Winner of the Mormon History Association Best International Book Award The Church of Jesus Christ of Latter-day Saints continues to contend with longstanding tensions surrounding gender and race. Yet women of color in the United States and across the Global South adopt and adapt the faith to their contexts, many sharing the high level of satisfaction expressed by Latter-day Saints in general. Caroline Kline explores the ways Latter-day Saint women of color in Mexico, Botswana, and the United States navigate gender norms, but also how their moral priorities and actions challenge Western feminist assumptions. Kline analyzes these traditional religious women through non-oppressive connectedness, a worldview that blends elements of female empowerment and liberation with a broader focus on fostering positive and productive relationships in different realms. Even as members of a patriarchal institution, the women feel a sense of liberation that empowers them to work against oppression and against alienation from both God and other human beings. Vivid and groundbreaking, Mormon Women at the Crossroads merges interviews with theory to offer a rare discussion of Latter-day Saint women from a global perspective.

El propósito de este libro es, fundamentalmente, dar esperanza a aquéllos que atraviesan por la misma situación que una vez vivió la autora Darielys Tejera. Pretende además sacar a la luz una historia con la cual el lector pueda identificarse, y crear una conciencia entre los demás de que el suicidio sí ocurre, y que cuando ocurre, la víctima nunca está sola porque hay muchos que pasan por lo mismo. A algunos se les dan talentos, mientras que otros tienen que encontrar por sí solos su razón de ser. Mis talentos los descubrí. Mi razón de ser la tuve que buscar hasta que la encontré. Mi razón de ser era y es ayudar a otros. Por eso decidí escribir este libro. Creo que todos estamos en este mundo para, en un momento u otro, de una manera o otra, salvar a alguien, aunque no siempre tengamos conciencia de ello.

Analyzes a community from the standpoint of immigrant mothers in South Central Los Angeles who were concerned about the education of their children and the violence in their communities. Written in Spanish and English, the text brings together the women's observations as they put into action their developing political consciousness.

En Barrio Hollywood, un tenso drama familiar, un joven boxeador México-americano sueña con pelear para encontrar una salida a la difícil situación económica de su familia en el barrio. Su hermana, una apasionada bailarina de ballet folklórico y dedicada artista cultural, sueña con ser dueña de su propio estudio de baile para pasar sus tradiciones mexicanas a las próximas generaciones. Su excéntrica madre sueña con tomar sus ganancias del póker y tomar unas largas vacaciones en las Islas Canarias. Los sueños familiares se detienen cuando el joven boxeador sufre una lesión brutal en la cabeza en el ring de boxeo. Mientras la condición de su hermano empeora y su amor por el doctor americano crece inesperadamente, la bailarina y su familia aprenden que tan lejos pueden ir en el nombre del amor. In Barrio Hollywood, a tense family drama, a young Mexican-American boxer dreams of fighting his way out of his family¿s economic plight in his barrio neighborhood. His sister, a passionate ballet folklórico dancer and dedicated cultural artist, dreams of owning her own dance studio to pass her Mexican traditions on to another generation. Their flamboyant mother dreams of taking her poker winnings and going on an extended vacation to the Canary Islands. The family¿s dreams are deferred when the young boxer sustains a brutal head injury in the boxing ring. As her brother¿s condition worsens, and as she falls unexpectedly in love with a white doctor from out-of-state, the dancer and her family learn how far they are willing to go in the name of love.