Morticians, also known as undertakers, funeral directors, or "death service" professionals, prepare bodies for burial or cremation, and they arrange the details of the funeral service and other end-of-life matters. They own compassion, as well as good interpersonal, business and time-management skills. They also have knowledge of laws and ethics regarding funeral service and preparations. Working as a Mortician isn't easy and can be very stressful. Studies have shown that coloring is one of the best stress-relieving activities that help you stay inspired and in the moment. Feel relaxed and melts stress away if you want to continue to function at your best. Enjoy the snarky Mortician Life with each page you color. This coloring book contains funny and humorous Mortician-related designs and sayings surrounded by intricate details, beautiful patterns, mandalas, and flowers, etc... Perfect Gift for Morticians - Humorous Coloring book for Grown-Ups Features: Large 8 1/2 by 11-inch paper (22cm x 28cm) pages. Single-sided pages for easy removal and no bleed-through. Printed on pure white paper, 60lb-pound stock. Contains 25 unique illustrations. 2 Color test pages at the back of the book.

Her dad's job is with the dead . . . and he's bringing his work home with him.

Winner, 2020 JDC-Herbert Katzki Award for Writing Based on Archival Material, given by the Jewish Book Council The astonishing story of the efforts of scholars and activists to rescue Jewish cultural treasures after the Holocaust In March 1946 the American Military Government for Germany established the Offenbach Archival Depot near Frankfurt to store, identify, and restore the huge quantities of Nazi-looted books, archival material, and ritual objects that Army members had found hidden in German caches. These items bore testimony to the cultural genocide that accompanied the Nazis’ systematic acts of mass murder. The depot built a short-lived lieu de memoire—a “mortuary of books,” as the later renowned historian Lucy Dawidowicz called it—with over three million books of Jewish origin coming from nineteen different European countries awaiting restitution. A Mortuary of Books tells the miraculous story of the many Jewish organizations and individuals who, after the war, sought to recover this looted cultural property and return the millions of treasured objects to their rightful owners. Some of the most outstanding Jewish intellectuals of the twentieth century, including Dawidowicz, Hannah Arendt, Salo W. Baron, and Gershom Scholem, were involved in this herculean effort. This led to the creation of Jewish Cultural Reconstruction Inc., an international body that acted as the Jewish trustee for heirless property in the American Zone and transferred hundreds of thousands of objects from the Depot to the new centers of Jewish life after the Holocaust. The commitment of these individuals to the restitution of cultural property revealed the importance of cultural objects as symbols of the enduring legacy of those who could not be saved. It also fostered Jewish culture and scholarly life in the postwar world.

The blogger behind Confessions of a Funeral Director—what Time magazine called a "must read"—reflects on mortality and the powerful lessons death holds for every one of us in this compassionate and thoughtful spiritual memoir that combines the humor and insight of Smoke Gets in Your Eyes with the poignancy and brevity of When Breath Becomes Air. We are a people who deeply fear death. While humans are biologically wired to evade death for as long as possible, we have become too adept at hiding from it, vilifying it, and—when it can be avoided no longer—letting the professionals take over. Sixth-generation funeral director Caleb Wilde understands this reticence and fear. He had planned to get as far away from the family business as possible. He wanted to make a difference in the world, and how could he do that if all the people he worked with were . . . dead? Slowly, he discovered that caring for the deceased and their loved ones was making a difference—in other people’s lives to be sure, but it also seemed to be saving his own. A spirituality of death began to emerge as he observed: The family who lovingly dressed their deceased father for his burial The act of embalming a little girl that offered a gift back to her grieving family The nursing home that honored a woman’s life by standing in procession as her body was taken away The funeral that united a conflicted community Through stories like these, told with equal parts humor and poignancy, Wilde offers an intimate look into the business and a new perspective on living and dying

In a sleepy Northern Californian town there is one nightmarish house, the Old Mortuary, where the mortician's wife has spent four decades alone - and some would say insane - harboring terrible secrets and sleeping in an alcove off one bedroom where she believes the evil spirit of the house cannot get to her. As a child, Emily visits the Old Mortuary one Halloween, and later befriends the mortician's wife, Ada, who recounts the recent history of the house where there was once a steady flow of dead bodies through the basement while murderous events took place upstairs, mostly the work of one man, Horace Carpenter, whose eternal soul will never rest in peace.

The author is very candid about her unconventional career choice and reveals the shocking and eye-opening truth of what really goes on behind the closed doors of your neighborhood funeral parlor.

The fourth estate.