A stylish celebration of some of the greatest buildings in Britain, from the 20th century and beyond, by the country's leading organisation for the protection of 20th century architecture. This fascinating book showcases 100 standout buildings from 1914 onwards, representing the broad variety of 20th century British architecture. The structures celebrated in this book include the Royal Festival Hall, the Hepworth Gallery, Preston Bus Station, Battersea Power Station, the Barbican Estate, the Aquatics Centre and many more. The glorious photography in 100 20th Century Buildings is accompanied by insightful text from a range of expert architectural writers and enthusiasts including Alan Powers, Owen Hatherley and Rowan Moore, along with several longer essays on different aspects of the 20th-century built environment: the late Gavin Stamp on the inter-war decades, the much missed Elain Harwood on post-war architecture and Timothy Brittain-Catlin on postmodernism. From factories to art galleries, churches to health centres, office blocks to individual private dwellings, this book provides a captivating overview of the 20th century built environment.

CD-ROM contains: files for all of the plans, sections and elevations included in the book.

Over the concluding decades of the twentieth century, the historic preservation community increasingly turned its attention to modern buildings, including bungalows from the 1930s, gas stations and diners from the 1940s, and office buildings and architectural homes from the 1950s. Conservation efforts, however, were often hampered by a lack of technical information about the products used in these structures, and to fill this gap Twentieth-Century Building Materials was developed by the U.S. Department of the Interior’s National Park Service and first published in 1995. Now, this invaluable guide is being reissued—with a new preface by the book’s original editor. With more than 250 illustrations, including a full-color photographic essay, the volume remains an indispensable reference on the history and conservation of modern building materials. Thirty-seven essays written by leading experts offer insights into the history, manufacturing processes, and uses of a wide range of materials, including glass block, aluminum, plywood, linoleum, and gypsum board. Readers will also learn about how these materials perform over time and discover valuable conservation and repair techniques. Bibliographies and sources for further research complete the volume. The book is intended for a wide range of conservation professionals including architects, engineers, conservators, and material scientists engaged in the conservation of modern buildings, as well as scholars in related disciplines.

A 100-year visual history of the magazine, showcasing the work of top interior designers and architects, and the personal spaces of numerous celebrities. Architectural Digest at 100 celebrates the best from the pages of the international design authority. The editors have delved into the archives and culled years of rich material covering a range of subjects. Ranging freely between present and past, the book features the personal spaces of dozens of private celebrities like Barack and Michelle Obama, David Bowie, Truman Capote, David Hockney, Michael Kors, and Diana Vreeland, and includes the work of top designers and architects like Frank Gehry, David Hicks, India Mahdavi, Peter Marino, John Fowler, Renzo Mongiardino, Oscar Niemeyer, Axel Vervoordt, Frank Lloyd Wright, and Elsie de Wolfe. Also included are stunning images from the magazine’s history by photographers such as Bill Cunningham, Horst P. Horst, Simon Upton, Francois Dischinger, Francois Halard, Julius Shulman, and Oberto Gili. “The book is really a survey of how Americans have lived—and how American life has changed—over the past 100 years.” ?Los Angeles Times “A Must-Have Book!” ?Interior Design Magazines “Written in the elevated quality that only the editors of Architectural Digest can master so well, AD at 100: A Century of Style is the world’s newest guide to the best and brightest designs to inspire your next big home project.” ?The Editorialist

The most inspirational buildings in the world, as chosen by well-known contemporary architects. In this book, published in conjunction with the Twentieth Century Society, 50 contemporary architects choose the buildings from around the world that have inspired them and made an impact on their own work. Architectural journalist Pamela Buxton interviewed each of the architects to create these outstanding portraits of the buildings that have influenced modern architecture. The diverse selection is introduced by Twentieth Century Society director Catherine Croft, and illustrated throughout with photographs by Gareth Gardner and Edward Tyler. The book features a diverse range of inspirational buildings, from housing estates to castles, coal mines to cathedrals. Work by the giants of twentieth-century architecture including Le Corbusier, Mies van der Rohe and Alvar Aalto are featured, as well as lesser-known gems. Examples include Richard Rogers (of RHSP) on Maison de Verre (Paris, France); Chris Williamson (of Weston Williamson) on the Eames House by Charles and Ray Eames (Los Angeles, USA); Takero Shimazaki (of T-SA, UK) on Hexenhaus by Alison and Peter Smithson (Bad Karlshafen, Germany); Ted Cullinan (of Cullinan Studio) on Chapel of Notre Dame Du Haut by Le Corbusier (Ronchamp, France); Michael Squire (of Squire & Partners, UK) on Grundtvig’s Church by Peder Vilhelm Jensen-Klint (Copenhagen, Denmark); and Jonathan Woolf (of Jonathan Woolf Architects) on Haus Esters and Haus Lange by Mies van der Rohe (Krefeld, Germany). This beautifully produced book offers a great insight into the power of existing architecture and its immense influence on the world we build today.

Global investigation of 20th-century architecture, 750+ masterpieces richly illustrated.

The present volume offers eloquent testimony that many of the master builders of this century have held passionate convictions regarding the philosophic and social basis of their art. Nearly every important development in the modern architectural movement began with the proclamation of these convictions in the form of a program or manifesto. The most influential of these are collected here in chronological order from 1903 to 1963. Taken together, they constitute a subjective history of modern architecture; compared with one another, their great diversity of style reveals in many cases the basic differences of attitude and temperament that produced a corresponding divergence in architectural style. In point of view, the book covers the aesthetic spectrum from right to left; from programs that rigidly generate designs down to the smallest detail to revolutionary manifestoes that call for anarchy in building form and town plan. The documents, placed in context by the editor, are also international in their range: among them are the seminal and prophetic statements of Henry van de Velde, Adolf Loos, and Bruno Taut from the early years of the century; Frank Lloyd Wright's 1910 annunciation of Organic Architecture; Gropius's original program for the Bauhaus, founded in Weimar in 1919; "Towards a New Architecture, Guiding Principles" by Le Corbusier; the formulation by Naum Gabo and Antoine Pevsner of the basic principles of Constructivism; and articles by R. Buckminster Fuller on universal architecture and the architect as world planner. Other pronouncements, some in flamboyant style, including those of Erich Mendelsohn, Hannes Meyer, Theo van Doesburg, OskarSchlemmer, Ludwig Mies van der Rohe, El Lissitzky, and Louis I. Kahn. There are also a number of collective or group statements, issued in the name of movements such as CIAM, De Stijl, ABC, the Situationists, and GEAM. Since the dramatic effectiveness of the manifesto form is usually heightened by brevity and conciseness, it has been possible to reproduce most of the documents in their entirety; only a few have been excerpted.