"The radical break with the past heralded by the French Revolution in 1789 has become one of the mythic narratives of our time. Yet in the drawn-out afterlife of the Revolution, and through subsequent periods of Empire, Restoration, and Republic, the question of what such a temporal transformation might involve found complex, often unresolved expression in visual and material culture. This diverse collection of essays draws attention to the multiple points of view and refracted forms of visuality that emerged in France from the beginning of the French Revolution through to the end of the July Monarchy in 1848. It offers a new account of the story of French art's modernity by exploring the work of genre painters and miniaturists, sign-painters and animal artists, landscapists, architects, and restorers, as they worked out what it meant to be ?post-revolutionary.?."--

Portraiture and Politics in Revolutionary France challenges widely held assumptions about both the genre of portraiture and the political and cultural role of images in France at the beginning of the nineteenth century. After 1789, portraiture came to dominate French visual culture because it addressed the central challenge of the Revolution: how to turn subjects into citizens. Revolutionary portraits allowed sitters and artists to appropriate the means of representation, both aesthetic and political, and articulate new forms of selfhood and citizenship, often in astonishingly creative ways. The triumph of revolutionary portraiture also marks a turning point in the history of art, when seriousness of purpose and aesthetic ambition passed from the formulation of historical narratives to the depiction of contemporary individuals. This shift had major consequences for the course of modern art production and its engagement with the political and the contingent.

33 maps and diagrams & 40 illustrations & 26 tables & 6 x 9 & Comprehensive study of a crucial military period & New information on the generals of Revolutionary France Between the Fall of the Bastille and the Peace of Amiens, French revolutionary armies scored resounding victories over the armies of Austria, Prussia, Britain, and Spain. Paddy Griffith captures the verve and excitement of these campaigns, which together demonstrated that French armies were the most powerful in the world, even before Napoleon's legendary Grande Arme. The period was, in fact, a major turning point in the history of warfare. This wide-ranging volume covers army organization, operations in the various theaters of war, the navy, Representatives on Mission, the government's relationship with the armies, and armies in battle. Also examined are the important figures of the time, including Dumouriez, Jourdan, Hoche, and Carnot. Paddy Griffith was a senior lecturer in war studies at the Royal Military Academy Sandhurst for 16 years. He is the author of numerous articles and books on the history of warfare, including Battle Tactics of the Western Front, 1916-18 and The Viking Art of War.