Myth of Seneca Falls: Memory and the Women's Suffrage Movement, 1848-1898

Charlotte Brontë's Jane Eyre was published in October, 1847, and within three months a version was on stage in London. By 1900, at least eight different stage versions had appeared in England, America and continental Europe. For the first time, all eight plays are available in Patsy Stoneman's critical edition, richly illustrated by facsimile reproductions of manuscripts, unique Victorian playbills, contemporary etchings of theatres, and portraits of playwrights and actors. Stoneman's introduction places the plays' bizarre innovations in the context of theatre history and of contemporary debates on class and gender, while each edited play-text is accompanied by detailed notes, based on original research, on the playwright, theatre(s) and performances, and contemporary reception. Most of these plays existed only in manuscript, and were quickly forgotten, yet they make fascinating reading. Nineteenth-century playwrights had no reverence for a text we regard as canonical, but added to, deleted from and twisted Charlotte Brontë's story to suit their own purposes. One play has a cast of comic servants who follow Jane from Lowood to Thornfield. In another, the madwoman is revealed as the sister-in-law of a blameless Rochester. A third has Blanche Ingram reduced to a fallen woman, seduced and abandoned by John Reed. Jane Eyre on Stage will appeal to readers interested in literary and theatrical history, cultural studies, and the intriguing afterlives of famous books.

The author of numerous books on Geoffrey Chaucer, the nineteenth-century scholar, Mary Eliza Haweis, has been largely erased from general histories of Chaucer studies. In her critical biography, Mary Flowers Braswell traces Haweis’s career, bringing her out of obscurity and placing her contributions to Chaucer scholarship in the context of those of influential Chaucerians of the period such as Frederick James Furnivall, Walford Dakin Selby, and Walter Rye. Braswell draws on extensive archival research from a broad range of late-Victorian newspapers, journals, and society papers to weave a fascinating picture of Haweis’s own life and work, which in quantity and quality rivaled that of her contemporaries. Haweis, we discover, corrected assumptions related to the Chaucer seal and texts, bringing her findings to the attention of the public in works such as Chaucer for Schools, the first textbook on the poet. Braswell also sheds light on the ways in which fashion, society, culture, art, and leisure activities intermingled with scholarship, archival recovery, museum work, editing, writing, and publishing in the late-Victorian middle and upper classes. Concluding with a discussion of Haweis’s forgotten role as head of the Chaucer section for the National Home Reading Union, Braswell’s book makes a strong case both for Haweis’s influence as a Chaucer scholar and her importance as an educator in nineteenth-century Britain and the United States.

Covering a wide range of firearms, from the smallest pistol to the rifles of the buffalo hunters used by plainsmen and settlers, gamblers and engineers, Native Americans and the soldiers of the United States Army. Meticulously researched by a foremost authority on firearms, this is an indispensable guide to the opening of the American West. John Walter examines pre-Civil War mass production and technical advances, and the effect of readily available post-war surplus weapons on life in the Midwest. He traces the swift expansion of the West, which led to a perpetual struggle against the Native Americans and brought the United States Army in its wake. John Walter also examines whether law was dispensed at the point of a gun and whether it was the Colt or the Winchester that reigned supreme at the OK Corral. Describing particular Western desperadoes and the most popular Wild West firearms, he goes on to investigate how gun design influenced use and use influenced design. With detailed descriptions and performance evaluations of all the leading firearms, this book is an essential reference guide which cuts away the myth and legend and reveals the truth behind the guns, and the men who used them, in the heyday of the West.

Between 1847 and 1900, at least eight different stage versions of Jane Eyre appeared in England, America and continental Europe. For the first time, all eight plays are available in Patsy Stoneman's fully annotated and richly illustrated critical edition.

Cuban-Americans are beginning to understand their long-standing roots and traditions in the United States that reach back over a century prior to 1959. This is the first book-length confirmation of those beginnings, and its places the Cuban hero and revolutionary thinker José Martí within the political and socioeconomic realities of the Cuban communities in the United States of that era. By clarifying Martí’s relationship with those communities, Gerald E. Poyo provides a detailed portrait of the exile centers and their role in the growth and consolidation of nineteenth-century Cuban nationalism. Poyo differentiates between the development of nationalist sentiment among liberal elites and popular groups and reveals how these distinct strains influenced the thought and conduct of Martí and the successful Cuban revolution of the 1890s.