From dusty rural villages to northern ghettos, 12 Million Black Voices is an unflinching portrayal of the lives that many black Americans lived in the 1930s. It is a testament to the strength of black communities throughout America.

A pillar of African American literature, Richard Wright is one of the most celebrated and controversial authors in American history. His work championed intellectual freedom amid social and political chaos. Despite the popular and critical success of books such as Uncle Tom's Children (1938), Black Boy (1945), and Native Son (1941), Wright faced staunch criticism and even censorship throughout his career for the graphic sexuality, intense violence, and communist themes in his work. Yet, many political theorists have ignored his radical ideas. In The Politics of Richard Wright, an interdisciplinary group of scholars embraces the controversies surrounding Wright as a public intellectual and author. Several contributors explore how the writer mixed fact and fiction to capture the empirical and emotional reality of living as a black person in a racist world. Others examine the role of gender in Wright's canonical and lesser-known writing and the implications of black male vulnerability. They also discuss the topics of black subjectivity, internationalism and diaspora, and the legacy of and responses to slavery in America. Wright's contributions to American political thought remain vital and relevant today. The Politics of Richard Wright is an indispensable resource for students of American literature, culture, and politics who strive to interpret this influential writer's life and legacy.

A special 75th anniversary edition of Richard Wright's powerful and unforgettable memoir, with a new foreword by John Edgar Wideman and an afterword by Malcolm Wright, the author’s grandson. When it exploded onto the literary scene in 1945, Black Boy was both praised and condemned. Orville Prescott of the New York Times wrote that “if enough such books are written, if enough millions of people read them maybe, someday, in the fullness of time, there will be a greater understanding and a more true democracy.” Yet from 1975 to 1978, Black Boy was banned in schools throughout the United States for “obscenity” and “instigating hatred between the races.” Wright’s once controversial, now celebrated autobiography measures the raw brutality of the Jim Crow South against the sheer desperate will it took to survive as a Black boy. Enduring poverty, hunger, fear, abuse, and hatred while growing up in the woods of Mississippi, Wright lied, stole, and raged at those around him—whites indifferent, pitying, or cruel and Blacks resentful of anyone trying to rise above their circumstances. Desperate for a different way of life, he headed north, eventually arriving in Chicago, where he forged a new path and began his career as a writer. At the end of Black Boy, Wright sits poised with pencil in hand, determined to “hurl words into this darkness and wait for an echo.” Seventy-five years later, his words continue to reverberate. “To read Black Boy is to stare into the heart of darkness,” John Edgar Wideman writes in his foreword. “Not the dark heart Conrad searched for in Congo jungles but the beating heart I bear.” One of the great American memoirs, Wright’s account is a poignant record of struggle and endurance—a seminal literary work that illuminates our own time.

Black Nature is the first anthology to focus on nature writing by African American poets, a genre that until now has not commonly been counted as one in which African American poets have participated. Black poets have a long tradition of incorporating treatments of the natural world into their work, but it is often read as political, historical, or protest poetry--anything but nature poetry. This is particularly true when the definition of what constitutes nature writing is limited to work about the pastoral or the wild. Camille T. Dungy has selected 180 poems from 93 poets that provide unique perspectives on American social and literary history to broaden our concept of nature poetry and African American poetics. This collection features major writers such as Phillis Wheatley, Rita Dove, Yusef Komunyakaa, Gwendolyn Brooks, Sterling Brown, Robert Hayden, Wanda Coleman, Natasha Trethewey, and Melvin B. Tolson as well as newer talents such as Douglas Kearney, Major Jackson, and Janice Harrington. Included are poets writing out of slavery, Reconstruction, the Harlem Renaissance, the Black Arts Movement, and late twentieth- and early twenty-first-century African American poetic movements. Black Nature brings to the fore a neglected and vital means of considering poetry by African Americans and nature-related poetry as a whole. A Friends Fund Publication.

Part II: Fiction -- Long Black song -- Fire and cloud. Lawd today [excerpt] -- Native son [excerpt] -- The man who lived underground -- The outsider [excerpt] -- Savage holiday [excerpt] -- Big Black good man -- The long dream [excerpt] -- Black Boy (excerpt) -- Joe Louis Uncovers Dynamite -- Blueprint for Negro Writing -- Letters: Richard Wright/Burton Rascoe -- Richard Wright/David L. Cohn -- Richard Wright/Antonio Frasconi -- Review: Wars I Have Seen / Gertrude Stein -- There's Always Another Cafe -- Black Power (excerpt) -- Pagan Spain (excerpt) -- 12 Million Black Voices -- Poetry: I Have Seen Black Hands -- Between the World and Me -- Red Clay Blues -- The FB Eye Blues -- Haikus -- Long Black Song -- Fire and Cloud -- Lawd Today (excerpt) -- Native Son (excerpt) -- The Man Who Lived Underground -- The Outsider (excerpt) -- Savage Holiday (excerpt) -- Big Black Good Man -- The Long Dream (excerpt) -- Chronology -- Bibliography.

Compelling and enlightening, this collection of primary source documents allows twenty-first century students to 'direct dial' key figures in African-American history. It includes concise and perceptive commentary along with engaging suggestions for discussion and project work. Examines key themes from multiple perspectives Features a diverse range of voices that cut across class and political affiliations as well as across regions and generations Chronological and thematic coverage from emancipation to the current day Primary source documents include everything from letters and speeches to photographs, rap lyrics and newspaper reports Incorporates recent as well as traditional historical interpretations Classroom-ready text which includes keynotes on documents, differentiated material and engaging discussion questions

The compelling continuation of Richard Wright's great autobiographical work, Black Boy Anyone who has read Richard Wright's Black Boy knows it to be one of the great American autobiographies. Covering Wright's early life in the South, the book concludes with his departure in 1934 for a new life in the North. American Hunger (first published more than thirty years after the appearance of Black Boy) is the continuation of that story. A vital, richly anecdotal work, American Hunger treats with feeling and often with wry humor Wright's struggle to make his way in the North—in Chicago—as a store clerk, dishwasher, and eventually as a writer. He deals movingly with his early days in the Communist Party and with his attempts to keep his integrity in the face of Party demands that he subordinate his artistic goals to its needs. And he recounts with a mixture of pain and irony his break with the Party and the tortured period of ostracism that followed. There is an unsettling and totally frank personal story here, and a lot of raw social history as well.