The Jewish mother feels her job isn't done even after death. You're never too dead to be a Jewish mother." --Mallory Lewis, daughter of Shari Lewis * What do Steven Spielberg, Woody Allen, Barbra Streisand, Jon Stewart, Bette Midler, and Natalie Portman have in common with this book? A Jewish mother. Is there such a thing as a Jewish mother? And if so, who is she? For the first time, best-selling Jewish author and humorist Marnie Winston-Macauley examines all aspects of the Jewish mother. Chronicling biblical Jewish mothers to modern-day Yentls, she creates a compendium using celebrity interviews, anecdotes, humor, and scholarly sources to answer these questions with truth and humor. * Contributors to the book range from Dr. Ruth Gruber and Rabbi Bonnie Koppel to Jackie Mason, Amy Borkowsky, John Stossel, Lainie Kazan, and more. * "The definitive source on Jewish mothers." --Eileen Warshaw, Ph.D., executive director of the Jewish Heritage Center of the Southwest

My Yiddishe Mama is more than just a Jewish cookbook. It captures the stories of South African Jews and traces their roots back to Eastern Europe; Africa and the Middle East. These nostalgic stories are sure to make you laugh and cry, but most importantly, remember. Not only did each Yiddishe Mama share their story with me, but they gave me some of their most treasured possessions – their famous recipes. Each recipe has been tried and tested; they are delicious; uncomplicated and are guaranteed to put a smile on your face. My hope is that as you page through My Yiddishe Mama, you will remember to celebrate the past, live joyfully in the present and share in the prospect of the future. The key ingredient in this book is love, and you are sure to find it on every page! “Alts ken der mentch fargesn nor nit esn.” – A person can forget everything but eating. Yiddish Proverb

You're no idiot, of course. You can serve up a mean s'il vous plaît in a French bistro, live la vida loca for a night of margaritas, and manage a sayonara! after sushi, sake, and karaoke. But when it comes to throwing around a little Yiddish, you feel like a total nebbish! Don't throw up your hands in a helpless “Oy, vey” just yet! The Complete Idiot's Guide® to Learning Yiddish is your guide to this unique tongue, whether you're tackling rules of grammar or just throwing around some key phrases so you sound a little less goyish. In this Complete Idiot's Guide® you get: --A fascinating explanation of how and why Yiddish developed. --An easy introduction to the Yiddish alphabet, as well as to the distinctive sound of Yiddish. --All the Yiddish you'll need for communicating with family and friends or for bargain-hunting on New York's Lower East Side. --A treasury of Yiddish words and phrases for everything.

In You Never Call, You Never Write, Joyce Antler provides an illuminating and often amusing history of one of the best-known figures in popular culture--the Jewish Mother. Whether drawn as self-sacrificing or manipulative, in countless films, novels, radio and television programs, stand-up comedy, and psychological and historical studies, she appears as a colossal figure, intensely involved in the lives of her children. Antler traces the odyssey of this compelling personality through decades of American culture. She reminds us of a time when Jewish mothers were admired for their tenacity and nurturance, as in the early twentieth-century image of the "Yiddishe Mama," a sentimental figure popularized by entertainers such as George Jessel, Al Jolson, and Sophie Tucker, and especially by Gertrude Berg, whose amazingly successful "Molly Goldberg" ruled American radio and television for over 25 years. Antler explains the transformation of this Jewish Mother into a "brassy-voiced, smothering, and shrewish" scourge (in Irving Howe's words), detailing many variations on this negative theme, from Philip Roth's Portnoy's Complaint and Woody Allen's Oedipus Wrecks to television shows such as "The Nanny," "Seinfeld," and "Will and Grace." But she also uncovers a new counter-narrative, leading feminist scholars and stand-up comediennes to see the Jewish Mother in positive terms. Continually revised and reinvented, the Jewish Mother becomes in Antler's expert hands a unique lens with which to examine vital concerns of American Jews and the culture at large. A joy to read, You Never Call, You Never Write will delight anyone who has ever known or been nurtured by a "Jewish Mother," and it will be a special source of insight for modern parents. As Antler suggests, in many ways "we are all Jewish Mothers" today.

This book exposes and traces a previously unrecognized performance tradition of extraordinary Jewish women in the Diaspora, from Rachel and Sarah Bernhardt in Nineteenth Century France to Roseanne and Sandra Bernhard in late Twentieth Century America.

Traversing far flung Jewish communities in South Africa, Australia, Texas, Brazil, China, New Zealand, Quebec, and elsewhere, this wide-ranging collection explores the notion of "frontier" in the Jewish experience as a historical/geographical reality and a conceptual framework. As a compelling alternative to viewing the periphery only as a locus of dispossession and exile from the "homeland, " this work imagines a new Jewish history written as the history of the Jews at the frontier. In this new history, governed by the dynamics of change, confrontation, and accommodation, marginalized experiences are brought to the center and all participants are given voice. By articulating the tension between the center/periphery model and the frontier model, Jewries at the Frontier shows how the productive confrontation between and among cultures and peoples generates a new, multivocal account of Jewish history.

This is a thematic survey of American films with significant Jewish content that made an important statement about America. Both familiar and lesser known films are included. An introduction discusses why American Jews were attracted to films as audiences, performers and business people, and evaluates how films help audiences think about their lives. The book then focuses on themes and representative and important films, placing them in their cultural contexts. One of the aspects of American Jewish life brought out by the films in general is the tensions between an American and a Jewish identity and between a Jewish identity and a broader human identity. Other themes are assimilation and acculturation, interfaith relations, Israel, marriage and family relations, the role of women, Jews and American politics, and anti-Semitism including the Holocaust.