This book is unique in adopting a family history approach to Irish immigrants in nineteenth century Britain. It shows that the family was central to the migrants’ lives and identities. The techniques of family and digital history are used for the first time to reveal the paths followed by a representative body of Irish immigrant families, using the town of Stafford in the West Midlands as a case study. The book contains vital evidence about the lives of ordinary families. In the long term many intermarried with the local population, but others moved away and some simply died out. The book investigates what forces determined the paths they followed and why their ultimate fates were so varied. A fascinating picture is revealed of family life and gender relations in nineteenth-century England which will appeal to scholars of Irish history, social history, genealogy and the history of the family.

The "Black Country" is an area historically known as the cradle of the Industrial Revolution—a thriving regioin built around deep coal seams, conjuring up images of fiery red furnaces by night and black, sooty citadels by day. Yet today the resource-rich region also features many striking public sculptures. This volume provides a comprehensive catalog to all of the historic sculptures and public monuments in Staffordshire and the Black Country. George Noszlopy and Fiona Waterhouse catalog each individual sculpture in detail, including information about the sculptor, the sculpture's historical and artistic significance, the commissioning agent, and the date of installation. The volume also features 350 black-and-white photographs that document the diverse and rich beauty of the region's public monuments. The ninth volume in the widely acclaimed, award-winning Public Sculpture of Britain series, Public Sculpture of Staffordshire and the Black Country is an invaluable resource for British historians, art scholars, and travelers alike.

For many travelers on their way to or from Long Beach Island, Manahawkin may only be the Parkway exit and main highway to the beach. But this rapidly growing community by the bay has a rich past that is intimately tied with the Island and the maritime and coastal traditions of the South Jersey shore. This new hardcover pictorial history explores a shore town whose roots go back in time to before the Revolutionary War. The stories are based in southern Ocean County, but they range to high points of Shore history from the 1600s to the present.With stories of people, families and landmarks, Stafford Chronicles vividly recalls different ways of life in a town that has seen many changes. We hear accounts handed down of sea serpents and ancient whalers. Others tell of the feel of salt spray that braced men working in the now-defunct pound fishing industry on their way through the breakers over on the beach. Or how women made their mark in the local workplace, such as at New Jersey Bell in the 1940s. A resident recalls his youth, playing sandlot baseball with Doc Cramer before Doc's pro days. Another tells of fishing from the window, growing up in a house situated on the old plank causeway bridge. And we learn that some of the east coast's first surfboards were shaped in Manahawkin backyards.Readers will discover local landmarks -- some long gone, others in a new incarnation; they will learn why there is an Old Stone Store and a Manahawkin Lake; they will relive the days of the Tuckerton and Long Beach Railroad; they will visit with world-renowned decoy carver Hurley Conklin; they will discover who Doc Hilliard and Doc Lane were; they will hear living history told by those who livedit. Other chapters have written accounts from older times, such as excerpts from Nathaniel Bishop's Four Months in a Sneakbox, detailing his trip down the Mississippi.Stafford Chronicles is a remarkable collection of essays, reminiscences, memories and photographs. Reading it is like sitting on the porch, talking with your neighbors.

When the great actor, Bassett Oliver, who was a martinet for punctuality, failed to turn up to a rehearsal which he himself had called, his business manager guessed that something had happened. It had. But it took more than one set of brains to discover the truth, and another set of very curious circumstances was mixed up in it. Copplestone, the young dramatist, helping to solve the mystery, found himself suddenly in love; and the solution and his happiness were discovered together.