This book is the result of intellectual and physical journeys that artists, scholars, teachers, and students from China and Germany have undertaken together, in order to gain a better understanding of the connections between old Chinese philosophy (with an emphasis on Daoist writings), traditional Chinese painting, and contemporary art practices. The texts collected here give an introduction into concepts that are more than 2000 years old, yet still raise relevant questions about our current relationship to nature--both to nature in the sense of environment and ecology, and to our inner nature and its connection to the world we live in. The answers each of us gives to these questions also inform our way of life, the way we act in society or politics, and of course our art. They are important to anyone trying to find a position in a world that is about to shift from a cosmos that was "naturally so" (ziran ) to an increasingly manmade world, controlled and designed for the sole benefit of human beings. Copublished with Muthesius University of Fine Arts and Design, Raum der Publikation Contributors Tania Becker von Falkenstein, Christiane Kruse, Lothar Ledderose, Bangyao Li, Antje Majewski, Angelika C. Messner, Xu Tan, Chen Tong, Vangjush Vellahu, Huang Xiaopeng, Chen Zhiwei

Nature Across Cultures: Views of Nature and the Environment in Non-Western Cultures consists of about 25 essays dealing with the environmental knowledge and beliefs of cultures outside of the United States and Europe. In addition to articles surveying Islamic, Chinese, Native American, Aboriginal Australian, Indian, Thai, and Andean views of nature and the environment, among others, the book includes essays on Environmentalism and Images of the Other, Traditional Ecological Knowledge, Worldviews and Ecology, Rethinking the Western/non-Western Divide, and Landscape, Nature, and Culture. The essays address the connections between nature and culture and relate the environmental practices to the cultures which produced them. Each essay contains an extensive bibliography. Because the geographic range is global, the book fills a gap in both environmental history and in cultural studies. It should find a place on the bookshelves of advanced undergraduate students, graduate students, and scholars, as well as in libraries serving those groups.

In Philosophical Horizons Yang draws freely from Confucian, Daoist, and Buddhist texts, alongside great Western philosophers to provide penetrating discussions of some of the most important issues in modern philosophy—especially those topics related to comparative and Chinese philosophy.

China is currently afflicted by enormous environmental problems. This book, drawing on ancient and modern Chinese environmental thinking, considers what it is that makes an environment a desirable place for living. The book emphasises ideas of beauty, and discusses how these ideas can be applied in natural, agricultural and urban environments in order to produce desirable environments. The book argues that environment is both a product of nature and of human beings, and as such is potentially alterable by culture. The book explores the three aspects of environmental beauty whereby such alteration might be beneficially made: integrated and holistic; ecological and man-made; and authentic and everyday. This book addresses environmental issues by distinctively suggesting that an aesthetic approach inspired from ancient Chinese tradition could help us overcome the many problems that human beings have created at local and global levels. Although its main focus is the traditional and current contexts of the People’s Republic of China, the book transcends national borders. A typical example is the ancient Chinese thought system and cultural practice of Feng Shui (風水) that sought to negotiate how the natural environment and human constructions can cohabit without destructing each other. The author evokes that sought-after harmony through the powerful image of gardens of life whose environmental beauty can be found in traditional Chinese gardens and palaces as well as historically and culturally preserved cities.

This book examines the origins and basic concepts of sociology in China and traces the discipline’s evolutionary trajectory. Building on the premise that qunxue, which goes back to Xunzi, is essentially the Chinese antecedent of modern/Western sociology, contributors try to show the distinctive ways qunxue addresses a wide range of both foundational and practical issues related to society using its own set of conceptual, analytical and methodological apparatus. The book argues that the rise of Chinese sociology will depend crucially on whether the rich heritage of traditional Chinese sociology can be fully appreciated and integrated with the Western tradition of learning. Following two preliminary chapters laying out qunxue’s basic paramters, the four remaining chapters focus on its four primary concerns: cultivation of the self (xiushen), regulation of the family (qijia), governance of the state (zhiguo), and realization of universal peace (pingtianxia).

This highly acclaimed, 'bold and refreshing' collection of essays takes a critical look at Asians' perception of their natural environments as well as at Western views of Asia in this respect.