The long-buried story of three extraordinary female journalists who permanently shattered the barriers to women covering war Kate Webb, an Australian iconoclast, Catherine Leroy, a French daredevil photographer, and Frances FitzGerald, a blue-blood American intellectual, arrived in Vietnam with starkly different life experiences but one shared purpose: to report on the most consequential story of the decade. At a time when women were considered unfit to be foreign reporters, Frankie, Catherine and Kate challenged the rules imposed on them by the military, ignored the belittlement of their male peers, and ultimately altered the craft of war reportage for generations. In You Don’t Belong Here, Elizabeth Becker uses these women’s work and lives to illuminate the Vietnam War from the 1965 American buildup, the expansion into Cambodia, and the American defeat and its aftermath. Arriving herself in the last years of the war, Becker writes as a historian and a witness of the times. What emerges is an unforgettable story of three journalists forging their place in a land of men, often at great personal sacrifice. Deeply reported and filled with personal letters, interviews, and profound insight, You Don’t Belong Here fills a void in the history of women and of war. ‘A riveting read with much to say about the nature of war and the different ways men and women correspondents cover it. Frank, fast-paced, often enraging, You Don’t Belong Here speaks to the distance travelled and the journey still ahead.’ —Geraldine Brooks, Pulitzer Prize–winning author of March, former Wall Street Journal foreign correspondent ‘Riveting, powerful and transformative, Elizabeth Becker’s You Don’t Belong Here tells the stories of three astonishing women. This is a timely and brilliant work from one of our most extraordinary war correspondents.’ —Madeleine Thien, Booker Prize finalist and author of Do Not Say We Have Nothing

As a Black British man I believe it is vital that I tell this story. It may be just one account from the perspective of a person of colour who has experienced this system, but it may be enough to potentially change an opinion or, more importantly, stop someone else from spinning completely out of control.' – David Harewood Is it possible to be Black and British and feel welcome and whole? In this powerful and provocative account of a life lived after psychosis, critically acclaimed actor, David Harewood, uncovers devastating family history and investigates the very real impact of racism on Black mental health. When David Harewood was twenty-three, his acting career beginning to take flight, he had what he now understands to be a psychotic breakdown and was sectioned under the Mental Health Act. He was physically restrained by six police officers, sedated, then hospitalized and transferred to a locked ward. Only now, thirty years later, has he been able to process what he went through. What was it that caused this breakdown and how did David recover to become a successful and critically acclaimed actor? How did his experiences growing up Black and British contribute to a rupture in his sense of his place in the world? Maybe I Don't Belong Here is a deeply personal exploration of the duality of growing up both Black and British, recovery from crisis and a rallying cry to examine the systems and biases that continue to shape our society.

One of the Must-Read Books of 2019 According to O: The Oprah Magazine * Time * Bustle * Electric Literature * Publishers Weekly * The Millions * The Week * Good Housekeeping “There is more life packed on each page of Ordinary Girls than some lives hold in a lifetime.” —Julia Alvarez In this searing memoir, Jaquira Díaz writes fiercely and eloquently of her challenging girlhood and triumphant coming of age. While growing up in housing projects in Puerto Rico and Miami Beach, Díaz found herself caught between extremes. As her family split apart and her mother battled schizophrenia, she was supported by the love of her friends. As she longed for a family and home, her life was upended by violence. As she celebrated her Puerto Rican culture, she couldn’t find support for her burgeoning sexual identity. From her own struggles with depression and sexual assault to Puerto Rico’s history of colonialism, every page of Ordinary Girls vibrates with music and lyricism. Díaz writes with raw and refreshing honesty, triumphantly mapping a way out of despair toward love and hope to become her version of the girl she always wanted to be. Reminiscent of Tara Westover’s Educated, Kiese Laymon’s Heavy, Mary Karr’s The Liars’ Club, and Terese Marie Mailhot’s Heart Berries, Jaquira Díaz’s memoir provides a vivid portrait of a life lived in (and beyond) the borders of Puerto Rico and its complicated history—and reads as electrically as a novel.

A classic bedtime story journeys around the world, observing plants and animals everywhere, and reminding children that they are right where they belong.

I can see ghosts. Living with this "gift" means I don't relate to many people. My sister, Juan, does not understand me. My parents, Andrea and Ned, don't listen, and I don't have any friends. The only ones I can talk to are my Grandmother May and my dog, Amore. When I meet a tall, alluring boy named Dimitri, he is the kind of understanding friend I never thought I'd have, and I can confide in him. But Dimitri has secrets of his own. Though I try to live a normal life, I see something I should never have, and I swear to take this secret to my grave. Yet some secrets want out, no matter what. In a world where I don't belong, will I end up six feet underground?

“It’s so hard to believe that this is a debut novel! It’s an historic novel. Talk about hitting me on so many good points.” –John Busbee, The Culture Buzz, weekly on www.KFMG.org “Set against the harsh backdrop of Montana, You Belong Here Now is a novel as straightforward and powerful as the characters who populate it. I love this book, and I guarantee you won’t find a finer debut work anywhere.” — William Kent Krueger, New York Times bestselling author of This Tender Land “You Belong Here Now distills the essence of the American spirit in this uplifting story. Perfect for book clubs looking to discuss the true meaning of family.” — Kathleen Grissom, New York Times bestselling author of The Kitchen House In this brilliant debut reminiscent of William Kent Krueger's This Tender Land and Lisa Wingate's Before We Were Yours, three orphans journey westward from New York City to the Big Sky Country of Montana, hoping for a better life where beautiful wild horses roam free. Montana 1925: Three brave kids from New York board the orphan train headed west. An Irish boy who lost his whole family to Spanish flu, a tiny girl who won’t talk, and a volatile young man who desperately needs to escape Hell’s Kitchen. They are paraded on platforms across the Midwest to work-worn folks and journey countless miles, racing the sun westward. Before they reach the last rejection and stop, the kids come up with a daring plan, and they set off toward the Yellowstone River and grassy mountains where the wild horses roam. Fate guides them toward the ranch of a family stricken by loss. Broken and unable to outrun their pasts in New York, the family must do the unthinkable in order to save them. Nara, the daughter of a successful cattleman, has grown into a brusque spinster who refuses the kids on sight. She’s worked hard to gain her father’s respect and hopes to run their operation, but if the kids stay, she’ll be stuck in the kitchen. Nara works them without mercy, hoping they’ll run off, but they buck up and show spirit, and though Nara will never be motherly, she begins to take to them. So, when Charles is jailed for freeing wild horses that were rounded up for slaughter, and an abusive mother from New York shows up to take the youngest, Nara does the unthinkable, risking everything she holds dear to change their lives forever. “From the moment the reader steps on the train with these orphaned children, You Belong Here Now shows how beauty can emerge from even the darkest places.” —Erika Robuck, national bestselling author of Hemingway’s Girl “Rostad’s bighearted debut is full of surprises, and warm with wisdom about what it means to be family.” —Meg Waite Clayton, New York Times bestselling author of The Last Train to London

Named a Top Ten Book of the Year by Time, the bestselling debut story collection by the extraordinarily talented Miranda July, award-winning filmmaker, artist, and author of All Fours. In No One Belongs Here More Than You, Miranda July gives the most seemingly insignificant moments a sly potency. A benign encounter, a misunderstanding, a shy revelation can reconfigure the world. Her characters engage awkwardly—they are sometimes too remote, sometimes too intimate. With great compassion and generosity, July reveals her characters’ idiosyncrasies and the odd logic and longing that govern their lives. No One Belongs Here More Than You is a stunning debut, the work of a writer with a spectacularly original and compelling voice.