"Why is everyone so quiet? Is this the democracy you wanted?" So ask the Zapatistas, the group of indigenous Mexicans who, on January 1, 1994, mounted a rebellion against the implementation of NAFTA, political corruption, and the slow, unreported genocide of indigenous people worldwide. As the group expressed their demands and revealed their tactics, it quickly became obvious that they were less an armed guerilla force seeking to seize state power, and much more a social movement seeking to catalyze civil society's full democratic power. For this reason Mexican political analyst Gustava Esteva has called the Zapatista rebellion "the first revolution of the 21st century." He explains that whereas the revolutions of the 20th century were tests for state power, the Zapatista struggle was for greater local autonomy, economic justice, and political rights within the borders of their own communities. Zapatista Encuentro contains documents and communiqués from Subcomandante Marcos - the leader of the Zapatistas - from the 1996 Encounter for Humanity and Against Neoliberalism. This remarkable event brought together 5,000 activists from all over the world to discuss how globalization (neoliberalism) affects us politically, culturally, economically, and socially.

"Why is everyone so quiet? Is this the democracy you wanted?" So ask the Zapatistas, the group of indigenous Mexicans who, on January 1, 1994, mounted a rebellion against the implementation of NAFTA, political corruption, and the slow, unreported genocide of indigenous people worldwide. As the group expressed their demands and revealed their tactics, it quickly became obvious that they were less an armed guerilla force seeking to seize state power, and much more a social movement seeking to catalyze civil society's full democratic power. For this reason Mexican political analyst Gustava Esteva has called the Zapatista rebellion "the first revolution of the 21st century." He explains that whereas the revolutions of the 20th century were tests for state power, the Zapatista struggle was for greater local autonomy, economic justice, and political rights within the borders of their own communities. Zapatista Encuentro contains documents and communiqués from Subcomandante Marcos - the leader of the Zapatistas - from the 1996 Encounter for Humanity and Against Neoliberalism. This remarkable event brought together 5,000 activists from all over the world to discuss how globalization (neoliberalism) affects us politically, culturally, economically, and socially.

On January 1, 1994 in the far southeast of Mexico, a guerrilla army of indigenous Mayan peasants calling itself the Zapatista Army of National Liberation rose up in rebellion against 500 years of colonialism, imperialism, genocide, racism, and neoliberal capitalism. Zapatismo Beyond Borders examines how Zapatismo, the political philosophy of the Zapatistas, crossed the regional and national boundaries of the isolated indigenous communities of Chiapas to influence diverse communities of North American activists. Providing readers with anthropological perspectives that draw on a year of fieldwork with activists, and also enriched by the author's own experience with contemporary social justice struggles, Alex Khasnabish examines the "transnational resonance" of the Zapatista movement. He shows how the spread of Zapatismo has unexpectedly produced new imaginations and practices of radical political action in diverse socio-political movements throughout North America. Zapatismo Beyond Borders is an engaging study of a radical political philosophy that has been both a model for grassroots organizations and a rallying call for members of the anti-globalization movement. Rigorous and engaged, this will be of interest to anyone interested in indigenous rights movements, political philosophy, and the recent history of political activism.

The revolution or revolutionary charity? All is not as it seems deep inside the Zapatista rebellion.

In the early hours of January 1, 1994 a guerrilla army of indigenous Mayan peasants emerged from the highlands and jungle in the far southeast of Mexico and declared "¡Ya basta!" - "Enough!" - to 500 years of colonialism, racism, exploitation, oppression, and genocide. As elites in Canada, the United States, and Mexico celebrated the coming into force of the North American Free Trade Agreement the Zapatista Army of National Liberation (Ejército Zapatista de Liberación Nacional, EZLN) declared war against this 500 year old trajectory toward oblivion, one that they said was most recently reincarnated in the form of neoliberal capitalist globalization that NAFTA represented. While the Zapatista uprising would have a profound impact upon the socio-political fabric of Chiapas its effects would be felt far beyond the borders of Mexico. At a moment when state-sponsored socialism had all but vanished from the global political landscape and other familiar elements of the left appeared utterly demoralized and defeated in the face of neoliberal capitalism's global ascendance, the Zapatista uprising would spark an unexpected and powerful new wave of radical socio-political action transnationally. Through an exploration of the Zapatista movement's origins, history, structure, aims, political philosophy and practice, and future directions this book provides a critical, comprehensive, and accessible overview of one of the most important rebel groups in recent history.

As the lead singer of the Grammy Award–winning rock band Quetzal and a scholar of Chicana/o and Latina/o studies, Martha Gonzalez is uniquely positioned to articulate the ways in which creative expression can serve the dual roles of political commentary and community building. Drawing on postcolonial, Chicana, black feminist, and performance theories, Chican@ Artivistas explores the visual, musical, and performance art produced in East Los Angeles since the inception of NAFTA and the subsequent anti-immigration rhetoric of the 1990s. Showcasing the social impact made by key artist-activists on their communities and on the mainstream art world and music industry, Gonzalez charts the evolution of a now-canonical body of work that took its inspiration from the Zapatista movement, particularly its masked indigenous participants, and that responded to efforts to impose systems of labor exploitation and social subjugation. Incorporating Gonzalez’s memories of the Mexican nationalist music of her childhood and her band’s journey to Chiapas, the book captures the mobilizing music, poetry, dance, and art that emerged in pre-gentrification corners of downtown Los Angeles and that went on to inspire flourishing networks of bold, innovative artivistas.

By analyzing the cases present in this volume, the editors develop important steps towards a theory of social change that can adequately address the complex realities and intersectionality of identity (race, gender, class, sexuality, nationality) within and among these new movements.