Presents a collection of images from Medieval illuminated manuscripts, along with a DVD which contains each image in three different sizes to use in a variety of clip art projects.

A fully illustrated history of the Temple of Solomon • Examines the Temple of Solomon in the Hebrew Scriptures, the New Testament, and Apocryphal writings • Explores its role in the founding of Freemasonry, the legends of the Knights Templar, the doctrines of the Kabbalah, and the teachings of Islam • Explains the sacred nature of the Temple Mount--the site of the Temple of Solomon--and the secrets that may still be hidden there • Richly illustrated, including many photos and images from rare archives The spiritual heart of many esoteric societies, the Temple of Solomon was located atop the Temple Mount in Jerusalem, a site venerated by the three great monotheistic religions as the intersection of Divine and human. Built by King Solomon at the peak of ancient Israel’s power, the Temple of Solomon housed the golden Ark of the Covenant in its Holy of Holies, a sacred chamber where one could communicate directly with God. Centuries after the temple’s destruction, the Temple Mount was used as the headquarters for the Knights Templar during the Crusades, and countless legends have come down through the centuries about the secrets they may have uncovered there, including discovery of the Holy Grail or the Ark of the Covenant. Richly illustrated with biblical and Masonic illustrations, photographs, and ancient and modern paintings--many from rare archives--this book explores the Temple of Solomon in the Hebrew Scriptures, the New Testament, and Apocryphal writings as well as its role in the founding of Freemasonry, the legends of the Knights Templar, the doctrines of the Kabbalah, and Muhammad’s visionary journey from the Temple Mount through the heavens. Seeking to understand the powerful desire of many religions and secret societies to re-create the temple through ritual and prayer, James Wasserman explains why it was built, the magical forces King Solomon may have used in its creation, what its destruction meant for Jews and Christians alike, and why the Knights Templar as well as several modern secret societies named their orders after it. Detailing the sacred architecture of this perfectly proportioned mystical edifice through words and art, the author reveals the Temple of Solomon as the affirmation of God’s presence in human affairs, the spiritual root of Western culture, and an important monument to the Divine nearly forgotten in today’s secular times but sorely needed to bridge the divide between our ancient past and our spiritual future.

The Getty Museum’s collection of illuminated manuscripts, featured in this book, comprises masterpieces of medieval and Renaissance art. Dating from the tenth to the sixteenth century, they were produced in France, Italy, Belgium, Germany, England, Spain, Poland, and the eastern Mediterranean. Among the highlights are four Ottonian manuscripts, Romanesque treasures from Germany, Italy, and France, an English Gothic Apocalypse, and late medieval manuscripts painted by such masters as Jean Fouquet, Girolamo da Cremona, Simon Marmion, and Joris Hoefnagel. Included are glistening liturgical books, intimate and touching devotional books for private use, books of the Bible, lively histories by Giovanni Boccaccio and Jean Froissart, and a breathtaking Model Book of Calligraphy.

This important and overdue book examines illuminated manuscripts and other book arts of the Global Middle Ages. Illuminated manuscripts and illustrated or decorated books—like today’s museums—preserve a rich array of information about how premodern peoples conceived of and perceived the world, its many cultures, and everyone’s place in it. Often a Eurocentric field of study, manuscripts are prisms through which we can glimpse the interconnected global history of humanity. Toward a Global Middle Ages is the first publication to examine decorated books produced across the globe during the period traditionally known as medieval. Through essays and case studies, the volume’s multidisciplinary contributors expand the historiography, chronology, and geography of manuscript studies to embrace a diversity of objects, individuals, narratives, and materials from Africa, Asia, Australasia, and the Americas—an approach that both engages with and contributes to the emerging field of scholarly inquiry known as the Global Middle Ages. Featuring more than 160 color illustrations, this wide-ranging and provocative collection is intended for all who are interested in engaging in a dialogue about how books and other textual objects contributed to world-making strategies from about 400 to 1600.

Based on lectures given at the University of Vienna, this book examines all types of book decoration and illumination between late Antiquity and the Renaissance from the point of view of format and style. Pacht explains the basic vocabulary and concepts by which this art-form is to be understood, and offers insights into the philosophy, theology, technology and culture underlying its history. His subjects include pictorial decoration in the organic structure of the book; the initial; bible illustration; didactic miniatures; illustration of the apocalypse; illustration of the psalter; the conflict of surface and space. Now available in paperback.

Illuminated manuscripts are among the most beautiful, precious and mysterious works of Western art. Before the printing press was invented, books were produced by hand and their illustration using brightly coloured pigments and gold embellishments was a labour of love and an act of piety in itself. The results are stunning. The works emanating from the scriptoria of monasteries were mainly religious texts, including illuminated bibles, psalters, and works for private devotion known as books of hours. Illuminated Manuscripts describes the origin and history of illumination in the Middle Ages, covering the artists and their techniques, and the patrons who commissioned them. It explains the subject matter found in medieval works, such as saints and Bible stories and the use of ornamental flourishes, and is illustrated with many fine examples of the genre including the Lindisfarne Gospels and the Book of Kells.

This book examines a cultural revolution that took place in the Scandinavian artistic landscape during the medieval period. Within just one generation (c. 1340?1400), the Augustinian monastery of Helgafell became the most important centre of illuminated manuscript production in western Iceland. By conducting interdisciplinary research that combines methodologies and sources from the fields of Art History, Old Norse-Icelandic manuscript studies, codicology, and Scandinavian history, this book explores both the illuminated manuscripts produced at Helgafell and the cultural and historical setting of the manuscript production.00Equally, the book explores the broader European contexts of manuscript production at Helgafell, comparing the similar domestic artistic monuments and relevant historical evidence of Norwich and surrounding East Anglia in England, northern France, and the region between Bergen and Trondheim in western Norway. The book proposes that most of these workshops are related to ecclesiastical networks, as well as secular trade in the North Sea, which became an important economic factor to western Icelandic society in the fourteenth century. The book thereby contributes to a new and multidisciplinary area of research that studies not only one but several European cultures in relation to similar domestic artistic monuments and relevant historical evidence. It offers a detailed account of this cultural site in relation to its scribal and artistic connections with other ecclesiastical and secular scriptoria in the broader North Atlantic region.