Zephyrhills has had many monikers, including Oakdale, Abbott, Abbott Station, Friendly City, and City of Pure Water. The universal appeal of this treasured location is the weaving of diverse people. Native Americans first imprinted the area and are immortalized today at nearby Fort Foster and Fort Dade. In 1886, Simon J. Temple purchased land from the Florida Railway and Navigation Corporation. Soon after, Capt. H. B. Jeffries of the Pennsylvania 28th Calvary established a Civil War veterans' colony with son-in-law Raymond Moore. Jeffries coined the town's modern name during a multisensory excursion to the highest elevation point--scenic LeHeup Hill--where he gazed down on the city (no doubt taking in pastoral views and breathing fresh air from gentle breezes off the hills) and exclaimed, "a haven of 'zephyr' hills!"

Cumulative index to all three volumes of Literature of American Music in Books and Folk Music Collections.

Describes girls volleyball, the skills needed to play the sport, and ways to compete.

First published in 2006. This guide is an A to Z trade reference aimed at music students, technophiles and audio-video computer users. The world of music technology has exploded over the last decades thanks to introductions of new digital formats. At the same time there has been a renaissance in analog high fidelity equipment and resurgent interest in turntables, long playing records and vintage stereo systems. Music students, collectors and consumers will appreciate the availability of a guide to all things musical in the technological universe.

Jazz: Research and Pedagogy is the third edition of an annotated bibliography to books, recordings, videos, and websites in the field of jazz. Since the publication of the 2nd edition in 1995, the quantity and quality of books on jazz research, performance, and teaching materials have increased. Although the 1995 book was the most comprehensive annotated jazz bibliography published to that date, several books on research, performance, and teaching materials were omitted. In addition, given the proliferation of new books in all jazz areas since 1995, the need for a new, comprehensive, and annotated reference book on jazz is apparent. Multiply indexed, this book will serve as an excellent tool for librarians, researchers, and scholars in sorting through the massive amount of new material that has appeared in the field over the last decade.