‘Who I am today? Merely a suffering soul, tormented by my own guilt. I cannot tread the same lanes, the royal corridors again that I left behind a year ago; so what if I want to rectify today, something that I destroyed yesterday.’ She stood gazing at him helplessly. Fateh Kanwar, the princess of Bikaner, stunningly beautiful and noble was not born to rule. Or so she thought. Married at the age of twelve, the tender love grew in her life after she took saptpadi with the crown prince of Jaipur. They were two young lives converging on a deadly course: one an innocent princess of Bikaner, who was living an idyllic life in royal corridors, the other , a young charming prince, who had spent all his life defying the traditions and Rajdharma, even after ascending the throne. After a series of shocking events, it was her brilliant mother-in-law, who paved the way for her elevation to be a regent queen. But yet again her world turned upside down. She perceived the political intrigues and power play of her two most trusted people as the key to her rule. Destiny defied her again. Fateh Kanwar herself becomes a victim of greed for power. Or so the people believed. Set in the last quarter of the eighteenth and the early nineteenth century India, ‘Zenani Deordhi’ is a compelling tale of a kingdom in peril. It is the tale of love and loss, pleasure and pain, and lust and greed. It is a vivid account of the lifelong struggle of a simple young woman, who walked the tightrope of being a queen and a mother and therefore became a sweeping story that is as relevant today as it was yesterday.

Readers of Princess Sultana's extraordinary biography Princess were gripped by her powerful indictment of women's lives behind the veil within the royal family of Saudi Arabia. They were every bit as fascinated by the sequel, Daughters of Arabia. Here, the princess turns the spotlight on her two daughters, Maha and Amani, both teenagers. Surrounded by untold opulence and luxury from the day they were born, but stifled by the unbearably restrictive lifestyle imposed on them, they reacted in equally desperate ways. Their dramatic and shocking stories, together with many more which concern other members of Princess Sultana's huge family, are set against a rich backdrop of Saudi Arabian culture and social mores which she depicts with equal colour and authenticity. We learn, for example, of the fascinating ritual of the world-famous annual pilgrimage to Makkah as we accompany the princess and her family to this holiest of cities. Throughout, however, she never tires of her quest to expose the injustices which her society levels against women. In her courageous campaign to improve the lot of her own daughters of Arabia, Princess Sultana once more strikes a chord amongst all women who are lucky enough to have the freedom to speak out for themselves.

Jaipur Nama is the story of one of India's most fascinating cities, as seen through the eyes of both its residents and its visitors, who witnessed and recorded different moments in Jaipur's history between the 18th and 20th centuries. The triumph, follies and foibles of its rulers, the passions and drama of palace intrigues, the splendor of royal rites and entertainments, and the bustle and energy of tis bazaars and ateliers, all come to life through the vivid and detailed accounts of chroniclers as diverse as an Austrian Jesuit, a French naturalist, a court priest, a city merchant and a pilgrim from Banaras. Many of these accounts are here translated into English for the first time. Each reflects a different aspect of Jaipur, together creating a captivating, kaleidoscopic portrait of the Pink City. Linking these narratives are the observations, experiences and perceptions of the author, Giles Tillotson, who skillfully weaves the past into the present as he writes about the personalities who shaped the character of the city, the wonders of its architectures, and the development of its superb arts and crafts. Entertaining as well as scholarly, Jaipur Nama will appeal to a wide readership. For those who know Jaipur or plan to go there, this book will sharpen and enrich their experience of the city, while armchair travelers will find it a delightfully witty and knowledgeable companion.

Ages ago… He didn’t start it. He didn’t wish for it. Yet, he made a choice and became the NEELKANTH! And now… A crime infested Delhi of 2025 becomes the womb that gives birth to an organisation - CIU, wherein a group of policemen, armed with a secret weapon, begin to solve crime cases with absolute precision. Until… Suryakant Singh, a young IPS officer, is recruited and is assigned his first case of a mysterious death. He soon gets trapped into a vortex of truth, lies, and deceit. Evidence tells one thing, heart another and instinct something else. And to his surprise, the weapon fails him, a first in the history of CIU. As Suryakant sets out to unravel the mystery, he realizes that it is not crime investigation. It is so much more. The truth is beyond anything he has ever imagined. Will he uncover the murderer? Will he discover the secret behind the weapon? Will Suryakant choose to become the Neelkanth? Read this fast-paced crime-mystery-thriller, to find out… -- “Riveting. An edge-of-the-seat thriller. The authors have done a fabulous job in their very first attempt at fiction. Unputdownable!” - MEGHNA PANT, Author & Journalist

Jaipur Journals is about the writing life and how writers search pattern and design amidst the unstructured chaos of the lived life.

When travel writer Christopher Stewart arrives at a riverside resort in Kerala, India to meet Koman, Radha's uncle and a famous dancer, he enters a world of masks and repressed emotions. From their first meeting, both Radha and her uncle are drawn to the enigmatic young man with his cello and his incessant questions about the past. The triangle quickly excludes Shyam, Radha's husband, who can only watch helplessly as she embraces Chris with a passion that he has never been able to draw from her. Also playing the role of observer-participant is Koman; his life story, as it unfolds, captures all the nuances and contradictions of the relationships being made—and unmade—in front of his eyes. Booklist calls Mistress "Tempestuously exotic, Nair's intricately woven multicultural and multigenerational saga pulsates with passion and desire."

Amma, universally known as "The Hugging Saint," went through a two-decade transformation from a simple fisherman's daughter to an international wonder worshiped by millions. Gail "Gayatri" Tredwell was there every step of the way--from early devotee to head female disciple, ever-present personal attendant, handmaiden, whipping post, and unwilling keeper of some devastating secrets. Because she became fluent in the Malayalam language and had continual intimate proximity to Amma for twenty years, Tredwell is uniquely capable of portraying this famous woman. She tells her tale with straightforward honesty, fairness, and a dash of Aussie snap and wit. Although the guru's flaws are a necessary part of her story and awakening, she strives to be factual throughout, digging deep to eschew victim frameworks and take responsibility for her own role in accepting the abuse and perpetuating the lies. Tredwell takes us vividly through her varying stages, starting with naïveté and innocent devotion, then on to dawning awareness and confusion, finally to emotional breakdown and her shocking "enlightenment"--her realization that the liberation she urgently required was is in fact liberation from her own guru