This best-selling series engages readers of all levels by making them part of the story. Readers will become the main character and can revel in the gory and dark sides of life throughout important moments in history. Key Features:Perfect resource for reluctant readers with: humor and history tied to curriculum entertaining sidebars to pique reader's curiosity comprehensive glossary to support content index to make navigating subject matter easier

When Meriwether Lewis, William Clark, and the "Corp of Discovery" left St. Louis, Missouri, on May 21, 1804, their mission was to explore the vast, unknown territory acquired a year earlier in the Louisiana Purchase. The travelers hoped to find a waterway that crossed the western half of the United States. They didn't. However, young readers will love this true-life adventure tale of the two-year journey that finally brought the explorers to the Pacific Ocean.

Brief text, sidebars, labeled illustrations, and humorous cartoons depict explorers Lewis and Clark, outlining their routes, personal experiences, and encounters with the Native Americans.

FINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE AWARD This sumptuous oral biography of Eugene Walter, the best-known man you’ve never heard of, is an eyewitness history of the heart of the last century—enlivened with personal glimpses of luminaries from William Faulkner and Martha Graham to Judy Garland and Leontyne Price—and a pitch-perfect addition to the Southern literary tradition that has critics cheering. In his 76 years, Eugene Walter ate of “the ripened heart of life,” to quote a letter from Isak Dinesen, one of his many illustrious friends. Walter savored the porch life of his native Mobile, Alabama, in the the l920s and ‘30s; stumbled into the Greenwich Village art scene in late-1940s New York; was a ubiquitous presence in Paris’s expatriate café society in the 1950s (where he was part of the Paris Review at its inception); and later, in 1960s Rome, participated in the golden age of Italian cinema. He was somehow everywhere, bringing with him a unique and contagious spirit, putting his inimitable stamp on the cultural life of the twentieth century. “Katherine Clark…has edited Eugene Walter’s oral history into a book as amazing as the man himself.” JONATHAN YARDLEY, WASHINGTON POST BOOK WORLD “Milking the Moon has perfect pitch and flawlessly captures Eugene’s pixilated wonderland of a life…. I love this book—and I couldn’t put it down.” PAT CONROY “Surprising and serendipitous.” NEW YORK TIMES BOOK REVIEW “Anecdotes so frothy they ought to be served with a paper parasol over crushed ice.” PEOPLE “A rare literary treat…the temptation is to wolf it down all at once, but it’s much more satisfying to take your sweet time. The most unique oral history of the mid-twentieth century.” TIMES-PICAYUNE (NEW ORLEANS) “An exceptionally fun read.” ATLANTA JOURNAL-CONSTITUTION

Sacagawea was only sixteen when she made one of the most remarkable journeys in American history, traveling 4500 miles by foot, canoe, and horse-all while carrying a baby on her back! Without her, the Lewis and Clark expedition might have failed. Through this engaging book, kids will understand the reasons that today, 200 years later, she is still remembered and immortalized on a golden dollar coin.

Winner, Montana Book Award-Honor Book, 2019 The River Where You Forgot My Name travels between early 1800s Virginia and Missouri and present-day western Montana, a place where “bats sail the river of dark.” In their crosscutting, the poems in this collection reflect on American progress; technology, exploration, and environment; and the ever-changing landscape at the intersection of wilderness and civilization. Three of the book’s five sections follow poet Corrie Williamson’s experiences while living for five years in western Montana. The remaining sections are persona poems written in the voice of Julia Hancock Clark, wife of William Clark, who she married soon after he returned from his western expedition with Meriwether Lewis. Julia lived with Clark in the then-frontier town of St. Louis until her early death in 1820. She offers a foil for the poet’s first-person Montana narrative and enriches the historical perspective of the poetry, providing a female voice to counterbalance the often male-centered discovery and frontier narrative. The collection shines with all-too human moments of levity, tragedy, and beauty such as when Clark names a river Judith after his future wife, not knowing that everyone calls her Julia, or when the poet on a hike to Goldbug Hot Springs imagines a mercury-poisoned Lewis waking “with the dawn between his teeth.” Williamson turns a curious and critical eye on the motives and impact of expansionism, unpacking some of the darker ramifications of American hunger for land and resources. These poems combine breathtaking natural beauty with backbreaking human labor, all in the search for something that approaches grace.