Peter F. Collier (1849–1909) and Robert J. Collier (1876–1918) were the men behind publishing giant Peter F. Collier & Son, and their organization ranked among America's most prestigious firms. Collier's Weekly, which appeared in various forms from 1888 through 1957, was at the forefront of new publishing technologies, such as the use of halftone images, and was noted for its fiction and investigative journalism. Collier's publications regularly employed the best illustrators of the day, and the company frequently produced collections of favorite works from their popular periodicals. This volume presents the best color and black-and-white images from two rare portfolios, originally printed in 1908 and 1914. Featured artists include Charles Dana Gibson, whose contract with Collier's made his "Gibson Girl" a fixture in American culture, and Maxfield Parrish, who created many illustrations and covers for the magazine. Additional contributors include Howard Pyle, Jessie Willcox Smith, J. C. Leyendecker, Frederic Remington, and other noteworthy American artists of the early twentieth century.

Arranged in chronological order, each illustration is accompanied by complete bibliographical information, including pagination, issue date, physical description, and other notations. Every cover of each first-edition book reproduced in color.

Over the span of forty years, Professor Raphael Dorman OLeary labored tirelessly to make his students understand the importance of originality and of apt expression in English composition. He especially loved words well chosen and dared his students to put beauty and smoothness and sinew into their sentences. He tried passionately to make them feel the dignity and the majesty of the English language at its best. When he died after a short illness in 1936, his personal effects passed among descendants until finally coming to rest with Dennis OLeary and his spouse, Margaret, who discovered them in a poor condition while restoring a family house. Amid Professor OLearys papers was his handwritten journal from the year 1914 to 1915. The journal displays the full measure of R. D. OLeary in his myriad academic, social, political, and religious experiences at the University of Kansas atop Mount Oread; in the adjacent city of Lawrence, Kansas; and while traveling to rural Kansas during the summer months and to Minneapolis, Minnesota, in the dead of winter. Throughout his journal, Professor OLeary portrays with humor and pathos his encounters with students, colleagues, his spouse, his three sons, his mother, shopkeepers, religious zealots, pro-German zealots, anti-German zealots, drayers, Pullman conductors, bankers, politicians, publishers, educated spinsters, and garden wasps, while vividly describing cold classrooms, interminable whist parties, trilling sopranos, Kansas football games, and Lawrence seed stores. R. D. OLeary (18661936): Notes from Mount Oread 19141915 is a fascinating glimpse into the life and times of a revered English professor, half way through his forty years of teaching at the University of Kansas.

Ted Shawn (1891-1972) is the self-proclaimed "Father of American Dance" who helped to transform dance from a national pastime into theatrical art. In the process, he made dancing an acceptable profession for men and taught several generations of dancers, some of whom went on to become legendary choreographers and performers in their own right, most notably his protégés Martha Graham, Louise Brooks, Doris Humphrey, and Charles Weidman. Shawn tried for many years and with great frustration to tell the story of his life's work in terms of its social and artistic value, but struggled, owing to the fact that he was homosexual, a fact known only within his inner circle of friends. Unwilling to disturb the meticulously narrated account of his paternal exceptionalism, he remained closeted, but scrupulously archived his journals, correspondence, programs, photographs, and motion pictures of his dances, anticipating that the full significance of his life, writing, and dances would reveal itself in time. Ted Shawn: His Life, Writings, and Dances is the first critical biography of the dance legend, offering an in-depth look into Shawn's pioneering role in the formation of the first American modern dance company and school, the first all-male dance company, and Jacob's Pillow, the internationally renowned dance festival and school located in the Berkshires. The book explores Shawn's writings and dances in relation to emerging discourses of modernism, eugenics and social evolution, revealing an untold story about the ways that Shawn's homosexuality informed his choreographic vision. The book also elucidates the influences of contemporary writers who were leading a radical movement to depathologize homosexuality, such as the British eugenicist Havelock Ellis and sexologist Alfred Kinsey, and conversely, how their revolutionary ideas about sexuality were shaped by Shawn's modernism.

A collection assembled for the centennial of the Spanish- American War Features the work of renowned artists of the day, including Frederic Remington Biographical notes on the artists Some notable artists covered the Spanish-American War of 1898 for the illustrated press, including William Glackens, Howard Chandler Christy, Henry Reuterdahl, and Frederic Remington. To commemorate the centennial of the war, the Anne S. K. Brown Military Collection is mounting a major exhibition of the work of these war artists. This superbly illustrated catalog accompanies the exhibition and provides an overview of the drawings, watercolors, and prints, as well as biographical details on the artists. With pictures from the Frederic A. Sharf Collection, West Point Museum, the Art Institute of Chicago, and the Anne S. K. Brown Collection at Brown University, the exhibition provides a wealth of images on a war that ranged from Cuba to the Philippines and involved several young Americans who would later become famous, such as Theodore Roosevelt.