I.B.Tauris is delighted to announce the reissue in paperback in three volumes of the definitive, most comprehensive edition, in the finest translations and fully annotated, of the writings of this great filmmaker, theorist and teacher of film - and one of the most original aesthetic thinkers of the twentieth century. Now in paperback for the first time, Volume 1 documents from the definitive Russian texts the complex course of Sergei Eisenstein's writings during the revolutionary years in the Soviet Union. It presents Eisenstein the innovative aesthetic thinker, socialist artist and humourist, passionately engaged in the debates over the art forms of the future. Importantly, this was also the period of Eisenstein's great silent masterpieces, 'The Strike', 'The Battleship Potemkin', 'October' and 'The General Line', and of his controversial sojourns in Hollywood and Mexico.

I.B.Tauris is delighted to announce the reissue in paperback in three volumes of the definitive, most comprehensive edition, in the finest translations and fully annotated, of the writings of this great filmmaker, theorist and teacher of film - and one of the most original aesthetic thinkers of the twentieth century. Now in paperback for the first time, Volume 1 documents from the definitive Russian texts the complex course of Sergei Eisenstein's writings during the revolutionary years in the Soviet Union. It presents Eisenstein the innovative aesthetic thinker, socialist artist and humourist, passionately engaged in the debates over the art forms of the future. Importantly, this was also the period of Eisenstein's great silent masterpieces, 'The Strike', 'The Battleship Potemkin', 'October' and 'The General Line', and of his controversial sojourns in Hollywood and Mexico.

A classic on the aesthetics of filmmaking from the pioneering Soviet director who made Battleship Potemkin. Though he completed only a half-dozen films, Sergei Eisenstein remains one of the great names in filmmaking, and is also renowned for his theory and analysis of the medium. Film Form collects twelve essays, written between 1928 and 1945, that demonstrate key points in the development of Eisenstein’s film theory and in particular his analysis of the sound-film medium. Edited, translated, and with an introduction by Jay Leyda, this volume allows modern-day film students and fans to gain insights from the man who produced classics such as Alexander Nevsky and Ivan the Terrible and created the renowned “Odessa Steps” sequence.

The series presents outstanding monographic interpretations of Nietzsche's work as a whole or of specific themes and aspects. These works are written mostly from a philosophical, literary, communication science, sociological or historical perspective. The publications reflect the current state of research on Nietzsche's philosophy, on his sources, and on the influence of his writings. The volumes are peer-reviewed.

The aesthetic nature and purposes of computer culture in the contemporary world are investigated in this book. Sean Cubitt casts a cool eye on the claims of cybertopians, tracing the globalization of the new medium and enquiring into its effects on subjectivity and sociality. Drawing on historical scholarship, philosophical aesthetics and the literature of cyberculture, the author argues for a genuine democracy beyond the limitations of the free market and the global corporation. Digital arts are identified as having a vital part to play in this process. Written in a balanced and penetrating style, the book both conveniently summarizes a huge literature and sets a new agenda for research and theory.

The majority of Christians in China over the course of the last century have worshipped not in missionary-founded churches or in congregations affiliated with the contemporary Three-Self Patriotic Movement or Chinese Catholic Patriotic Association, but in independent and unregistered churches, often labeled "house churches." From the Pentecostal and Charismatic movements within the mission-church landscape of the early twentieth century, to the Calvinist Reformed movement in the present-day Protestant church, the vibrant faith life and extraordinary church growth of this sector of Chinese Christianity offer a fascinating witness and lesson to the world church. Yet despite the size of their congregations and the spread of their teachings, the theologies of these independent and unregistered churches have drawn much less academic attention than those of mission-church or "state church" theologians. This volume presents a selection of new studies on "house church" theologians and theologies. These begin in the early twentieth century with studies of the Spiritual Gifts movement in Shandong and the nature of Pentecostalism in Hong Kong, and arrive in the present with essays on the changing role of women's leadership in the church, given the spread of Reformed thought and the theological implications of Westminsterian Neo-Calvinism in China. The second section of the volume is devoted to the theological writings and lives of the two most prominent independent church figures of the twentieth century: Wang Mingdao and Ni Tuosheng (Watchman Nee). These chapters include studies of spiritual theology; of Ni's doctrine of humanity, his views on salvation, and his prison letters; and of Wang Mingdao's life and moral thought, his Confucian beliefs, and his understanding of the relationship of Christians to the state. The third section of the volume foregrounds church voices like the fundamentalist Samuel Lamb and the mediating figure Yang Shaotang, and considers local developments in Roman Catholicism in light of Vatican reforms.