Throughout his long and prolific career, Ray Stanford Strong (1905–2006) strove to capture the essence of the western American landscape. An accomplished painter who achieved national fame during the New Deal era, Strong is best known for his depiction of landscapes in California and Oregon, rendered in his signature plein air style. This beautiful volume, featuring more than 100 color and black-and-white illustrations, is the first comprehensive exploration of Strong’s life and artistry. Through family papers, archives, photographs, and a two-year series of interviews conducted with the artist personally, Mark Humpal traces Strong’s journey from his childhood on an Oregon berry farm to his artistically formative years in New York and San Francisco. After moving back to the West Coast, Strong produced important works for the WPA, executed major diorama projects for two world expositions, helped organize the Santa Barbara Art Institute, and served as teacher and mentor for a new generation of plein air artists. But, as Humpal emphasizes, Strong distinguished himself by resisting the drumbeat of the avant-garde. During an era when many artists were experimenting with abstract expressionism, Strong never relinquished his personal vision and adherence to a more traditional style. With his outgoing personality, he forged friendships and associations with such prominent artists as Frank Vincent DuMond, Maynard Dixon, Ansel Adams, Frank Lloyd Wright, and John Steinbeck. Ultimately, Strong had little concern for his place in the sweep of art history. The proficiency he achieved through years of formal and informal study allowed him to craft a personal style difficult to categorize but unique and engaging. By expanding our understanding and appreciation of Strong’s artistic contributions, this book offers a fitting tribute to one of America’s finest landscape artists.

"Yarn Bombing 18th Street is a catalog of an exhibit held at 18th Street Arts Complex, Santa Monica, CA in June 2011 (co-sponsored by 18th Street Arts Complex and Arroyo Arts Collective). Over sixty artists, representing a spectrum of participants (age, skill level, artists and non-artists, etc) installed site-specific knit/crochet/fiber arts pieces around the complex"--Wheelers.co.nz.

Germany's Atlantic Wall was the most ambitious military fortification program of World War II. Following its conquest of Western Europe, Germany had to defend some 5,000km of Atlantic coastline from the Spanish border to the Arctic Circle. The United States' entry into the war and the inevitability of an Anglo-American landing in Western Europe resulted in the fortification of this coastline along its entire length. Focusing on the northern Atlantic Wall in the Low Countries and Scandinavia, this title addresses the special defensive features and unique aspects of fortification in these countries, such as the early focus on fortifying Norway, due to early British commando raids; the greater use of turreted naval guns; and the establishment of first-line Flak defences in the Low Countries to counter the Allied strategic bombing campaign.

50 West Coast Artists presents a critical selection of some of America's most influential contemporary sculptors and painters. The striking concept and design of the book provide the reader with special insights into the enormous vitality and diversity of the art and artists of California.

Includes section "The great calender of American exhibitions."