A new mother chases the secrets her partner left behind after his sudden disappearance in this pulse-pounding domestic thriller from the author of The Perfect Escape. Janie needs a break: her baby won’t sleep, she’s struggling with motherhood, and a secret from her past threatens to tear her new family apart. So when her partner, Max, offers to do their baby’s feedings that night so she can finally get some sleep, she jumps at the chance. But when Janie wakes up at three a.m., her daughter is screaming alone in her bassinet … Max has vanished. Alone with a newborn and desperate for answers, Janie searches for Max, but the more she learns about the man she loves, the more she wonders how well she knew him at all. When a woman is murdered and Max becomes the prime suspect, Janie must face her partner’s secrets—and her own—if she ever wants her daughter to see her father again. An endlessly suspenseful and surprising look at both the beauty and darkness of modern motherhood, You Should Have Told Me is a roller-coaster of a thriller with family at its heart.

A “gripping, beautiful, emotionally raw” collection of stories about the things that go wrong between men and women from a PEN Award winner. Arriving in the midst of the #MeToo era, these stories examine the fallout from failed relationships between men and women—partnerships that have crumbled under the weight of betrayal, misplaced hopes, illness, and particularly masculinity at its most toxic and misguided. A man in his mid-thirties receives a call from a woman he barely knows, who informs him that a girl he bedded and dumped in high school has died of cancer. A man who had an affair and left the woman without any warning finds himself working on a demolition job with a younger man who might be their son. Yet another man, obese for years, is left by his wife, loses weight, and drunk with the power of finally being fit, tries to reconnect with his former spouse—to disastrous ends. And in the title story, a woman summoned to the bedside of her son, who has suffered a gunshot wound, must finally come to terms with the serial infidelities of her charming ex-husband. These fictions ask very contemporary questions: How do ex-spouses learn to live again in proximity to one another? How do we make peace with our bodies and their own worst impulses? How do we learn to turn and face, head-on, the worst mistakes of our younger selves? “One of our best American short story writers, on par with Tobias Wolff and Andre Dubus.” —Dan Chaon, author of Ill Will “Engaging . . . rich prose and sharp dialogue.” —Publishers Weekly “The stories in You Would Have Told Me Not To read like miniature thrillers . . . expertly suspenseful, emotionally powerful, and delightfully dark. The last one, in particular, punched me in the heart.” —Kristin Roupenian, author of You Know You Want This: “Cat Person" and Other Stories

The summer you turn sixteen is supposed to be unforgettable. It's the stuff of John Hughes movies and classic songs, of heart-stopping kisses and sudden revelations. But life isn't always like the movies. . . For Sean Jackson, sixteen is off to an inauspicious start. His options: take a landscaping job in Georgia with his father, or stay in his small New Hampshire hometown, where the only place hiring is the local ice cream shop. Donning a pink t-shirt to scoop sundaes for tourists and seniors promises to be a colder, stickier version of hell. Still, he opts to stay home. On his first day at work, Sean meets Becky, a wickedly funny New York transplant. The store manager, Jay, is eighteen, effortlessly cool, and according to Becky, "likes" Sean the way Sean's starting to like him. But before he can clear a path to the world that's waiting, Sean will have to deal with his overprotective mother, his sweet, popular girlfriend, Lisa, his absentee father, and all his own uncertainties and budding confusions. Tender and achingly funny, this coming-of-age story will resonate with anyone who is--or has ever been--a teenager, when the only thing you can count on is how little you really know, and the next glance, or touch, or breathless night can be the one that changes everything. . . "Woodward writes from the heart--a genuine, honest story about the joys and pains of first love, and realizing that no one is as alone as it sometimes seems." –Robin Reardon "A touching story about navigating the sometimes treacherous waters of first love."--J.H. Trumble Timothy Woodward grew up in a small town in the White Mountains of New Hampshire, where Saturday evening trips to the local ice cream shop were a town ritual. Later he moved to the city where he was a high school teacher and an advocate for GLBT youth with Greater Boston PFLAG, and where ice cream shops have been replaced by frozen yogurt stores. But Timothy still goes back to his hometown for their ice cream. His favorite flavor is, of course, Purple Cow.

When a teenage boy is found dead in a Cambridge park, three women are determined to keep their secrets hidden . . . Emma, a detective’s wife, watches the park outside her window where a body was discovered. She sees contagion everywhere—even in her new baby. Emma was there the night of the murder, but as her mind spirals, can she be certain about what took place? Jenny’s son had fought with the victim at school and didn’t come home that night. The detective is Jenny’s son’s father. She knows she should say something to him. But will she? Sandra is the victim’s grandmother. She’s aware that murder investigations focus close to home. Is she also hiding something? Only the police seem to care about the boy or the circumstances of his death. And if they don’t uncover the truth soon, there may be more tragedy to come . . .

I Have a Story to Tell You is about Eastern European Jewish immigrants living in Montreal, Toronto, and Winnipeg in the early twentieth century. The stories encompass their travels and travails on leaving home and their struggles in the sweatshops and factories of the garment industry in Canada. Basing her work on extensive interviews, Seemah Berson recreates these immigrants’ stories about their lives in the Old Country and the hardship of finding work in Canada, and she tells how many of these newcomers ended up in the needle trades. Revealing a fervent sense of socialist ideology acquired in the crucible of the Russian Revolution, the stories tell of the influence of Jewish culture and traditions, of personal–and organized–fights against exploitation, and of struggles to establish unions for better working conditions. This book is a wonderful resource for teachers of Canadian, Jewish, and social history, as well as auto/biography and cultural studies. The simplicity of the language, transcribed from oral reports, makes this work accessible to anyone who enjoys a good story.

A moralist novel in which the hero, Richard Everton, a clergyman in a Cotswold country parish, campaigns against the pernicious influence of the local brewery, and for temperance and reform in the church.