Bruce Wilson's diary is an honest and action-packed account of what life was like for five young men on picket duty during the longest and most bitter industrial dispute in modern times: the 1984-85 miners' strike. Bruce and, younger brother Bob, along with mates Shaun, Darren and 'Captain' Bob crammed themselves into an old car or 'battlebus' and, despite police barriers and blockades, journeyed into Nottinghamshire, Derbyshire and elsewhere in order to express their views and support their union in a country which they thought was free. We are able to experience at first-hand and day by day events, which were often frightening, occasionally humorous but never dull; and also gain insight into major conflicts at Orgreave, Brodsworth, Rossington and Maltby as well as at locations further afield. Towards the end of the strike our flying pickets found themselves on home ground, demonstrating at Silverwood and nearby collieries, including Cortonwood where many observers consider the great strike began. Any former striking miner will find the book compulsive reading and despite the passage of twenty years the journey will seem like yesterday. But there is a great deal for us all to appreciate from this remarkably frank and moving testimony.

Bruce Wilson's strike diary is an honest and action packed account of what it was like for five young men on picket duty during the longest most bitterest dispute in modern times. This complete unedited account with images taken on the day to compliment the day's events help to paint a better picture of what was happening. The diary contains mixed emotions throughout. It's a tragedy. heartbreaking at times & hilarious all at the same time. It's so funny even in the face of adversity, it shows real human emotions and endurance, some of the humour is off the scale. Not many diaries can portray that. The government was out to break us, "They wanted a war, they got one" We were fighting not just for our jobs and communities but for our mates down the road jobs and communities. The story of five young striking miners' who became Yorkshire flying pickets determined to stop working miners' crossing the picket lines up and down the Country. Nottinghamshire became a police state. No entry for Yorkshire striking miners' and others from other coalfields. Read about a Yorkshire miner and his wife losing a baby, "The NUM paid to bury his child" It never entered his head once to break the strike. The battles in South Yorkshire mining communities, Silverwood, Maltby, Brodsworth collieries and many more, including many entries for Orgreave from May 1984 upto and including June the 18th 1984.

Analyses conditions in the coal mining sector which precipitated the strike. Discusses the mobilisation, organisation and maintenance of the strike, the strike settlement and its aftermath.

Yorkshire Mining Veterans is an extraordinary collection of stories told by the Veterans of the mines. Their memories span nearly a century from the early 1900's to the great strike of 1984/85 as well as the pit closures of the 1990's. Miners all across the Yorkshire region from the Selby Coalfield to the old West Riding area in and around Barnsley, Rotherham, Doncaster and Sheffield share their experiences with the reader.Brian began his research prepared to explore the many roles of miners, working conditions and their way of life, but interviews uncovered more remarkable stories, especially relating to the period before nationalisation. Getting a job often meant leaving school on Friday and starting work either in terrible conditions on the pit top screens, described by a 99 year old veteran as 'Miltonic' or 'on the haulage' in the cold pit bottom. Incredibly, one man described his work as a young trammer in the 1930's, painfully pushing tubs along a low underground roadway using a candle as his source of light, 'a throw back to conditions a century or more earlier'. A sprightly 93-year-old described an occasion when. as a young lad, he worked naked alongside his father and refused to make himself to make himself 'descent' when the lady Mayor made a VIP visit.Set chronologically according to the age of the miner, the author profiles each of the 47 veterans and tells their individual stories based on his interviews with them. Their stories, all previously untold, together with a superb collection of photographs makes fascinating reading.

In Travis Elborough's expertly curated collection of diaries, letters and journals, the great and the good rub shoulders with the obscure, the unsung and the everyday to bring us a unique top down and bottom up history of Britain during the twentieth century.

With origins lost in the mists of time, these lively folk tales reflect the wisdom (and eccentricities) of South Yorkshire’s county and people. Amongst the heroes and villains, giants and fairies, knights and highwaymen, are well-known figures, such as Robin Hood and the Dragon of Wantley, as well as lesser-known tales of mysterious goings-on at Firbeck Hall and Roche Abbey. These enchanting tales, many never before recorded in print, will bewitch readers and storytellers, young and old alike.

Delving into the landscapes and politics of twentieth- and twenty-first-century South, East, and West Yorkshire, Modern and Contemporary Yorkshire Poetry: Cultural Identities, Political Crises theorises Yorkshire as a distinct region of poetry in its own right. In outlining the commonalities and parameters of this branch of poetry, Modern and Contemporary Yorkshire Poetry engages the work with a selection of poets writing in and about the region since 1945, including Philip Larkin, Ted Hughes, Simon Armitage, Helen Mort, Zaffar Kunial, Kate Fox, and Vicky Foster. Charting the developments in Yorkshire poetry, this book explores several key contexts – including deindustrialisation, the Miners’ Strikes, and Brexit – in detail, evidencing the impacts of these sociopolitical events on the poetry of a region. Modern and Contemporary Yorkshire Poetry investigates 75 years of poetry to ask the question: what is Yorkshire poetry? In other words, what is it that connects poems by these writers, whilst setting them apart from poetry of other UK regions?