Although there was oral literature among speakers of ancient Iranic languages, the author argues that there is no valid reason to assume that Middle Persian speakers, alone among sedentary peoples of their time, never or seldom wrote literary works in their language. Not only are there many Middle Persian literary works surviving in translation, and sufficient testimonies to the existence of Middle Persian literary works now lost and to Sasanian Middle Persian literacy, there are also strong explanations for their general nonsurvival that eliminate the assumption of a theory of predominant literary orality and disinclination to write literature, an argumentum ex silentio. We may reasonably assume that it is wrong to propose that what happens to survive in the original language on stone and metal surfaces and in desert environments represents the true range of Sasanian Middle Persianthe odds are far against it. Especially when propped up by a concept of ancient Iranians and without any definition of literature or the literary, it has no sound basis and is contradicted by a variety of extant sources.

The definitive translation by Dick Davis of the great national epic of Iran—now newly revised and expanded to be the most complete English-language edition A Penguin Classic Dick Davis—“our pre-eminent translator from the Persian” (The Washington Post)—has revised and expanded his acclaimed translation of Ferdowsi’s masterpiece, adding more than 100 pages of newly translated text. Davis’s elegant combination of prose and verse allows the poetry of the Shahnameh to sing its own tales directly, interspersed sparingly with clearly marked explanations to ease along modern readers. Originally composed for the Samanid princes of Khorasan in the tenth century, the Shahnameh is among the greatest works of world literature. This prodigious narrative tells the story of pre-Islamic Persia, from the mythical creation of the world and the dawn of Persian civilization through the seventh-century Arab conquest. The stories of the Shahnameh are deeply embedded in Persian culture and beyond, as attested by their appearance in such works as The Kite Runner and the love poems of Rumi and Hafez. For more than sixty-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,500 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

In Khwadāynāmag. The Middle Persian Book of Kings Jaakko Hämeen-Anttila analyses the lost sixth-century historiographical work of the Sasanians, its lost Arabic translations, and the sources of Firdawsī's Shāhnāme.

An eleven-volume guide to the geography, history, economy, government, culture and daily life of countries of the Middle East, western Asia and northern Africa.

Persian literature is the jewel in the crown of Persian culture. It has profoundly influenced the literatures of Ottoman Turkey, Muslim India and Turkic Central Asia and been a source of inspiration for Goethe, Emerson, Matthew Arnold and Jorge Luis Borges among others. Yet Persian literature has never received the attention it truly deserves."A History of Persian Literature" answers this need and offers a new, comprehensive and detailed history of its subject. This 18-volume, authoritative survey reflects the stature and significance of Persian literature as the single most important accomplishment of the Iranian experience. It includes extensive, revealing examples with contributions by prominent scholars who bring a fresh critical approach to bear on this important topic.The first volume offers an indispensable entree to Persian literature's long and rich history, examining themes and subjects that are common to many fields of Persian literary study. This invaluable introduction to the subject heralds a definitive and ground-breaking new series.

The Routledge Handbook of Ancient, Classical, and Late Classical Persian Literature contains scholarly essays and sample texts related to Persian literature from 650 BCE through the 16th century CE. It includes analyses of some seminal ancient texts and the works of numerous authors of the classical period. The chapters apply a disciplinary or interdisciplinary approach to the many movements, genres, and works of the long and evolving body of Persian literature produced in the Persianate World. These collections of scholarly essays and samples of Persian literary texts provide facts (general information), instructions (ways to understand, analyze, and appreciate this body of works), and the field’s state-of-the-art research (the problematics of the topics) regarding one of the most important and oldest literary traditions in the world. Thus, the Handbook’s chapters and related texts provide scholars, students, and admirers of Persian poetry and prose with practical and direct access to the intricacies of the Persian literary world through a chronological account of key moments in the formation of this enduring literary tradition. The related Handbook (also edited by Kamran Talattof ), Routledge Handbook of Post Classical and Contemporary Persian Literature, covers Persian literary works from the 17th century to the present.

Lavishly illustrated, the book contains seventy five historical maps and colour plates which visualize the historical background of Hungary and introduces its early history to a broader readership. The early history of Hungarians is embedded into the history of Eurasia and special attention is given to the relationship of the Hungarians with the Khazars and the Bulghar-Turks. The first part deals with methods and sources which can be used for elucidating the ancient history of the Hungarians, relying on research into linguistics, archaeology, anthropology and natural history. The second part traces how the Hungarians came into the Carpathian Basin and answers such questions as: who are the Magyars, from where did they come and how did they conquer the land? It reconstructs and examines their early political and social structure, the economy, and religion, and compares the Hungarian medieval process with the ethnogenetic processes of the Germanic, Slavic and Turkic people.