A woman recounts her decades-long saga to bring her sister’s killer to justice in a harrowing true crime story of domestic abuse and family perseverance. From the moment it happened, Renee Fehr knew that Gregory Houser had murdered her sister Sheryl. Cruel, abusive, and increasingly violent, Greg had threatened to kill Sheryl if she tried to leave him. Yet Sheryl’s death was ruled a suicide. And for twenty-seven years after her death, Greg continued walked free. But Renee wouldn’t rest until he was convicted for murder. As the old saying goes, “the wheels of justice turn slowly, but they grind exceedingly fine.” The Wheels of Justice is the story of a monstrous killer, a harrowing look at domestic violence, and an inspirational story of a family that wouldn’t quit until justice prevailed.

Superheroes and characters who fight crime by extraordinary means have populated the television airwaves from the beginning. This broad-ranging reference contains a trove of information on shows featuring such characters as Superman and Black Scorpion to programs like The A-Team and Knight Rider. Regular police and detective shows have been excluded. Alphabetical entries on 125 network, cable and syndicated series broadcast from 1949 to 2001, plus 26 pilot films, deliver information about story premises, characters, and myriad elements that add flavor and interest to the shows, as well as cast listings and broadcast data. A handy index of performers is included as well as appendices listing the crime fighting superheroes and machines that appear in the programs.

A fun and accessible guide to foreign television series that were later broadcast in or adapted for the U.S., including popular favorites such as The Office and Doctor Who. In Broadcast in the U.S.: Foreign TV Series Brought to America, Vincent Terrace delivers a wonderful resource of over 400 foreign television shows broadcast in the United States, along with their American adaptations. From British comedies like Fawlty Towers and Keeping Up Appearances to the Australian fantasy series The Girl from Tomorrow and the Japanese cartoons Astro Boy and Kimba, the White Lion, this book explores an often-overlooked side of American television and popular culture. Each entry includes details regarding the cast, genre, episodes, U.S. and foreign networks, broadcast dates, storylines, and trivia. Containing information not easily found anywhere else, such as unsold script proposals, internet TV series, and unaired pilots, this first and only guide to foreign television series broadcast in the U.S. is a valuable reference for all fans of television history.

A film legend recalls his remarkable life of nearly eight decades—a heralded actor who's played the roles he wanted, from Brian’s Song to Lando in the Star Wars universe—unchecked by the racism and typecasting so rife in the mostly all-white industry in which he triumphed. “The story of a legend, written by the legend himself! Impressive, inspiring, entertaining and endearing.” —J. J. Abrams Billy Dee Williams was born in Harlem in 1937 and grew up in a household of love and sophistication. As a young boy, he made his stage debut working with Lotte Lenya in an Ira Gershwin/Kurt Weill production where Williams ended up feeding Lenya her lines. He studied painting, first at the High School of Music and Art, with fellow student Diahann Carroll, and then at the National Academy of Fine Art, before setting out to pursue acting with Herbert Berghoff, Stella Adler, and Sidney Poitier. His first film role was in The Last Angry Man, the great Paul Muni’s final film. It was Muni who gave Billy the advice that sent him soaring as an actor, “You can play any character you want to play no matter who you are, no matter the way you look or the color of your skin.” And Williams writes, “I wanted to be anyone I wanted to be.” He writes of landing the role of a lifetime: co-starring alongside James Caan in Brian’s Song, the made-for-television movie that was watched by an audience of more than fifty million people. Williams says it was “the kind of interracial love story America needed.” And when, as the first Black character in the Star Wars universe, he became a true pop culture icon, playing Lando Calrissian in George Lucas’s The Empire Strikes Back (“What I presented on the screen people didn’t expect to see”). It was a role he reprised in the final film of the original trilogy, The Return of the Jedi, and in the recent sequel The Rise of Skywalker. A legendary actor, in his own words, on all that has sustained and carried him through a lifetime of dreams and adventure.

The first book to bring together researchers and practitioners from a range of professions and institutions in exploring how people develop and may lose Trust through the ways in which they speak, write and act. Includes practical examples of how to conduct Trust-related research using tools from applied linguistics and discourse analysis.