Los Angeles magazine is a regional magazine of national stature. Our combination of award-winning feature writing, investigative reporting, service journalism, and design covers the people, lifestyle, culture, entertainment, fashion, art and architecture, and news that define Southern California. Started in the spring of 1961, Los Angeles magazine has been addressing the needs and interests of our region for 48 years. The magazine continues to be the definitive resource for an affluent population that is intensely interested in a lifestyle that is uniquely Southern Californian.

Smart. Funny. Fearless."It's pretty safe to say that Spy was the most influential magazine of the 1980s. It might have remade New York's cultural landscape; it definitely changed the whole tone of magazine journalism. It was cruel, brilliant, beautifully written and perfectly designed, and feared by all. There's no magazine I know of that's so continually referenced, held up as a benchmark, and whose demise is so lamented" --Dave Eggers. "It's a piece of garbage" --Donald Trump.

Los Angeles magazine is a regional magazine of national stature. Our combination of award-winning feature writing, investigative reporting, service journalism, and design covers the people, lifestyle, culture, entertainment, fashion, art and architecture, and news that define Southern California. Started in the spring of 1961, Los Angeles magazine has been addressing the needs and interests of our region for 48 years. The magazine continues to be the definitive resource for an affluent population that is intensely interested in a lifestyle that is uniquely Southern Californian.

New York Times bestselling author, comedian, and Chelsea Lately writer Heather McDonald’s hilarious true story of finding herself in the predicament of being an unwilling virgin at the age of twenty-seven. Can’t a girl dress like a hooker, dance like a stripper, and kiss like a porn star and still be a nineteen-year-old virgin? You’ll Never Blue Ball in This Town Again is the laugh-out-loud story of an attractive Los Angeles woman who found herself in the predicament of being an unwilling virgin. As an actress, writer, and stand-up comedienne, Heather McDonald passed up ample opportunities to have her V-card revoked by handsome, rich, and sometimes even fabulously famous men, but she could not bring herself to do “it” until well after her friends had been deflowered. As Chelsea Handler so lovingly puts it, “Thank God Heather waited twenty-seven years to lose her virginity or she wouldn’t have any material for this book.” Whether in a backseat, a community pool, or a sports stadium, with a frat boy, a doctor, or an A-list celebrity, Heather McDonald knew how to turn those boys blue. Unlike “putting out,” blue balling might not have paid her rent or landed her free trips to Hawaii, but it did provide her with hilarious stories and adventures in her search for true love—and, ultimately, her very own happy ending. Now, Heather McDonald will never blue ball in this town again.

“The Hollywood memoir that tells all . . . Sex. Drugs. Greed. Why, it sounds just like a movie.”—The New York Times Every memoir claims to bare it all, but Julia Phillips’s actually does. This is an addictive, gloves-off exposé from the producer of the classic films The Sting, Taxi Driver, and Close Encounters of the Third Kind—and the first woman ever to win an Academy Award for Best Picture—who made her name in Hollywood during the halcyon seventies and the yuppie-infested eighties and lived to tell the tale. Wickedly funny and surprisingly moving, You’ll Never Eat Lunch in This Town Again takes you on a trip through the dream-manufacturing capital of the world and into the vortex of drug addiction and rehab on the arm of one who saw it all, did it all, and took her leave. Praise for You'll Never Eat Lunch in This Town Again “One of the most honest books ever written about one of the most dishonest towns ever created.”—The Boston Globe “Gossip too hot for even the National Enquirer . . . Julia Phillips is not so much Hollywood’s Boswell as its Dante.”—Los Angeles Magazine “A blistering look at La La Land.”—USA Today “One of the nastiest, tastiest tell-alls in showbiz history.”—People

Dominick Dunne has met them all--stars and slugs, criminals and victims, the innocent and the hideously guilty--and now his two provocative collections of Vanity Fair portraits are in one irresistible volume. From posh Park Avenue duplexes to the extravagant mansions of Beverly Hills, from tasteful London town houses to the wild excesses of million-dollar European retreats, here are the movers and shakers--and the people who pretend to be. Among colorful profiles and revealing glimpses of Elizabeth Taylor, Claus von Bülow, Gloria Vanderbilt, and Aaron Spelling, discover who dumped an heiress the night before the wedding to run off with the best man . . . what happens when the ex-husband of a movie legend becomes president . . . why a beautiful singer fell in with the mob . . . and, in Dunne's most personal story, how a lying murderer and a limelight-loving judge denied justice to his family after his daughter's life was brutally destroyed. Filled with pathos and wit, insight and sass, this candid, controversial volume gives you an extraordinary peek into the rarefied world of the rich, the royal, and the ruined. For Dunne is the man who knows all their secrets--and now those secrets are out.

Praise for Five Easy Decades: How Jack Nicholson Became the Biggest Movie Star in Modern Times "Dennis McDougal is a rare Hollywood reporter: honest, fearless, nobody's fool. This is unvarnished Jack for Jack-lovers and Jack-skeptics but, also, for anyone interested in the state of American culture and celebrity. I always read Mr. McDougal for pointers but worry that he will end up in a tin drum off the coast of New Jersey." — Patrick McGilligan, author of Jack's Life and Alfred Hitchcock: A Life in Darkness and Light Praise for Privileged Son: Otis Chandler and the Rise and Fall of the L.A. Times Dynasty "A great freeway pileup—part biography, part dysfunctional family chronicle, and part institutional and urban history, with generous dollops of scandal and gossip." — Hendrick Hertzberg, The New Yorker "McDougal has managed to scale the high walls that have long protected the Chandler clan and returned with wicked tales told by angry ex-wives and jealous siblings." —The Washington Post Praise for The Last Mogul: Lew Wasserman, MCA and the Hidden History of Hollywood "Real glamour needs a dark side. That is part of the fascination of Dennis McDougal's wonderful book." —The Economist "Thoroughly reported and engrossing . . . the most noteworthy trait of MCA was how it hid its power." —The New York Times Book Review "Over the years, I've read hundreds of books on Hollywood and the movie business, and this one is right at the top." — Michael Blowen, The Boston Globe