Op. 105 is a delightful collection of 'melodious and brilliant' character studies reminiscent of Mendelssohn's Songs without Words. Although written to develop the flexibility of the hands, they also display beautiful lyric qualities. The pieces may be used as a sequel to Burgmüller's 18 Characteristic Studies, Op. 109.

WINNER OF: Frantz Fanon Outstanding Book from the Caribbean Philosophical Association Canadian Political Science Association’s C.B. MacPherson Prize Studies in Political Economy Book Prize Over the past forty years, recognition has become the dominant mode of negotiation and decolonization between the nation-state and Indigenous nations in North America. The term “recognition” shapes debates over Indigenous cultural distinctiveness, Indigenous rights to land and self-government, and Indigenous peoples’ right to benefit from the development of their lands and resources. In a work of critically engaged political theory, Glen Sean Coulthard challenges recognition as a method of organizing difference and identity in liberal politics, questioning the assumption that contemporary difference and past histories of destructive colonialism between the state and Indigenous peoples can be reconciled through a process of acknowledgment. Beyond this, Coulthard examines an alternative politics—one that seeks to revalue, reconstruct, and redeploy Indigenous cultural practices based on self-recognition rather than on seeking appreciation from the very agents of colonialism. Coulthard demonstrates how a “place-based” modification of Karl Marx’s theory of “primitive accumulation” throws light on Indigenous–state relations in settler-colonial contexts and how Frantz Fanon’s critique of colonial recognition shows that this relationship reproduces itself over time. This framework strengthens his exploration of the ways that the politics of recognition has come to serve the interests of settler-colonial power. In addressing the core tenets of Indigenous resistance movements, like Red Power and Idle No More, Coulthard offers fresh insights into the politics of active decolonization.

(Easy Piano Songbook). 18 of the hottest hits of '18 and '19, arranged for easy piano. Includes: Eastside (Benny Blanco with Halsey & Khalid) * Happier (Marshmello feat. Bastille) * High Hopes (Panic! At the Disco) * Natural (Imagine Dragons) * Shallow (Lady Gaga & Bradley Cooper) * Sunflower (Post Malone & Swae Lee) * Thank U, Next (Ariana Grande) * Without Me (Halsey) * Youngblood (5 Seconds of Summer) * and more.

The '12 Brilliant and Melodic Etudes' lead the player through an enchanting world of sound. Burgmüller manages to combine technical problems with appealing musical ideas. New in the series "Piano Classics".

Op. 105 is a delightful collection of 'melodious and brilliant' character studies reminiscent of Mendelssohn's Songs without Words. Although written to develop the flexibility of the hands, they also display beautiful lyric qualities. The pieces may be used as a sequel to Burgmller's 18 Characteristic Studies, Op. 109.

inch....this work is likely to become a standart work very quickly and is to be recommended to all schools where recorder studies are undertaken inch. (Oliver James,Contact Magazine) A novel and comprehensive approach to transferring from the C to F instrument. 430 music examples include folk and national songs (some in two parts), country dance tunes and excerpts from the standard treble repertoire of•Bach, Barsanti, Corelli, Handel, Telemann, etc. An outstanding feature of the book has proved to be Brian Bonsor's brilliantly simple but highly effective practice circles and recognition squares designed to give, in only a few minutes, concentrated practice on the more usual leaps to and from each new note and instant recognition of random notes. Quickly emulating the outstanding success of the descant tutors, these books are very popular even with those who normally use tutors other than the Enjoy the Recorder series.