At the age of fifty, towards the end of the First World War, W. H. Davies decided that he must marry. Spurning London society and the literary circles where he had been lionised since the publication of his Autobiography of a Super-Tramp, he set about looking for the right partner on the streets of London. Young Emma is a moving and revealing memoir told with disarming honesty and humour. Davies records his life with three women: from his affair with Bella, the wife of a Sergeant Major, to his year-long liaison with the gentle Louise, to the turbulent brushes with a society woman who fears for her own life at his hands. He finally meets Emma, then pregnant, at a bus-stop on the Edgware Road. This is the story of their love affair.

A book for book lovers, The Last Bookshop is a uplifting novel that reminds us never to underestimate the power of people who love books. Cait is a bookshop owner and book nerd whose social life revolves around her mobile bookselling service hand-picking titles for elderly clients, particularly the grandmotherly June. After a tough decade for retail, Book Fiend is the last bookshop in the CBD, and the last independent retailer on a street given over to high-end labels. Profits are small, but clients are loyal. When James breezes into Book Fiend, Cait realises life might hold more than her shop and her cat, but while the new romance distracts her, luxury chain stores are circling Book Fiend's prime location, and a more personal tragedy is looming.

Mia's best friend Holly died when they were thirteen. But years later, Holly still hasn't left her. Spending the summer in New York, Mia is hoping to escape the visions of Holly that haunt her life at home. There she meets Rav, a parapsychology student, who convinces her to take part in a study into why some people see ghosts. Soon she is caught up in the investigation of Halcyon House, which is reputed to be haunted by a poltergeist. As Mia confronts her fears, what she learns about the house and herself will change her life forever.

Against the backdrop of America's escalating urban rebellions in the 1960s, an unexpected cohort of New York radicals unleashed a series of urban guerrilla actions against the city's racist policies and contempt for the poor. Their dramatic flair, uncompromising socialist vision for a new society, skillful ability to link local problems to international crises, and uncompromising vision for a new society riveted the media, alarmed New York's political class, and challenged nationwide perceptions of civil rights and black power protest. The group called itself the Young Lords. Utilizing oral histories, archival records, and an enormous cache of police surveillance files released only after a decade-long Freedom of Information Law request and subsequent court battle, Johanna Fernandez has written the definitive account of the Young Lords, from their roots as a Chicago street gang to their rise and fall as a political organization in New York. Led by poor and working-class Puerto Rican youth, and consciously fashioned after the Black Panther Party, the Young Lords occupied a hospital, blocked traffic with uncollected garbage, took over a church, tested children for lead poisoning, defended prisoners, fought the military police, and fed breakfast to poor children. Their imaginative, irreverent protests and media conscious tactics won reforms, popularized socialism in the United States and exposed U.S. mainland audiences to the country's quiet imperial project in Puerto Rico. Fernandez challenges what we think we know about the sixties. She shows that movement organizers were concerned with finding solutions to problems as pedestrian as garbage collection and the removal of lead paint from tenement walls; gentrification; lack of access to medical care; childcare for working mothers; and the warehousing of people who could not be employed in deindustrialized cities. The Young Lords' politics and preoccupations, especially those concerning the rise of permanent unemployment foretold the end of the American Dream. In riveting style, Fernandez demonstrates how the Young Lords redefined the character of protest, the color of politics, and the cadence of popular urban culture in the age of great dreams.

From childhood we are told that humans have five senses: hearing, sight, smell, taste and touch. But your school teachers were wrong. All of us have at least thirty-two senses - and our survival depends on them. In Super Senses, award-winning science journalist Emma Young explores our surprisingly rich sensory lives. She discovers why the main function of our ears isn't for hearing; how we can find taste receptors in places other than our tongues; how improving your sense of smell might increase your enjoyment of sex; why the semi-nomadic Himba people can't distinguish between blue and green but Russians can see two shades of blue; and how touch can confuse the way your brain registers pain. She also delves into the 'new' senses - including balance and internal-sensing - without which you'd be dead within minutes. And by exploring the lives of people with sensory over-sensitivity to those who feel no emotion at all, Young shows that our senses don't simply inform us, they form us. Traversing cutting-edge research and drawing on the experiences at the extremes of the sensitivity spectrums, as well as stories from history and anthropology, Super Senses takes readers on a journey that will make them see themselves, and the world around them, through entirely fresh eyes.

Ever since Rosa’s nerve disease rendered her quadriplegic, she’s depended on her handsome, confident older brother to be her rock and her mirror. But when a doctor from Boston chooses her to be a candidate for an experimental brain transplant, she and her family move from London in search of a miracle. Sylvia—a girl from a small town in Massachusetts—is brain dead, and her parents have agreed to donate her body to give Rosa a new life. But when Rosa wakes from surgery, she can’t help but wonder, with increasing obsession, who Sylvia was and what her life was like. Her fascination with her new body and her desire to understand Sylvia prompt a road trip based on self-discovery... and a surprising new romance. But will Rosa be able to solve the dilemma of her identity?

Wry, inventive, and relentlessly honest, a memoir of trying to make a living without compromising your truth. Emma Healey just wants to be a writer, but that’s more a journey than a job, and the journey isn’t free. As a teenager, she begins her adventures in precarious employment when introduced by her actor/playwright mother to the role of “standardized patient,” performing illness as a living training dummy for medical students. In university, she joins a creative writing program, cultivating a poet’s interest in language while learning lessons about the literary world that have more to do with survival than art. Through her twenties, she writes software manuals for the world’s leading producer of online pornography, masters search engine optimization for a marketing firm run out of a bedroom by two Phish-loving brothers, narrowly escapes death as a research assistant for a television drama, and works the night shift captioning daytime TV. Along the way, as she navigates dating apps, tumultuous relationships, and the evolution of a voice that she is slowly learning to trust, she begins writing personal essays for money—and finds herself embroiled in a content economy that blurs the boundaries between day job and making art even further. Through the stories of several very odd jobs, each related to—but also achingly far from—the job she really wants, poet and essayist Emma Healey creates a unique snapshot of the gig economy that is also a timeless meditation on identity, value, and language. For a writer trying to pay the bills, life can be a work in progress.