The Zombie Road coloring companion. 150 pages. All the carnage, all the heroes and villains and the wasteland machines they drive.

It's now two years since the zombie apocalypse changed the world. Survival is precarious for Zach Gunderson and his friends. They are encountering zombies who are evolving into something more than mindless automatons and the group dynamic is threatened by the revelation of a murderer in their midst. They handle each situation in their own special manner, but a seemingly innocent encounter with a group of Marines lead to disastrous consequences.

A man must survive the zombie apocalypse armed with only a shotgun, a Samurai bat, and the will to live among the unliving in this horror series debut. It's been two years since civilization ended in an unstoppable wave of chaos and blood. Now, former house painter Augustus "Gus" Berry lives a day-to-day existence of waking up, getting drunk, and preparing for the inevitable moment when "they" will come up the side of his mountain and penetrate his fortress. Living on the outskirts of Annapolis, Gus goes scavenging for whatever supplies remain in the undead suburbia below. Every time he descends the mountain could be his last. But when Gus encounters another survivor, he soon realizes the zombie horde may not be the greatest threat he faces . . . Combining heart-pounding action in a frozen dystopia with complex characters and dark humor, Mountain Man kicks off Keith C. Blackmore's thrilling survival series-perfect for fans of HBO's The Last of Us.

From downtown St. Louis to rural Missouri, conjures another batch of spine-tingling stories.

Though often seen as one of America's native cinematic genres, the road movie has lent itself to diverse international contexts and inspired a host of filmmakers. As analyzed in this study, from its most familiar origins in Hollywood the road movie has become a global film practice, whether as a vehicle for exploring the relationship between various national contexts and American cinema, as a means of narrating different national and continental histories, or as a form of individual filmmaking expression. Beginning with key films from Depression-era Hollywood and the New Hollywood of the late 1960s and then considering its wider effect on world cinemas, this volume maps the development and adaptability of an enduring genre, studying iconic films along the way.

In this sequel to Outbreak: The Zombie Apocalypse, Matt Hawkins strives for redemption following Britain's first zombie outbreak. His internal struggles and his psychological analysis of those around him lead him to question the ethics of humanity and himself as he fights to survive the apocalypse. Hawkins perception of the immoral decisions of the leadership in seeking a possible cure force him to reevaluate his past and question his own motives as he tries desperately to conceal a secret that could ruin him and prevent him from keeping the fragile promise which has become his only motivation to live. From the sanctuary of the Millennium Stadium in Cardiff, Wales to the promise of an escape through the Channel Tunnel in Folkestone, Kent, their only hope for survival and for the possibility of ending the zombie outbreak, the diverse group of people experience loss while they hope for success but all at a very high price.

The ninjas have escaped from the undead army, but at a heavy cost. Mount Leinster has become a killing ground; thousands lie shattered in the foothills. John Baptist and de Nazarene will march again to eradicate the humans. It is time to leave. All that the ninjas knew and loved is destroyed. Is there a safe haven on this Earth? Is this the end for the human race?