- 100 insightful and fun-to-read texts by Belgium connoisseur and fan Derek Blyth about iconic Belgian traditions, places, artists, oddities, buildings, sayings, and more In his new book journalist Derek Blyth presents 100 Belgian 'icons' that have shaped what he calls 'the strangest country in the world': people, objects, places and stories that are intertwined with Belgium's history and make it the country it is today. The insightful, fun-to-read texts are divided into lists with specific themes: traditions, places, artists, oddities, sayings, architecture, etc. Each list holds famous icons like the saxophone but also some surprises like Churchill's V-sign.

A companion volume to 300 Beers to Try Before You Die!, this showcase of the best Belgian beers encourages both connoisseurs and newcomers to sample for themselves. Written by internationally known beer writers Tim Webb and Joris Pattyn, the book provides readers with a glossary of Belgian beer styles, a map of Belgium with featured breweries. Detailed and enthusiastic tasting notes for each beer by Joris Pattyn explore the many dimensions of Belgian beers. It is lavishly illustrated throughout with photographs showing the beers themselves, where and how they are brewed, Belgian beer bars, and some of the characters involved in Belgian brewing. Visitor information includes contact details for each brewery along with any opening times and details of brewery taps. United States and UK importers are detailed, and each entry details the ABV, bottle sizes, and whether the beer is available on draught.

This is the first of a two-volume set that constitutes the refereed proceedings of the Second International Conference on Usability and Internationalization, UIHCII 2007, held in Beijing, China in July 2007. The papers of this first volume cover HCI and culture and are organized in topical sections on cross-cultural design, internationalization and intercultural usability, as well as user studies.

In English-speaking countries, Francophone comic strips like Hergés's Les Aventures de Tin Tin and Goscinny and Uderzo's Les Aventures d'Asterix are viewed—and marketed—as children's literature. But in Belgium and France, their respective countries of origin, such strips—known as bandes dessinées—are considered a genuine art form, or, more specifically, "the ninth art." But what accounts for the drastic difference in the way such comics are received? In Masters of the Ninth Art, Matthew Screech explores that difference in the reception and reputation of bandes dessinées. Along with in-depth looks at Tin Tin and Asterix, Screech considers other major comics artists such as Jacque Tardi, Jean Giraud, and Moebius, assessing in the process their role in Francophone literary and artistic culture. Illustrated with images from the artists discussed, Masters of the Ninth Art will appeal to students of European popular culture, literature, and graphic art.

New and comprehensive insights into the seminal events that shaped Belgian identity In 1790, between the birth of America (1776) and the creation of the French National Assembly (1789), nine provinces nestled between the French and Dutch borders declared themselves a new free and independent country: the United States of Belgium. Before then, the provinces had been part of the vast Austrian Habsburg Empire ruled by Joseph II. In 1789 revolutionaries from Brussels to Ghent to Namur recruited a grass-roots army that, to the surprise of many, successfully chased imperial forces from the majority of the territories. The exhilaration of military triumph and political independence quickly faded as revolutionary factions fought each other and the European monarchies became more nervous in the face of French radicalization. Yet, the course of events had fostered the solidification of a new identity among the provinces’ inhabitants: Belgianness. This is the story of the emergence of Belgianness in the crucible of revolution. The United States of Belgium tells the story of the First Belgian Revolution before the creation of a language barrier between French and Dutch. It incorporates over 50 contemporary images of the revolutionary era.

This book explores the political ideas of the Belgian Revolution of 1830, which led to the break-up of the Restoration state of the ‘united’ Kingdom of the Netherlands. It uncovers the origins of liberalism and political Catholicism in the Southern Netherlands in the wake of the French Revolution, and traces the development of political language in the context of the tensions between the Northern and Southern part of the united Netherlands. It shows how differences in ‘Dutch’ and ‘Belgian’ political and intellectual history resulted in different understandings of essential political concepts such as ‘sovereignty’ and ‘balance of powers’, as well as of the nature of the constitutional order of 1815. Finally, it traces the emergence of Belgian nationalism within the discourse of opposition against the government. Stefaan Marteel therefore provides a fresh perspective on the intellectual background of the rise of the nation-state in the nineteenth century.

This is the first book in English on the history of the actual disintegration of Belgium. It analyses how Belgium and its kings managed to control in a non-violent way the complex nationalist antagonisms between Flemings and Walloons. --Book Jacket.