2019. The year certainly made its mark on the world—and more than its share of scars. It also made for a bounty of good horror stories of the extreme kind, the best of which the tales herein serve to illustrate. 2019 was the year Year's Best Hardcore Horror went global. Not by design but because the stories inside just happened to have been written by authors hailing from various parts of the globe. From Australia by way of South Africa, to Italy, Scotland, Norway, Taiwan, North America and India--the common denominator being that their tales come from darkest regions of imagination. TABLE OF CONTENTS GOING GLOBAL: INTRODUCTION by Randy Chandler & Cheryl Mullenax FEAST FOR SMALL PIECES by Hailey Piper GODDESS OF GALLOWS by Kristopher Triana LATE NIGHT INCIDENT AT THE WHITE TRASH MOTEL by Duane Bradley A NEW MOTHER’S GUIDE TO RAISING AN ABOMINATION by Gwendolyn Kiste UPPER CRUST by Michael Paul Gonzalez REDLESS by Annie Neugebauer A TOUCH OF MADNESS by Tim Waggoner PARADISUM VOLUPTATIS by Joanna Koch RADIX MALORUM by Sean Patrick Hazlett LACKERS by Leo X. Roberson WHY DO BIRDS SUDDENLY APPEAR? by Rajiv Moté DARJEELING by Syon Das MRSA ME by Alicia Hilton WHAT DID YOU DO TO THE CHILDREN? by David L Tamarin HAVE A HEART by Matthew V. Brockmeyer SWINGS AND SUSPENSIONS by D.A. Xiaolin Spires KIRTI by Alessandro Manzetti THE TEA AND SUGAR TRAIN by DEBORAH SHELDON SCREAMS FOR STARGIRL by Ben Pienaar QUEER WEATHER by Scáth Beorh

Comet Press is extremely proud to present its third annual anthology featuring this year's hardcore corps of authors with the best extreme horror fiction of 2017 that breaks boundaries and trashes taboos. It was a killer year for horror fiction of the harder kind. Authors, editors and publishers presented readers with some startling works of horrific imagination, stories graphic in the extreme yet with subtleties suggesting larger meanings, tales that explore humanity by plumbing depths of soulless inhumanity and, in some cases, outright depravity. The stories here represent the best of them, disturbing tales that dig deep and take you into the dark heart of horror itself, unrelenting and unapologetic. “So Sings The Siren” by Annie Neugebauer takes us onto a Dark Fantasy stage for a one-night-only performance of mythological torture. Then Ryan Harding’s “Junk” gets right to the hardcore stuff with the ultimate dick-pic horror tale. Robert Levy’s “The Cenacle” is a literary cemetery feast you may have a hard time stomaching (Tums won’t save you). Nathan Ballingrud’s “The Maw” treads surefootedly on Sci-Fi ground, right up to the edge of the Maw itself in a tale of stunning originality. Luciano Marano made his first pro sell when he sold “Burnt” to DOA III, certainly one of the year’s best anthologies, and the tale has it own fiery fetishistic twist. “The Better Part of Drowning” by Octavia Cade treads waters of both science fiction and fantasy but it’s pure horror at its biting depths. Tim Waggoner’s “Til Death” is Lovecraftian Post-Apocalypse horror at its absolute best. “Letter From Hell” comes with that special delivery you only get from Matt Shaw. Dani Brown gets down and very dirty in her “Theatrum Mortuum,” which may be the most extreme thing you read all year. Glenn Gray’s “Break” is a hard-to-take anatomy lesson given to a man weary of doing hard time. In “Bernadette” Ramiro Perez de Pereda gets medieval in his tale of a djinn summoned by a desperate priest. Brian Hodge takes you on a trip to Mexico you will never forget in “West of Matamoros, North of Hell.” This story is a masterpiece of suspense, a grueling experience that may well leave you exhausted by the end. You might even feel like a vacation afterward, but we’re betting it won’t be to Matamoros. Bracken MacLeod’s “Reprising Her Role” takes us behind the scenes of a porno snuff film for a gut-wrenching reprisal and unexpected bonus footage. A real-life death threat inspired Doug Ford’s “The Watcher” and we think it shows. “Scratching From The Outer Darkness” showcases Tim Curran’s descriptive prowess and gives you a tale of hardcore Cthulhu Mythos. Brace yourself when Adam Howe’s “Foreign Bodies” takes you deep into the bowels of a nasty abyss—which might make a good echo chamber for the laughter Adam’s patented black humor is likely to elicit. Sean Patrick Hazlett introduces us to “Adramelech,” an ancient demon with a taste for broiled children. Daniel Marc Chant’s “ULTRA” jacks into a popular VR game called Slut Slayer. But what if it’s more than a game? Nathan Robinson takes us into the trees with a group of militant environmentalists who will discover a tree hugger of the deadly sort, entirely alien to their experience. Scott Smith (A Simple Plan and The Ruins) wraps up this year’s fat package of the hard stuff in a big bloody bow with “The Dogs.” The canines in this tale are not Man’s Best Friend variety, nor are they Woman’s Besties, as you will see. Thanks for coming along into this year’s heart of hardcore darkness. We hope to see you on the other side.

Spanning the universe of modern literary horror, this volume features 29 genre rich short stories by 29 cutting edge authors, some well known, some soon to be. If you'd like a snapshot of where this genre is headed, you have found the right book. This book was nominated for a Bram Stoker Award(r) for Superior Achievement in an Antholog

"The deceptively simple prose keeps the book brisk and even gripping as its puzzles grow more craggy and complex. This is Evenson's singular, Poe-like gift: He writes with intelligence and a steady hand, even when his characters decide to lop their own limbs off."—Time Out New York When Kline is kidnapped by a dark sect that believes amputation brings you closer to God, he's tasked with uncovering who murdered their leader. Will he uncover the truth in time to save himself, take on the mantle of prophet, or destroy all he sees with a rain of biblical violence?

NATIONAL BESTSELLER • Trapped in the Mexican jungle, a group of friends stumble upon a creeping horror unlike anything they could ever imagine in "the best horror novel of the new century" (Stephen King). Also a major motion picture! Two young couples are on a lazy Mexican vacation—sun-drenched days, drunken nights, making friends with fellow tourists. When the brother of one of those friends disappears, they decide to venture into the jungle to look for him. What started out as a fun day-trip slowly spirals into a nightmare when they find an ancient ruins site ... and the terrifying presence that lurks there. "The Ruins does for Mexican vacations what Jaws did for New England beaches.” —Entertainment Weekly “Smith’s nail-biting tension is a pleasure all its own.... This stuff isn’t for the faint of heart.” —New York Post “A story so scary you may never want to go on vacation, or dig around in your garden, again.” —USA Today