Robert Kennedy is one of three Jesuits in the world who answer to both the titles "Father" and "Roshi," or venerable Zen teacher. In 1991, after ten years of practicing Zen meditation, he was installed as a Zen teacher at the recommendation of his teacher, Glassman Roshi, and of Glassman Roshi's teacher, Maezumi Roshi. Today, he directs a dozen groups of people from many religious persuasions--even atheists and agnostics--who sit weekly in Zen meditation throughout the greater New York metropolitan area. This book is specifically addressed to the Christian practitioners of Zen meditation or those who are curious about it. It is structured around ten well-known ox-herding pictures that have been a consistent source of inspiration to Zen students for centuries. Each picture represents a specific Zen insight to life, and these insights, says Kennedy, are not only fully compatible with Christianity but can help Christians achieve the spiritual goals enshrined in a Christian classic. For example, "The Cloud of Unknowing:" to be silent and attentive, to be wholly present to life, to be able to separate one's true self from one's false self, the self-seeking part of the personality that so often brings on pain.

A new revised edition of the classic title on Zen and Christian living. Zen Spirit, Christian Spirit is a study of the intersection between Zen Buddhism and Christianity. Robert Kennedy explores how Zen can help us to live deeper lives and how we can return from a study of Zen to a more profound understanding of Christian living and practice. "What I looked for in Zen," says the author, "was not a new faith, but a new way of being Catholic that grew out of my own lived experience and would not be blown away by authority or by changing theological fashion." Kennedy is unique in being competent in both Catholic and Zen practice and who responds to people who are drawn to this form of prayer and life. This is a refreshingly simple but also most beautiful book.

Using the teachings of Christ and the writings and stories of Christian spiritual masters, Chetwynd delves into the history of the tradition of meditation within Christianity. "Zen & the Kingdom of Heaven" offers provocative insights into the role of meditation in the East and the West.

Merton, one of the rare Western thinkers able to feel at home in the philosophies of the East, made the wisdom of Asia available to Westerners. "Zen enriches no one," Thomas Merton provocatively writes in his opening statement to Zen and the Birds of Appetite—one of the last books to be published before his death in 1968. "There is no body to be found. The birds may come and circle for a while... but they soon go elsewhere. When they are gone, the 'nothing,' the 'no-body' that was there, suddenly appears. That is Zen. It was there all the time but the scavengers missed it, because it was not their kind of prey." This gets at the humor, paradox, and joy that one feels in Merton's discoveries of Zen during the last years of his life, a joy very much present in this collection of essays. Exploring the relationship between Christianity and Zen, especially through his dialogue with the great Zen teacher D.T. Suzuki, the book makes an excellent introduction to a comparative study of these two traditions, as well as giving the reader a strong taste of the mature Merton. Never does one feel him losing his own faith in these pages; rather one feels that faith getting deeply clarified and affirmed. Just as the body of "Zen" cannot be found by the scavengers, so too, Merton suggests, with the eternal truth of Christ.

When Christian Zen was first published in the early 1970's, it was reviewed enthusiastically in many parts of the world. A subsequent edition added new material from the author's experience. This latest edition, from Fordham University Press, includes a new Preface by the author and a letter to the author from the Christian mystic Thomas Merton, written shortly before Merton's untimely death. William Johnston presents a study of Zen meditation in the light of Christian mysticism.

A great deal of Buddhist literature and scholarly writing about Buddhism of the past 150 years reflects, and indeed constructs, a historically unique modern Buddhism, even while purporting to represent ancient tradition, timeless teaching, or the "essentials" of Buddhism. This literature, Asian as well as Western, weaves together the strands of different traditions to create a novel hybrid that brings Buddhism into alignment with many of the ideologies and sensibilities of the post-Enlightenment West. In this book, David McMahan charts the development of this "Buddhist modernism." McMahan examines and analyzes a wide range of popular and scholarly writings produced by Buddhists around the globe. He focuses on ideological and imaginative encounters between Buddhism and modernity, for example in the realms of science, mythology, literature, art, psychology, and religious pluralism. He shows how certain themes cut across cultural and geographical contexts, and how this form of Buddhism has been created by multiple agents in a variety of times and places. His position is critical but empathetic: while he presents Buddhist modernism as a construction of numerous parties with varying interests, he does not reduce it to a mistake, a misrepresentation, or fabrication. Rather, he presents it as a complex historical process constituted by a variety of responses -- sometimes trivial, often profound -- to some of the most important concerns of the modern era.