100 Iconic Bollywood Costumes is a definitive guide to these colorful silver screen outfits and more Beautifully illustrated and a must-buy for fans and scholars of women's fashion and Bollywood cinema Full of insider know-how from designer legends such as Manish Malhotra 100 Iconic Bollywood Costumes is a celebration of fashion in Indian cinema, studded with beautiful illustrations of India's most enduring glam icons. It pays tribute to the colorful silver screen looks that have not only come to define their lms and actresses, but have also shaped the way millions of Indian women view style: Madhubala's classic Anarkali in Mughal-e-Azam (1960), Kajol's tomboy chic in Kuch Kuch Hota Hai (1998), Kareena Kapoor's game-changing Patialas in Jab We Met (2007), and many more. Packed with insider know-how on the creative processes behind these influential costumes - from designer legends such as Manish Malhotra to the stylish performers themselves - 100 Iconic Bollywood Costumes is a must-have for both fans and scholars of women's fashion, Bollywood cinema, and the quintessential quirks of modern Indian culture.

Discover historical insights, lesser-known facts, and incredible photography of iconic movies including Mother India, Mughal-e-Azam, Sholay, and Bajirao Mastani with this gorgeous celebration of the world's biggest film industry. Bollywood charts the world of Hindi cinema year-by-year from the pioneering studios of the 1930s, through the Golden Age, to the age of Big Money in the 21st century and it's biggest modern stars. With over 1,000 films produced every year, the glitter and charm of Bollywood is unrivalled anywhere else in the world. Bollywood takes you on a behind-the-scenes tour of Hindi cinema's biggest blockbusters, with stunning film stills and plot timelines, as well as insightful biographies of iconic stars including Dev Anand, Amitabh Bachchan, Deepika Padukone, and Shahrukh Khan. Bring the spectacle home and be enchanted by the glamour and colour of Indian cinema with this glittering homage to Bollywood!

Bhanu Athaiya is the revered doyenne of Indian costume designers...For the benefit of future generations of filmmakers, film lovers and designers, it is important to document the landmark work done by someone with such knowledge, vision and passion. To beloved Bhanu I send my heartfelt congratulations on this splendid book. - From the Foreword by Lord Richard AttenboroughBhanu Athaiya began her career in costume design in 1953. Over the next 56 years she built an extraordinary body of work that defined the aesthetics of costume design in Hindi cinema. Name any iconic look and Bhanu was behind it, whether it was Waheeda Rehman in Guide, Mumtaz in Brahmachari or Zeenat Aman in Satyam Shivam Sundaram. She has to her credit an amazing repertoire of 130 films and has worked with every director and producer of consequence, including Raj Kapoor, Guru Dutt, B.R. Chopra, Yash Chopra, F.C. Mehra, Sunil Dutt, Dev Anand, Randhir Kapoor and Ashutosh Gowariker. In this book, Bhanu recounts the eventful story of her life and her deep passion for creativity in design. She takes you through a fascinating journey, beginning with the classic look of the black and white era, moving on to the age of Technicolor typified by box-office hits like Sangam, Ganga Jumna and Waqt, and then to her more contemporary work in Lagaan and Swades. The book culminates in the story of the Oscar for the costume design of Gandhi-the first such distinction won by an Indian.This is a classic work on the pioneering vision of a person who shaped the landmarks of Indian film costumes, set the fashion trend of the 1960s and 70s, and won Indian cinema the highest acclaim in the international arena.

Reprint. Originally published: London: Victoria & Albert Museum, 2012.

The Bombay-based Indian film industry--Bollywood--has developed a unique visual language, articulated by the vivid hand-painted movie posters that have since become highly desirable collectors' items. This volume presents the original art in its true glory.

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This book offers an introduction to popular Hindi cinema, a genre that has a massive fan base but is often misunderstood by critics, and provides insight on topics of political and social significance. Arguing that Bollywood films are not realist representations of society or expressions of conservative ideology but mediated texts that need to be read for their formulaic and melodramatic qualities and for their pleasurable features like bright costumes, catchy music, and sophisticated choreography, the book interprets Bollywood films as complex considerations on the state of the nation that push the boundaries of normative gender and sexuality. The book provides a careful account of Bollywood’s constitutive components: its moral structure, its different forms of love, its use of song and dance, its visual style, and its embrace of cinephilia. Arguing that these five elements form the core of Bollywood cinema, the book investigates a range of films from 1947 to the present in order to show how films use and innovate formulaic structures to tell a wide range of stories that reflect changing times. The book ends with some considerations on recent changes in Bollywood cinema, suggesting that despite globalization the future of Bollywood remains promising. By presenting Bollywood cinema through an interdisciplinary lens, the book reaches beyond film studies departments and will be useful for those teaching and studying Bollywood in English, sociology, anthropology, Asian studies, and cultural studies classes.