16th note possibilities takes you on a rhythmical journey. There are 16 phases which incorporate 6 hands exercises, 14 groove and independence exercises, 5 solos and some philosophy on drums and life. Once you have run through Phase 1, continue to Phase 2, where you will go to the 2nd page of Section A . You will now begin a similar process but a totally different experience because you will be reading different (melodies, rhythms, and accents) from Section A. After achieving this, and going through all 16 Phases, you will then have the coordination, musicianship and speed to play anything you think, feel and desire! Most of all, be patient with yourself, be creative and have fun Exploring the Possibilities!!!

Post-Bop is a modern jazz style that continues the distinguishing characteristics that separate jazz from the world of pop and rock; swing rhythm and extended harmonies (9th chords 11ths, altered chords, etc). Post-Bop grew out of the Hard Bop genre during the early to mid 60s as musicians such as Bill Evans, Wayne Shorter and Herbie Hancock began to introduce more extended harmonies, abstract structures and looser rhythms in their playing and compositions. When Hancock and Shorter joined Miles Davis's quintet in the mid-60s, that group became the perfect vehicle for extending the boundaries of what could happen in a Post-Bop format. The Miles Davis Quintet albums, "Nefertiti" and "Sorcer", continue to be pinnacles of Post-Bop composition and performance. Some styles of free modal jazz, such as Coltrane's "A Love Supreme", are also part of the Post-Bop sound. Although there are still some musicians, such as Kenny Garret, who play in that style, mostly that sound has been fading since the early 70s. Of course, theory doesn't come close to explaining music. If music is a language, theory is just grammar. More important than grammar is knowing the vocabulary that comes from listening, with awareness, to great players, and playing as much as possible. Beyond grammar and vocabulary is the ability to communicate with listeners to "tell a story," and to reach an audience on an emotional, or even spiritual, level.

Most classical musicians, whether in orchestral or ensemble situations, will have to face a piece by composers such as Ligeti, Messiaen, Varèse or Xenakis, while improvisers face music influenced by Dave Holland, Steve Coleman, Aka Moon, Weather Report, Irakere or elements from the Balkans, India, Africa or Cuba. Rafael Reina argues that today’s music demands a new approach to rhythmical training, a training that will provide musicians with the necessary tools to face, with accuracy, more varied and complex rhythmical concepts, while keeping the emotional content. Reina uses the architecture of the South Indian Karnatic rhythmical system to enhance and radically change the teaching of rhythmical solfege at a higher education level and demonstrates how this learning can influence the creation and interpretation of complex contemporary classical and jazz music. The book is designed for classical and jazz performers as well as creators, be they composers or improvisers, and is a clear and complete guide that will enable future solfege teachers and students to use these techniques and their methodology to greatly improve their rhythmical skills. An accompanying website of audio examples helps to explain each technique. For examples of composed and improvised pieces by students who have studied this book, as well as concerts by highly acclaimed karnatic musicians, please copy this link to your browser: http://www.contemporary-music-through-non-western-techniques.com/pages/1587-video-recordings

A comprehensive method for developing technique, contemporary styles and rhythmical concepts. This is the first book that deals with the necessary drum techniques and practices for today's music. With this 93-page book and 90-minute recording comes an eight-page pull-out chart of additional exercises. An outstanding value!

(Percussion). Bobby Rondinelli of Rainbow, Black Sabbath and Blue Oyster Cult and master teacher Michael Lauren from the Drummers Collective have put together the most comprehensive text ever written on the subject of double bass drumming. It features hundreds of innovative warm up, beat and fill exercises, tips for getting started, a discography of important double bass recordings, plus a timeline of the most important double bass drummers in history, including photos of their setups. A must for all drummers interested in improving their double bass technique!

The drum book Skills & Fills has first been published in Holland and it became a great succes. It's written by Dennis Tideman who runs a drum school (Drumschool DT) for 20 years now. After years of giving drum lessons he came up with this drum book that is all about developing drum fills. The system that is presented in the book is accessible for a large group of drummers from amateur to pro. A lot of drum teachers in Holland use this book for their students, because playing fills is a very nice way to develop technique and rudimental capabilities. Also the individual creativity will be teased by using this system! Besides the more than 100 examples of tough linear* drum fills that come with the book, there is the unique Fill Generator, which gives you many possibilities to create your own drum fills! In addition to the E book, the Skills & Fills Drum app has been developed in which 60 brand new tough drum fills (others than in the book) are demonstrated on video.. With the "Tools" button on your screen you will get access to the Fill Generator.. It's highly recommended to use the Drum APP besides the book, for an even more inspiring drum experience, but both the Book and Drum App are very useful on its own as well.. * Linear drum fills incorporate stickings that usually don't overlap each other. This is why linear drum fills and grooves always sound very open and clear!