"Greg [Carter] sent me these '14 Cages' [color illustrations] ... and I added prose and poetry and a few lyrical ideas"--Sean Urquhart, from the foreword

Kit never means to steal the bracelet; it is just a dumb mistake. But when she is caught Kit is sentenced to twenty hours of volunteer work at the humane society. Kit knows how it feels to be stuck in a cage like those animals and soon she begins to learn that the key to her own cage is right in front of her. "Readers will relate to [Kit's] anguish and her spirit and courage." -Booklist

This "gripping and moving" story of two foster brothers sharply examines the impact of loss, grief, and abuse (Emma Donohgue, bestselling author of Room) -- and celebrates the power of friendship. When Adam Blake lands the best elective ever in his senior year, serving as an aide to the school psychologist, he thinks he's got it made. Sure, it means a lot of sitting around, which isn't easy for a guy with ADHD, but he can't complain, since he gets to spend the period texting all his friends. Then the doctor asks him to track down the troubled freshman who keeps dodging her, and Adam discovers that the boy is Julian -- the foster brother he hasn't seen in five years. Adam is ecstatic to be reunited. At first, Julian seems like the boy he once knew. He's still kind hearted. He still writes stories and loves picture books meant for little kids. But as they spend more time together, Adam realizes that Julian is keeping secrets, like where he hides during the middle of the day, and what's really going on inside his house. Adam is determined to help him, but his involvement could cost both boys their lives. First-time novelist Robin Roe relied on life experience when writing this exquisite, gripping story featuring two lionhearted characters.

Sandra Chevrier is an illustrator, painter and street artist living and working in Montreal, Canada. By mixing watercolour paintings and trompe l'oeil comic book collage she crafts beautiful, hyper-realistic mixed-media portraits.Sandra, who calls herself a "gaze collector," creates these hyperrealistic paintings of women in a manner that allows for reinterpretation and recontextualization of the superhero mask. By covering these images with a collage of comic book prints, using scenes from Superman and Batman to conceal the faces of these idealized women, Chevrier discovers new "fragile heroes," promoting the idea that vulnerability often underlies heroism. Titled "Cages," these mixed-media works encourage viewers to consider how the modern woman--like these superheroes--might also be surrounded by expectations of effortless perfection.