The Armenian genocide of 1915 has been well documented. Much less known is the Turkish genocide of the Assyrian, Chaldean and Syriac peoples, which occurred simultaneously in their ancient homelands in and around ancient Mesopotamia - now Turkey, Iran and Iraq. The advent of the First World War gave the Young Turks and the Ottoman government the opportunity to exterminate the Assyrians in a series of massacres and atrocities inflicted on a people whose culture dates back millennia and whose language, Aramaic, was spoken by Jesus. Systematic killings, looting, rape, kidnapping and deportations destroyed countless communities and created a vast refugee diaspora. As many as 300,000 Assyro-Chaldean- Syriac people were murdered and a larger number forced into exile. The "Year of the Sword" (Seyfo) in 1915 was preceded over millennia by other attacks on the Assyrians and has been mirrored by recent events, not least the abuses committed by Islamic State. Joseph Yacoub, whose family was murdered and dispersed, has gathered together a compelling range of eye-witness accounts and reports which cast light on this 'hidden genocide.' Passionate and yet authoritative in its research, his book reveals a little-known human and cultural tragedy. A century after the Assyrian genocide, the fate of this Christian minority hangs in the balance.

In this story set in East Texas, a local seamstress named Chintana finds herself responsible for five orphans who are not only captivated by a storyteller’s tale of vengeance but by the long black box he sets before them. As midnight approaches, the box is opened, a fateful dare is made, and the children as well as Chintana come face to face with the consequences of a malice retold and now foretold.

Time is money. Time is a Weapon. Time is running out. Grant Leap is an orphaned, mortal farmhand in a world where cultivation methods and Weapons of Power are jealously guarded and only passed down among family. He's not content with his lot; as a Januarian, someone living in District January, he should be living the good life just like everyone else. Food, parties, food, entertainment, and food are the minimum requirement. As an orphan, specifically a reviled Leap, there's not even a chance of being treated as a human. When a celestial event pours time magic into his field, coalescing into a lost Weapon of Power, Grant leaps at the opportunity to advance beyond even the scope of standard cultivation. At the first touch of the weapon, the orphan gains everything he's ever wanted: a Sword and a Name. Also, a pesky mandatory quest with his life as the price of failure. It doesn't take him long to realize that the best thing for him to do is to sell it and live on borrowed Time. Yet, that would never happen. The blade offers him the first major choice he's ever had to make: surrender to his desires... or live like a King.

The newly crowned King Arthur has yet to win the support of the people. Merlin must do something before the king is betrayed, or murdered, or--worst of all--gets married. So Merlin creates a trick: a sword magically placed into a slab of rock that only Arthur can withdraw. Then he lets it be known that whosoever removes the blade will rule all of England, and invites any man who would dare, to try to pull out the sword. But then someone else pulls the sword out first. . . .

Released in 1969, the film Battle of Britain went on to become one of the most iconic war movies ever produced. The film drew many respected British actors to accept roles as key figures of the battle, including Sir Laurence Olivier as Hugh Dowding and Trevor Howard as Keith Park. It also starred Michael Caine, Christopher Plummer and Robert Shaw as squadron leaders. As well as its large all-star international cast, the film was notable for its spectacular flying sequences which were on a far grander scale than anything that had been seen on film before. At the time of its release, Battle of Britain was singled out for its efforts to portray the events of the summer of 1940 in great accuracy. To achieve this, Battle of Britain veterans such as Group Captain Tom Gleave, Wing Commander Robert Stanford Tuck, Wing Commander Douglas Bader, Squadron Leader Bolesław Drobiński and Luftwaffe General Adolf Galland were all involved as consultants. This detailed description of the making of the film is supported by a mouth-watering selection of pictures that were taken during the production stages. The images cover not only the many vintage aircraft used in the film, but also the airfields, the actors, and even the merchandise which accompanied the film’s release in 1969 – plus a whole lot more. There are numerous air-to-air shots of the Spitfires, Messerschmitts, Hurricanes and Heinkels that were brought together for the film. There are also images that capture the moment that Battle of Britain veterans, some of whom were acting as consultants, visited the sets. Interviews with people who worked on the film, such as Hamish Mahaddie, John Blake and Ron Goodwin, among others, bring the story to life.

“Any attempt at peace must be attended by a knowledge of self,” discovers writer and photographer Mikkel Aaland, who grew up with a bomb shelter for a bedroom, in terror of nuclear war. At the height of the Cold War, Aaland finds himself drawn into a mysterious Shinto priest’s plan to save the world. Traveling from Norway to the Philippines, Iceland to South Africa, he places pieces of a sacred Shinto sword in key power spots around the world. Along the way, he comes face to face with his deepest childhood fears of war and destruction, encounters the compelling and mysterious Shinto religion, struggles with the uncertainties of love, and learns to face life with an open heart. The Sword of Heaven tells the extraordinary true story of a journey in which all boundaries are pushed—geographical, cultural, and personal—and in which the healing of the world and the healing of one man appear to be inextricably linked.