A Place to Call Home Traveling through the Wyoming wilderness, all Bridger Jamison wants is a job and a safe haven for his brother. Finding work with the lovely Lola Martin solves at least one of his problems. And the charming town of Quiver Creek seems like the perfect place to start a new life. A string of mysterious deaths has the town--and Lola--on edge. She isn't sure what to make of the new man in town. But she can't help trusting the handsome carpenter who shows such tenderness toward his brother. When secrets come to light, Lola must put her faith in the man who's stolen her heart, or risk letting a perfect love pass her by....

"Four novels of love in frontier forts" -- cover.

"This book covers all of the major fly fishing rivers, including the Snake, Green, Shoshone, Popo Agie, New Fork, Clark s Fork of the Yellowstone, Wind, Salt, Hoback, Gros Ventre, Encampment, North Platte, and more. There is a special section on the famous flyfishing waters of Yellowstone National Park and Grand Teton Park. The famous Yellowstone, Lamar, Slough Creek, Madison, Firehole, Gibbon, Upper Snake, Gallatin, Fall, and Bechler Rivers are covered. There are over 70 detailed maps of the waters, along with hatch charts, recommended flies, and how and when to fish these waters. There are listings for guides, fly shops, motels, and campgrounds. This is the ideal book to plan your flyfishing trip to Wyoming and Yellowstone National Park."--Amazon

A guide to canine care covers such topics as the comparative health of purebred and mixed-breed dogs, the benefits and consequences of common health care practices, and how to identify best pet foods.

Whether seen as a land of opportunity or as paradise lost, the American West took shape in the nation's imagination with the help of those who wrote about it; but two groups who did much to shape that perception are often overlooked today. Promoters trying to lure settlers and investors to the West insisted that the frontier had already been tamed-that the only frontiers remaining were those of opportunity. Through posters, pamphlets, newspaper articles, and other printed pieces, these boosters literally imagined places into existence by depicting backwater areas as settled, culturally developed regions where newcomers would find none of the hardships associated with frontier life. Quick on their heels, some of the West's original settlers had begun publishing their reminiscences in books and periodicals and banding together in pioneer societies to sustain their conception of frontier heritage. Their selective memory focused on the savage wilderness they had tamed, exaggerating the past every bit as much as promoters exaggerated the present. Although they are generally seen today as unscrupulous charlatans and tellers of tall tales, David Wrobel reveals that these promoters and reminiscers were more significant than their detractors have suggested. By exploring the vast literature produced by these individuals from the end of the Civil War through the 1920s, he clarifies the pivotal impact of their works on our vision of both the historic and mythic West. In examining their role in forging both sense of place within the West and the nation's sense of the West as a place, Wrobel shows that these works were vital to the process of identity formation among westerners themselves and to the construction of a "West" in the national imagination. Wrobel also sheds light on the often elitist, sometimes racist legacies of both groups through their characterizations of Native Americans, African Americans, Mexican Americans, and Asian Americans. In the era Wrobel examines, promoters painted the future of each western place as if it were already present, while the old-timers preserved the past as if it were still present. But, as he also demonstrates, that West has not really changed much: promoters still tout its promise, while old-timers still try to preserve their selective memories. Even relatively recent western residents still tap into the region's mythic pioneer heritage as they form their attachments to place. Promised Lands shows us that the West may well move into the twenty-first century, but our images of it are forever rooted in the nineteenth.