Cultural Writing. This bibliography tells the story of ZEPHYRUS IMAGE, a Northern California press operated through the nineteen-seventies that was the brainchild of Holbrook Teter and Michael Myers. With their own idiosyncratic methods they produced subversive, anarchic works of great wit and elegance that lampooned the foolish. Poets Ed Dorn and Tom Raworth were strongly allied with them, and they published a varied and eclectic range of work from such authors as Robert Creely, Joanne Kyger, Fielding Dawson, Robert Bly, Lucia Berlin, Gary Snyder, Stan Brakhage and William T. Wiley.

Volume 2 of the journal Glossator: Practice and Theory of the Commentary. On the Poems of J.H. Prynne. Edited by Ryan Dobran.Contents:RYAN DOBRAN, Introduction JOSH STANLEY, Back On Into The Way Home: "Charm Against Too Many Apples" [The White Stones, 1969];THOMAS ROEBUCK & MATTHEW SPERLING, "The Glacial Question, Unsolved": A Specimen Commentary on Lines 1-31 [The White Stones, 1969]ROBIN PURVES, A Commentary on J.H. Prynne's "Thoughts on the Esterh�zy Court Uniform" [The White Stones, 1969]REITHA PATTISON, J.H. Prynne's "The Corn Burned by Syrius" [The White Stones, 1969]KESTON SUTHERLAND, Hilarious absolute daybreak [Brass, 1971]MICHAEL STONE-RICHARDS, The time of the subject in the neurological field (I): A Commentary on J.H. Prynne's "Again in the Black Cloud" [Wound Response, 1974]JUSTIN KATKO, Relativistic Phytosophy: Towards a Commentary on "The Plant Time Manifold Transcripts" [Wound Response, 1974]JOHN WILKINSON, Heigh Ho: A Partial Gloss of Word Order [Word Order, 1989]Glossator publishes original commentaries, editions and translations of commentaries, and essays and articles relating to the theory and history of commentary, glossing, and marginalia. The journal aims to encourage the practice of commentary as a creative form of intellectual work and to provide a forum for dialogue and reflection on the past, present, and future of this ancient genre of writing. By aligning itself, not with any particular discipline, but with a particular mode of production, Glossator gives expression to the fact that praxis founds theory. GLOSSATOR.ORG

Wildland fires have an irreplaceable role in sustaining many of our forests, shrublands and grasslands. They can be used as controlled burns or occur as free-burning wildfires, and can sometimes be dangerous and destructive to fauna, human communities and natural resources. Through scientific understanding of their behaviour, we can develop the tools to reliably use and manage fires across landscapes in ways that are compatible with the constraints of modern society while benefiting the ecosystems. The science of wildland fire is incomplete, however. Even the simplest fire behaviours – how fast they spread, how long they burn and how large they get – arise from a dynamical system of physical processes interacting in unexplored ways with heterogeneous biological, ecological and meteorological factors across many scales of time and space. The physics of heat transfer, combustion and ignition, for example, operate in all fires at millimetre and millisecond scales but wildfires can become conflagrations that burn for months and exceed millions of hectares. Wildland Fire Behaviour: Dynamics, Principles and Processes examines what is known and unknown about wildfire behaviours. The authors introduce fire as a dynamical system along with traditional steady-state concepts. They then break down the system into its primary physical components, describe how they depend upon environmental factors, and explore system dynamics by constructing and exercising a nonlinear model. The limits of modelling and knowledge are discussed throughout but emphasised by review of large fire behaviours. Advancing knowledge of fire behaviours will require a multidisciplinary approach and rely on quality measurements from experimental research, as covered in the final chapters.

Pagan and Native Faith movements have sprung up across Europe in recent decades, yet little has been published about them compared with their British and American counterparts. Though all such movements valorize human relationships with nature and embrace polytheistic cosmologies, practitioners’ beliefs, practices, goals, and agendas are diverse. Often side by side are groups trying to reconstruct ancient religions motivated by ethnonationalism—especially in post-Soviet societies—and others attracted by imported traditions, such as Wicca, Druidry, Goddess Spirituality, and Core Shamanism. Drawing on ethnographic cases, contributors explore the interplay of neo-nationalistic and neo-colonialist impulses in contemporary Paganism, showing how these impulses play out, intersect, collide, and transform.

Renaissance images could be real as well as linguistic. Human beings were often believed to be an image of the cosmos, and the sun an image of God. Kathryn Banks explores the implications of this for poetic language and argues that linguistic images were a powerful tool for rethinking cosmic conceptions. She reassesses the role of natural-philosophical poetry in France, focusing upon its most well-known and widely-read exponent, Guillaume de Saluste Du Bartas.Through a sustained analysis of Maurice Sceve's Delie , Banks also rethinks love lyric's oft-noted use of the beloved as image of the poet. Cosmos and Image makes an original contribution to our understanding of Renaissance thinking about the cosmic, the human, and the divine. It also proposes a mode of reading other Renaissance texts, and reflects at length upon the relation of 'literature' to history, to the history of science, and to political turmoil.

This volume responds to calls in visual and material cultural studies to move beyond the visual and to explore the multi-sensory impact of the image, across a wide range of cultural and historical contexts. What does it mean to practise art history after the material and sensory turns? What is an image, if not a purely visual phenomenon, and how does it prompt non-visual sensory experiences? The multi-sensoriality of the image was a less challenging concept before the ocularcentric modern age, and so this volume brings together a global array of scholars from multiple disciplines to ask these questions of imagery in premodern or non-western contexts, ranging from Minoan palace frescoes, to Roman statues, early church sermons, tombs of Byzantine saints, museum displays of Islamic artefacts of scent, medieval depictions of the voice, and Stuart court masques. Each chapter presents a means of appreciating images beyond the visual, demonstrating the new information and understanding that consequently can be gleaned from their material. As a collection, these chapters offer the student and scholar of art history and visual culture an array of exciting new approaches that can be applied to appreciate the multi-sensoriality of images in any context, as well as prompts for reflection on future directions in the study of imagery. The Multi-Sensory Image thus illustrates that it is not only possible to explore the non-visual impact of images, but imperative.