"Cheap grace is the mortal enemy of our church. Our struggle today is for costly grace." And with that sharp warning to his own church, which was engaged in bitter conflict with the official nazified state church, Dietrich Bonhoeffer began his book Discipleship (formerly entitled The Cost of Discipleship). Originally published in 1937, it soon became a classic exposition of what it means to follow Christ in a modern world beset by a dangerous and criminal government. At its center stands an interpretation of the Sermon on the Mount: what Jesus demanded of his followers-and how the life of discipleship is to be continued in all ages of the post- resurrection church. "Every call of Jesus is a call to death," Bonhoeffer wrote. His own life ended in martyrdom on April 9, 1945. Freshly translated from the German critical edition, Discipleship provides a more accurate rendering of the text and extensive aids and commentary to clarify the meaning, context, and reception of this work and its attempt to resist the Nazi ideology then infecting German Christian churches.

Priests in Exile is the first comprehensive scholarly opus in English to reconstruct the history of the mysterious Temple of Onias, a Jewish temple built by a Jerusalemite high priest in his Egyptian exile that functioned in parallel with the Temple of Jerusalem. Piotrkowski’s book addresses a topic that is mysterious, important and anomalous: a Jewish community of mercenary priests in the (Egyptian) Diaspora in which the priestly sacrificial ritual was carried out daily over a period of more than two hundred years until the first century CE, outlasting the Jerusalem Temple by about three years. Although the book focuses on the very circumscribed topic of the parallel Temple it casts a wide net, placing the story in the context of Jewish Diaspora life in ancient times. Ancient topics and texts are brought to bear, including papyri, epigraphy, archaeology, as well as the modern literature. Piotrkowski throws new light on a fascinating episode of ancient Jewish history that is usually left in the dark.

Lila is Sanskrit for play, the play of the gods. It is the self-generating genesis of Bliss, created by Bliss for the purpose of Bliss. It is the uninhibited, impulsive sport of Brahman, the free spirit of creation that results in the spontaneous unfolding of the cosmos to be found in the eternity of each moment. It is beyond the confining locks and chains of reason, beyond the steel barred windows looking out from the cages of explanation, beyond the droning tick-tick-tick of the huge mechanical clocks of time. Come, let us enter the realm of the madman and the finely wrought threads of Clotho as they are measured out by Lachesis and cut by Atropos to create the great tapestry of life, including the intricate, intertwining designs of dementia with the trickster, the shaman, the scapegoat, the shadow, the artist and the savior. Come, let us join in the divine madness of the gods.