The 171 extant plays of the Yuan period (1279-1368) are the oldest and most brilliant examples of Chinese dramatic literature. In this first comprehensive study, Chung-wen Shih systematically explores the riches of Yuan drama, from its unexcelled lyric poetry to its colorful characterization. After tracing the popular genres that contributed to the flowering of Yuan drama, the author describes conventional features of dramatic construction, methods of characterization, and recurring themes. The central focus is on the use of language: prose passages and lyrics are cited to show how innovative use of spoken language invests the prose with a remarkable strength and suppleness, and how imaginative use of figurative language endows the poetry with an incomparable richness of texture. Attention is also given to the use of music and physical aspects of staging. Originally published in 1976. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Why did defeat in the Opium War not lead Ch'ing China to a more realistic appreciation of Western might and Chinese weakness? James Polachek's revisionist analysis exposes the behind-the-scenes political struggles that not only shaped foreign-policy decisions in the 1830s and 1840s but have continued to affect the history of Chinese nationalism in modern times. Polachek looks closely at the networks of literati and officials, self-consciously reminiscent of the late Ming era that sought and gained the ear of the emperor. Challenging the conventional view that Lin Tse-hsu and his supporters were selfless patriots who acted in China's best interests, Polachek agrues that, for reasons having more to do with their own domestic political agenda, these men advocated a futile policy of militant resistance to the West. Linking political intrigue, scholarly debates, and foreign affairs, local notables in Canton and literati lobbyists in Perking this book sets the Opium War for the first times in its "inner," domestic political context.

"A vertitable feast of concise, useful, reliable, and up-to-dateinformation (all prepared by top scholars in the field), Nienhauser's now two-volumetitle stands alone as THE standard reference work for the study of traditionalChinese literature. Nothing like it has ever been published." --Choice The second volume to The Indiana Companion to TraditionalChinese Literature is both a supplement and an update to the original volume. VolumeII includes over 60 new entries on famous writers, works, and genres of traditionalChinese literature, followed by an extensive bibliographic update (1985-1997) ofeditions, translations, and studies (primarily in English, Chinese, Japanese, French, and German) for the 500+ entries of Volume I.