Little could the author have imagined, drawing a pencil sketch of The Boys as a mere teenager, that a few years later he'd actually be meeting Laurel & Hardy's boss-that Genial Purveyor of Joy and Laughter-HAL ROACH-and even less could he have imagined all the adventures and Brodies that were yet to unspool. The author, a former comedy-crazed kid from San Diego, made a Laurel & Hardy style comedy on 8mm film at the age of 15. He first met Hal Roach in 1973 as a 20-year-old undergraduate of the UCLA Motion Picture/Television Department and interviewed him extensively for his term paper on American Film Comedy. Years later, Mr. Calman was invited by Mr. Roach to stay in his home and help the 96-year-old prepare the script for his "come back comedy." This book contains personal anecdotes of the author's friendship with this pioneer producer, and presents a complete and detailed overview of Hal Roach's career, from the adventurous youth's arrival in Hollywood in 1912 during the earliest days of movie making, to the creation of a studio dedicated to the production of world-wide popular film comedies, to his pioneering work at the birth of the talkies and his virtual launching of the television industry in Hollywood twenty years after that, and on through the 100th year of his exuberantly productive life.

Hoping to follow his Laurel and Hardy success with a female comedy team, producer Hal Roach paired Thelma Todd with ZaSu Pitts in a 1931 series of two-reel shorts. Pitts left the studio for other pursuits, was replaced by Patsy Kelly and the series continued to be successful. Todd died under mysterious circumstances in 1935 and Kelly tried to carry on, first with Pert Kelton, then with Lyda Roberti. When Roberti died in 1938, the series ended. This book takes the first film-by-film look at each of the comedies these women made, how they responded to different directors and how production adapted to changes along the way. Credits, production information, period reviews, and critical assessments are included.

A detailed look at the charmed life and tragic death of one of Hollywood's earliest stars A vibrant and beloved Golden Age film comedienne who worked alongside the Marx Brothers, Laurel and Hardy, Ginger Rogers, Cary Grant, Clara Bow, and dozens of others, Thelma Todd was one of the rare actors to successfully cross over from silent films to "talkies." This authoritative new biography traces Todd's life and career, from a vivacious little girl to a young woman who became a reluctant beauty queen to her rapid rise as a Hollywood comedy star to her mysterious death at the age of 29. Increasingly disenchanted with the studio star system, Todd opened the successful Thelma Todd's Sidewalk Café, attracting adoring fans, tourists, and Hollywood celebrities. Life appeared blessed for the beautiful and outspoken Hollywood rebel. So the country was shocked when Todd was found dead by her housekeeper in a garage near the café. An inquest concluded that her death was accidental, caused by inhaling the car's exhaust fumes. In a thorough new investigation that draws on FBI documents, interviews, photographs, reports, and extortion notes—much of these not previously available to the public—author Michelle Morgan offers fresh evidence and conclusions about the circumstances surrounding Todd's death, proving what many people have long suspected, that Thelma had been murdered. The cast of suspects includes Thelma's Hollywood-director lover; her gangster ex-husband; assorted thugs who were pressuring her to install gaming tables in the room above her popular café; and a new, never-before-named mobster. Coinciding with the 80th anniversary of Todd's death, The Ice Cream Blonde is sure to interest any fan of Thelma Todd, Hollywood's Golden Age, or gripping real-life murder mysteries.

A 2023 Choice Reviews Outstanding Academic Title Haunted Laughter addresses whether it is appropriate to use comedy as a literary form to depict Adolf Hitler, The Third Reich, and the Holocaust. Guided by existing theories of comedy and memory and through a comprehensive examination of comedic film and television productions, from the United States, Israel, and Europe, Jonathan Friedman proposes a model and a set of criteria to evaluate the effectiveness of comedy as a means of representation. These criteria include depth of purpose, relevance to the times, and originality of form and content. Friedman concludes that comedies can be effective if they provide relevant information about life and death in the past, present, or future; break new ground; and serve a purpose or multiple purposes—capturing the dynamic of the Nazi system of oppression, empowering or healing victims, serving as a warning for the future, or keeping those who can never grasp the real horror of genocide from losing perspective.

Becoming Jewish is an engaging, accessible, all-inclusive step-by-step guide to converting to Judaism that introduces readers to finding life's meaning through the evolving religious civilization that is Judaism. Written with humor and heart, readers learn the ins and outs of becoming Jewish and discover the wonder that is the language, literature, history, rituals, food, music, and culture of contemporary Jewish life.