Four prized selections, "The Open Boat," based on a harrowing incident in the author's life; "The Blue Hotel," "The Bride Comes to Yellow Sky," and the novella Maggie: A Girl of the Streets.

NEW YORK TIMES BESTSELLER From the host of Food Network’s Girl Meets Farm and bestselling author of the IACP award-winning Molly on the Range, a collection of cozy recipes that feel like celebrations. Home Is Where the Eggs Are is a beautiful, intimate book full of food that’s best enjoyed in the comfort of sweatpants and third-day hair, by a beloved Food Network host and new mom living on a sugar beet farm in East Grand Forks, MN. Molly Yeh’s cooking is built to fit into life with her baby, Bernie, and the naptimes, diaper changes, and wiggle time that come with having a young child, making them a breeze to fit into any sort of schedule, no matter how busy. They’re low-maintenance dishes that are satisfying to make for weeknight meals to celebrate empty to-do lists after long workdays, cozy Sunday soups to simmer during the first (or seventh!) snowfall of the year, and desserts that will keep happily under the cake dome for long enough that you will never feel pressure to share. The flavors in this book draw inspiration from a distinctive blend of Molly’s experiences—her Chinese and Jewish heritage, her time living in New York, her husband’s Scandinavian heritage, and their farm in the upper Midwest. She uses seasonal ingredients that are common in her region while singlehandedly supporting the za’atar and sumac import industry in her small town. These influences come together into fuss-free crave-able meals that dirty as few dishes as possible and offer loads of prep-ahead, freezing, and substitution tips, such as: Babka Cereal Mozzarella Stick Salad Doughnut Matzo Brei Ham and Potato Pizza Chicken and Stars Soup Orange Blossom Creamsicle Smoothies Hand-pulled Noodles with Potsticker Filling Sauce Marzipan Chocolate Chip Cookies In Home Is Where the Eggs Are, the feeling of home starts in the kitchen; just melt some butter, fry an egg, and build a little memory around it.

Few institutions were as central to nineteenth-century American culture as the home. Emerging in the 1820s as a sentimental space apart from the public world of commerce and politics, the Victorian home transcended its initial association with the private lives of the white, native-born bourgeoisie to cross lines of race, ethnicity, class, and region. Throughout the nineteenth century, home was celebrated as a moral force, domesticity moved freely into the worlds of politics and reform, and home and marketplace repeatedly remade each other. At Home in Nineteenth-Century America draws upon advice manuals, architectural designs, personal accounts, popular fiction, advertising images, and reform literature to revisit the variety of places Americans called home. Entering into middle-class suburban houses, slave cabins, working-class tenements, frontier dugouts, urban settlement houses, it explores the shifting interpretations and experiences of these spaces from within and without. Nineteenth-century homes and notions of domesticity seem simultaneously distant and familiar. This sense of surprise and recognition is ideal for the study of history, preparing us to view the past with curiosity and empathy, inspiring comparisons to the spaces we inhabit today—malls, movie theaters, city streets, and college campuses. Permitting us to listen closely to the nineteenth century’s sweeping conversation about home in its various guises, At Home in Nineteenth-Century America encourages us to hear our contemporary conversation about the significance and meaning of home anew while appreciating the lingering imprint of past ideals. Instructor's Guide

Not yet famous for his Civil War masterpiece, The Red Badge of Courage, Stephen Crane was unable to find a publisher for his brilliant Maggie: A Girl of the Streets, finally printing it himself in 1893. Condemned and misunderstood during Crane’s lifetime, this starkly realistic story of a pretty child of the Bowery has since been recognized as a landmark work in American fiction. Now Crane’s great short novel of life in turn-of-the-century New York is published in its original form, along with four of Crane’s best short stories–The Blue Hotel, The Bride Comes to Yellow Sky, The Monster, and The Open Boat–stories of such remarkable power and clarity that they stand among the finest short stories ever written by an American.

Collected for the first time in one volume.How does money--or the lack of it--affect our lives? What happens when the rich meet the poor, when status comes with a price tag, when personal desires do battle with financial concerns? This unique anthology offers a mosaic of answers, with stories by: * Francine Prose * F. Scott Fitzgerald * Jack London * Kate Chopin * Ethan Canin * Gloria Naylor * Sandra Cisneros * O. Henry * Theodore Dreiser * Stephen Crane * Kate Braverman * James T. Farrell * Charlotte Perkins Gilman * and many others.

First published in 1893, when Stephen Crane was only twenty-one years old, Maggie is the harrowing tale of a young woman’s fall into prostitution and destitution in New York City's notorious Bowery slum. In dazzlingly vivid prose and with a sexual candour remarkable for his day, Crane depicts an urban sub-culture awash with alcohol and patrolled by the swaggering gangland "tough." Presented here with its companion piece George’s Mother and a selection of Crane’s other Bowery stories, this edition of Maggie includes a detailed introduction that places the novel in its social, cultural, and literary contexts. The appendices provide an unrivalled range of documentary sources covering such topics as religious and civic reform writing, slum fiction, the "new journalism," and literary realism and naturalism. An up-to-date bibliography of scholarly work on Crane is also included.