Biography of Zakir Husain, 1897-1969, a former president of India.

Tabla virtuoso, composer and percussionist Zakir Hussain is an international music phenomenon. The eldest son of the legendary Ustad Allarakha, Zakir gave his first public concert at the age of seven and was immediately hailed a child prodigy. In later years, his masterful dexterity and creative genius led to his becoming one of the most sought-after accompanists to the very best of Hindustani classical musicians and dancers. Zakir Hussain is equally recognized as one of the foremost contemporary jazz and world music percussionists; he has performed at innumerable concerts both as a solo artist and with renowned jazz musicians on the grand stages of the world, from the Royal Albert Hall to Madison Square Garden. With John McLaughlin, L. Shankar and T.H. Vinayakram, Zakir Hussain created music history with the band Shakti. He has acted in James Ivory's Heat and Dust and Sai Paranjpye's Saaz, and scored music for directors such as Bernardo Bertolucci (Little Buddha), Aparna Sen (Mr. & Mrs. Iyer) and Ismail Merchant (In Custody, The Mystic Masseur); he has also played the tabla for countless 1960s Hindi film soundtracks. In an in-depth conversation with Zakir Hussain, Nasreen Munni Kabir takes the readers through the story of his life: how he was deemed an 'unlucky' child; the early years of growing up in Mahim; his training from age four with his extraordinary father; and his experiences and memories working with a host of legendary musicians, including Pandit Ravi Shankar, Ustad Ali Akbar Khan and Ustad Vilayat Khan. A born storyteller, Zakir speaks with humour and humility of his understanding of music, his relationship with his students, his dedication and love for the tabla, and the way he negotiates life as an acclaimed celebrity living in both America and India. Zakir Hussain: A Life in Music is a brilliant introduction to the life and times of a huge music star, a revered role model and a visionary world musician.

"The book is well known as Dayanita Singh's primary medium, one she explores to create new relationships between photography, publishing, the exhibition and the museum. But where did her passion for the book as the ideal vessel for her photos, for the stories she tells, begin? The answer lies in Zakir Hussain, a handmade maquette Singh crafted in 1986 as her first project as a graphic design student. The protagonist of Singh's photo essay is the Indian classical tabla virtuoso Zakir Hussain, whom she captured on the stage and at home with his family. Surrounding the photos are handwritten texts gleaned from interviews Singh made with her sitters, including insights from Hussain: 'I will always be a musician. A musician will always be a musician, not just me. He may stop performing but the musician is still there.' This Steidl facsimile edition is scanned from Singh's original maquette and reproduces all its 'imperfections' and idiosyncrasies including her pencilled notes about the book's construction--indications of the influential bookmaker to come. Shanay Jhaveri's accompanying essay discusses how Singh came to 'make' the original, referring to her student notes and exploring how she intuitively assembled the book, from editing the images to design, setting the ground for the book objects and photo architectures of her later practice."-- https://steidl.de/Books/Zakir-Hussain-Maquette-0011202261.html

This study addresses encounters between Jews and Muslims in interwar Berlin. Living on the margins of German society, the two groups sometimes used that position to fuse visions and their personal lives. German politics set the switches for their meeting, while the urban setting of Western Berlin offered a unique contact zone. Although the meeting was largely accidental, Muslim Indian missions served as a crystallization point. Five case studies approach the protagonists and their network from a variety of perspectives. Stories surfaced testifying the multiple aid Muslims gave to Jews during Nazi persecution. Using archival materials that have not been accessed before, the study opens up a novel view on Muslims and Jews in the 20th century. This title is available in its entirety in Open Access.

Biography of Zakir Husain, 1897-1969, a former president of India.

This book was written by a Hindu, the grandson of Mohandas K. Gandhi. His intent, in writing on eight Muslims and their influence on India in the twentieth century, is to reduce the gulf between Hindu and Muslims. Focusing on figures viewed as heroes by sub-continent Muslims, he shows that they can be admired by Hindus as well--that they need not be frozen in Hindu minds as foes. Here is a fascinating account of twentieth-century India, Pakistan, and Bangladesh told through biographical sketches of eight men: Sayyid Ahmed Khan (1817-1898), Fazlul Huq (1873-1962), Muhammad Ali Jinnah (1876-1948), Muhammad Iqbal (1876-1938), Muhammad Ali (1878-1931), Abul Kalam Azad (1888-1958), Liaqat Ali Khan (1895-1951), and Zakir Husain (1897-1969).

What happens when the idea of religious progress propels the shaping of modernity? In The Ahmadiyya Quest for Religious Progress. Missionizing Europe 1900 – 1965 Gerdien Jonker offers an account of the mission the Ahmadiyya reform movement undertook in interwar Europe. Nowadays persecuted in the Muslim world, Ahmadis appear here as the vanguard of a modern, rational Islam that met with a considerable interest. Ahmadiyya mission on the European continent attracted European ‘moderns’, among them Jews and Christians, theosophists and agnostics, artists and academics, liberals and Nazis. Each in their own manner, all these people strove towards modernity, and were convinced that Islam helped realizing it. Based on a wide array of sources, this book unravels the multiple layers of entanglement that arose once the missionaries and their quarry met.