through the centuries in an entirely new way ... through the key digits involved. Each entry starts with a number and leads into a different aspect of murder, be it a fascinating angle to a case or revealing insights into murder methods, punishments and, of course, the chilling figures behind the most notorious killers from our past. From the grizzly death toll of the world's worst serial killer to your own odds of being murdered, this guide will appeal to the connoisseur of true crime and the casual reader alike.

Challenging traditional histories of the nineteenth-century French lyric, Laurence Porter maintains that from 1851 to 1875 Symbolism constituted neither a movement nor a system, but rather represented a crisis of confidence in the powers of poetry as a communicative act. The Crisis of French Symbolism offers a provocative reinterpretation of the four acknowledged masters of Symbolist poetry: Baudelaire, Verlaine, Rimbaud, and Mallarmé.