“All living beings are Buddhas and have wisdom and virtue within them.” (Buddha) Buddha ranks among the most depicted holy figures of the world – perhaps appearing more than Christ, a subject widely treated by Western artists. Venerated in all the nations of Asia, and even beyond, his image took form along the Silk Road, the birthplace of many schools of Buddhism. Indeed, the Buddhist religion recognises many Buddhas representing various traditions such as Buddhism of 'the Ancient Teaching' (Theravada), of 'the Great Vehicle' (Mahayana) and Tantric Buddhism (Varjrayana). A figure adored by all, Buddha has been depicted in every art form: sculpture, often of monumental size, like the now destroyed Buddhas of Bamyan, painting, and above all in countless cave murals, such as those of Ajanta in India or Dunhuang in China. Perfect for all those passionate about Asian art, from neophytes to Buddhists, this fascinating work invites the reader not only to discover or rediscover Buddha, his history, his codes, but also his innumerable faces through 1,000 representations selected from among the most beautiful works held in the world’s greatest museums.

„All living beings are Buddhas and have wisdom and virtue within them. (Buddha) Buddha ranks among the most often depicted holy figures of the world perhaps appearing more than Christ, a subject widely treated by Western artists. Venerated in all the nations of Asia, and even beyond, his image took form along the Silk Road, the birthplace of many schools of Buddhism. Indeed, the Buddhist religion recognises many Buddhas representing various traditions: such as Buddhism of „the Ancient Teaching‰ (Theravada), of „the Great Vehicle‰ (Mahayana) and Tantric Buddhism (Varjrayana). A figure adored by all, Buddha has been depicted in every art form: sculpture, often of monumental size, like the now destroyed Buddhas of Bamyan, painting, and above all in countless cave murals, such as those of Ajanta in India or Dunhuang in China. Perfect for all those passionate about Asian art, from neophytes to Buddhists, this fascinating work invites the reader to discover or rediscover Buddha, his history, his codes, but also his innumerable faces through one thousand representations selected from among the most beautiful works held in the worldÊs greatest museums.

This is a narrative recounting a spiritual voyage taking the author around the world in a quest for the divine. A trail of chance, synchronicity, divine providence and the occasional railway and airline schedule, leads Brown from the extraordinary figure of the 19th-century occult adventuress Madame Blavatsky, via the philosopher Krishnamurti, to the genial Scottish clairvoyant who claims that the Christ of the age is alive and well and living in London. In India, he encounters the miracle-working Sai Baba, and discusses reincarnation with the world's most revered spiritual figure, the Dalai Lama. In Germany, he joins the pilgrims who kneel at the feet of the young Indian Woman, Mother Meera, believing she is divine. In a tiny backwoods church in Tennessee, he examines the "Crosses of Light" which are held as evidence of Christ's imminent return to Earth.;Mick Brown is the author of "Richard Branson, The Inside Story" and "American Heartbeat: Travels from Woodstock to San Jose by Song Title".

Three men, in an attempt to shatter the run-of-the-mill experiences of travel, embark on a quest for an adventure of a kind that made them crazy with delight. "Three Men in (SeA) Southeast Asia," Revised & Refurbished Edition is a delectable record of an enjoyable journey that reveals the joie de vivre of the three comrades on an odyssey in their early twilight years. These men seek to relive their youthful past, inspired by the love of people, nature, art, culture, history, and architecture. They set out on a trip to Southeast Asian countries. 'A must-have Travelogue, for any serious traveler' This book explores the incredible places with a vibe that takes the glamour of these countries to a whole new level, consequent to the extensive research incorporated into it with revelations of the very origin the universe poured on to him with divine inference.

From the early Renaissance through Baroque and Romanticism to Cubism, Surrealism, and Pop, these canonical works of Western Art span eight centuries and a vast range of subjects. Here are the sacred and the scandalous, the minimalist and the opulent, the groundbreaking and the conventional. There are paintings that captured the feeling of an era and those that signaled the beginning of a new one. Works of art that were immediately recognised for their genius, and others that were at first met with resistance. All have stood the test of time and in their own ways contribute to the dialectic on what makes a painting great, how notions of art have changed, to what degree art reflects reality, and to what degree it alters it. Brought together, these great works illuminate the changing preoccupations and insights of our ancestors, and give us pause to consider which paintings from our own era will ultimately join the canon.

Deriving from the French word rocaille, in reference to the curved forms of shellfish, and the Italian barocco, the French created the term ‘Rococo’. Appearing at the beginning of the 18th century, it rapidly spread to the whole of Europe. Extravagant and light, Rococo responded perfectly to the spontaneity of the aristocracy of the time. In many aspects, this art was linked to its predecessor, Baroque, and it is thus also referred to as late Baroque style. While artists such as Tiepolo, Boucher and Reynolds carried the style to its apogee, the movement was often condemned for its superficiality. In the second half of the 18th century, Rococo began its decline. At the end of the century, facing the advent of Neoclassicism, it was plunged into obscurity. It had to wait nearly a century before art historians could restore it to the radiance of its golden age, which is rediscovered in this work by Klaus H. Carl and Victoria Charles.