Get 12 Erotic Short Stories for Women in this Mega Bundle!

A cry in the dark... a howl on the wind... are these the sounds of pleasure or pain? Twenty-four authors blur the line between pleasure and pain in this sinful collection of erotic horror, proving that sometimes bad feels good. Includes short stories by the following authors: Stella Berkley, Deb Eskie, Robert S. Tyler, Lila Shaw, Gustavo Bondoni, Maxine Marsh, Sealey Andrews, Christopher Heath, C.D. Reimer, T.C. Clark, L.M. Doyle, Joshua Dobson, Indy McDaniel, Parisa Syrus, A.J. French, Angel Propps, Matt Kurtz, J. Leigh Bailey, Peter Baltensperger, Lawrence Vernon, Anton Strauss, R. Brennan, Roxanne Rhoads and Eden Royce.

The World Fantasy Award-winning anthology series reaches its twelfth spectacular volume. Collecting around a quarter of a million words by some of the biggest names and rising stars of the genre, this latest annual showcase of all things dark and deadly includes stories and novellas by Ramsey Campbell, Dennis Etchison, Terry Lamsley, Tim Lebbon, Paul J. McAuley, Kim Newman, Michael Marshall Smith and Hollywood director Mick Garris. Also featuring the most comprehensive overview of the year, a fascinating necrology and a list of useful contacts, this is the one book that all lovers of the supematural and psychological terror will want on their shelves.

This book explores the history of the paranormal romance genre; from its origins in the revisionist horror fiction of the 1970s, via its emergence as a minor sub-genre of romantic fiction in the early 1990s, to its contemporary expansion in recent years into an often-controversial genre of mainstream fiction. Tracing the genre from its roots in older Gothic fiction written by and for women, it explores the interconnected histories of Gothic and romantic fiction, from Ann Radcliffe and Jane Austen in the eighteenth century to Buffy, Twilight, True Blood and The Vampire Diaries in the present day. In doing so, it investigates the extent to which the post-Twilight paranormal romance really does represent a break from older traditions of Gothic fiction – and just what it is about the genre that has made it so extraordinarily divisive, captivating millions of readers whilst simultaneously infuriating and repelling so many others.

Get ready to delve into the twelfth issue of the Bob’s Burgers comic book series! Louise tries to crack the case of a cosmetic conundrum; Gene travels to a land of fearsome fried things; and Tina takes to the skies in Top Tina. Everyone loves Bob’s Burgers, the fan-favorite animated sitcom that airs on Fox television with other hits such as The Simpsons and Family Guy!

The first comprehensive scholarly study of Spanish erotic cinema, from the 1920s until the present dayThis book covers a significant part of the history of Spanish film, from the 1920s until the present day. Starting with a study of the kiss in silent films, the volume explores homoerotic narratives in the crusade films of the 1940s, the commodification of bodies in the late Franco period, and the so-called destape (literally aundressing) period that followed the abolition of censorship during the democratic transition.Reclaiming the importance of Spanish erotic cinema as a genre in itself, a range of international scholars demonstrate how the explicit depiction of sex can be a useful tool to illuminate current and historic social issues including ageism, colonialism, domestic violence, immigration, nationalisms, or women and LGBT rights. Covering a wide range of cinematic genres, including comedy, horror and melodrama, this book provides an innovative and provocative overview of Spanish cinema history and society in the twentieth and twenty-first centuries.ContributorsBrad Epps, Cambridge UniversitySally Faulkner, University of ExeterSantiago Fouz-HernA!ndez, Durham UniversityAntonio LA!zaro-Reboll, University of KentAnnabel MartA-n, Dartmouth CollegeAlejandro Melero Salvador, Universidad Carlos III in MadridJorge PA(c)rez, University of Texas, AustinCarolina Sanabria, University of Costa Rica Rob Stone, University of BirminghamTom Whittaker, University of LiverpoolEva Woods PeirA Vassar CollegeSarah Wright, Royal Holloway, University of LondonBarbara Zecchi, University of Massachusetts Amherst

In 1954, the comic book industry instituted the Comics Code, a set of self-regulatory guidelines imposed to placate public concern over gory and horrific comic book content, effectively banning genuine horror comics. Because the Code applied only to color comics, many artists and writers turned to black and white to circumvent the Code's narrow confines. With the 1964 Creepy #1 from Warren Publishing, black-and-white horror comics experienced a revival continuing into the early 21st century, an important step in the maturation of the horror genre within the comics field as a whole. This generously illustrated work offers a comprehensive history and retrospective of the black-and-white horror comics that flourished on the newsstands from 1964 to 2004. With a catalog of original magazines, complete credits and insightful analysis, it highlights an important but overlooked period in the history of comics.