With the abolition of the slave trade in 1807 and the Emancipation Act of 1833, Britain seemed to wash its hands of slavery. Not so, according to Marika Sherwood, who sets the record straight in this provocative new book. In fact, Sherwood demonstrates that Britain continued to contribute to the slave trade well after 1807, even into the twentieth century. Drawing on government documents and contemporary reports as well as published sources, she describes how slavery remained very much a part of British investment, commerce and empire, especially in funding and supplying goods for the trade in slaves and in the use of slave-grown produce. The nancial world of the City in London also depended on slavery, which - directly and indirectly - provided employment for millions of people. "After Abolition" also examines some of the causes and repercussions of continued British involvement in slavery and describes many of the apparently respectable villains, as well as the heroes, connected with the trade - at all levels of society. It contains important revelations about a darker side of British history, previously unexplored, which will provoke real questions about Britain's perceptions of its past

The sixteen essays in this collection discuss the direct and indirect impact of the British Act for the Abolition of the Slave Trade (1807) on labor relations in the Americas, Africa and South East Asia.

Black Milk is the first in-depth analysis of the visual arts that effloresced around slavery in Brazil and North America in the eighteenth and nineteenth centuries. Exploring prints, photographs, paintings, sculptures, ceramics, and ephemera, it will change everything we knew, or thought we knew, about the visual archive of Atlantic slavery.

A catalogue made by collectors for collectors. This year the Spink Maury Catalogue, heir to the prestigious Maury, Ceres and Dallay catalogues, continues its work of research, compiled over generations of philately. It covers all French stamps from 1849 to the present day, offering hundreds of changes – with oddities, new varieties and discoveries presented, as always, in an exceptional way. Included in the new material is the continuation of the monographic studies, presenting a stamp per page with all varieties known until the First World War; a redesign of types Merson and Pasteur; and a specialised part devoted to Marianne de Beaujard, reviewed in depth. In addition the section on current usage stamps (TUC) is fully updated following feedback from our contributors and readers. France has one of the most beautiful philatelic legacies in the world, and we are pleased to be its modest ambassador to the numerous international readers who join us each year. “Layout and coverage are sumptuous … The trite phrase “mine of information” does not begin to do justice to this immense achievement. To any collector of France beyond the elementary stage, this would be a bargain at twice the official retail price … Highly recommended. ….an absolute must for collectors of French stamps…” Michael Round, Journal of the France & Colonies Philatelic Society